Andrew Loog Oldham

This book got glowing reviews when it was published in the US a few months ago: ‘Irresistible’ (New York Times); ‘Riveting’ (Boston Globe); ‘Energetic and engaging’ (Washington Post). I kept wondering if I was reading the same book. You wouldn’t have thought it possible to make the Rolling Stones boring, but Bob Spitz somehow manages to. Let me count the ways. By giving his own programme notes on every Stones record; by paying far too much attention to the actual recording process and crediting every new sound engineer; and by totally missing the point that it is the Stones themselves we are interested in. I’m fairly typical of diehard Stones fans in that I got hooked in the 1960s and have stayed with them ever since. I am now 82.

One Sunday in October 1967, about 16 per cent of the British population settled down at 8.15 p.m. to watch the Morecambe & Wise Show on ITV. This was mainstream family entertainment aimed at all age groups, but there was also a place each week for teen-friendly acts from the pop charts. That evening it was the turn of four sharply dressed East End mods, who managed to inject some real heart and soul into their band’s performance. ‘They look very nice, don’t they?’ said Ernie, to which Eric replied: ‘They look extremely nice, except for one thing. Their faces are too small, I feel. Much too small.’ Mild leg-pulling of this kind was par for the course.