The joie de vivre of Emily in Paris
The hit series Emily in Paris is being eviscerated by the media. Despite labeling it “Netflix’s most-hated show,” “a catastrophe of culture,” and “inedible tripe,” high-minded critics sure are spending a lot of time and website space talking about it. I am all about scrutinizing art (if we can call Emily “art”) to extract something meaningful. But in the following analysis, I will argue why we should absolutely stop analyzing Emily in Paris. First of all, I don’t understand why critics are disappointed not to find the answer to some weighty Descartian theory in a show whose descriptor reads: “After landing her dream job in Paris, Chicago marketing exec Emily Cooper embraces her adventurous new life while juggling work, friends and romance.