Album

Grade: A It’s a cliché that the best Spanish music was written by Frenchmen but it’s mostly true nonetheless, and here to prove the point is Domingo Hindoyan and the Royal Liverpool Philharmonic Orchestra. Debussy’s Iberia and Ravel’s Rapsodie Espagnole form the balmy, orange-scented heart of this Franco-Spanish album, featuring not a single note by an actual Spaniard. It’s a beaker full of the warm south; summer holiday music for these bleak, damp days. Four Spanish-themed French miniatures fill out the programme, including Ravel’s spicy orchestration of Alborada del gracioso. I’ll be honest, though, they had me at Chabrier’s Espana, that shameless little burst of sunshine from a composer who

Grade: A Pierre Boulez once called Messiaen’s giant Turangalila-Symphonie ‘brothel music’. That was mean-spirited but you knew what he meant: a typical performance comes in at just under 80 minutes, much of it consisting of the B-movie sound of an ondes Martenot wailing over lush harmonies. There’s a constant zig-zag of polyrhythms, plus great towers of brass that represent ‘the heavy, terrifying brutality of old Mexican monuments’ – but, yes, it can hang around like cheap scent. But not in this recording by the Toronto Symphony Orchestra under its music director Gustavo Gimeno, who lingers only where he has to. The effect is not hurried but bouncy and clean-limbed, allowing