Poems

I Paid the Fisherman

I paid the fisherman as he passed by, took in my hand this vile monstrosity, a creature murky as its watery haunt, an outsize weevil, or a hydra’s runt; shapeless as shade, and nameless as the Lord. A maw that gaped, and a black stump that bored out through the scales… It snapped at me. God grants a place in his colossal ordinance to these revolting spooks, a world obscured. It snapped at me… We came to blows, we sparred, my fingers fearful of the teeth’s attack: the vendor slipped away behind a rock, vanishing, as it bit me. ‘Go!’ I cried: ‘Bless you, damned creature!

The Lost Father

Under the lamp of childhood, the atlas of the world is open to the man: his fingers travel continents, stroke the blue seas, cross their blood red lines to America — to that inevitable page, with circles where his father had set down his whisky glass on the Nebraska plain, with pencilled names of strangers and train times: the whole damn Western in which the hero flees, reduced to its director’s scribbled notes of a young man on a train, hurrying to some future from an unforgiving past.

Every Day

Every day another word slips away I never know it’s gone  until I’m lost for it But some days I get one back to roll around my tongue and wonder what exactly it is going to say.

The Tool Chest

How much space was it really taking upat the back of the garage? Flipped open,on the lid’s underside, a handsawand a brass-backed tenon saw held fastby swivel pegs; two shallow box drawers with gimlets, awls, that yellow cylindrical tinfor the bricklaying plumb line, slid apartto get at the bigger stuff, any old howat the bottom: chisels, the brace and its bits,that rod like a devil’s tail – the soldering iron.Hand tools for absolute precision.Nothing electrical. Grandad’s kit,that had skipped my father, hardly neededby me in the city, that top floor flat,so I drove them to the auction place.No more lugging around, making space.Never sell your tools, he always said.

The Love Letters

Don’t dare shred me one Tuesday afternoon In a corner of your dismal office, Or spend two minutes of the life you’ve settled for Pondering if I can be recycled in the blue  Rather than composted down in the brown. Don’t even think about turning me Into recollected-in-tranquillity,  Re-imagined and therefore rubbish poems. If you give her a new name and write A Sequence I swear, I swear I will scream like she did. She loved you, she hated you, For the love of God man up: Burn me in a gaping Victorian grate,  Hurl me from the cliff in a hessian bag And make it good enough for Alan Bates or Rickman on Saturday night TV.

What Was a Library?

Campus trees, grown tall, shadow this forgotten place. In one small room, The Birds of Europe rage, awaiting Judgement’s storm and fire. That day, released from their engraver’s burning cage, red breast, white wing, gold eye will light the dust-grey shelves, as each one flees through broken windows, hinge-sagging doors, to settle, call and sing in the unlettered trees.

A Post-It Note

for Wendy So time, for one of us, will carry onin chilly rooms where either you or mewill linger for a while after we’ve gonein silences on worn upholstery,in orange paperbacks we’ll never readby crooked lamps, the shadows they still thrownow falling where, for once, we’d both agreedthe lucky one would be the first to goand in their rush, perhaps, leave keys and coat,a just popped out, back soon that comes unstuckto curl up in a yellow Post-it notewith two small kisses clinging on for luckand, trembling on the fridge, collecting fluff,the love for which there’s never time enough.

Shibui

The Sacred Heart sister at Sophia Posts me an airmail letter With two sought-after stamps For her twelve year-old collector. Much later, on cassette, She talks of doing a doctorate On etiquette in Edo, Plus a traveller’s guide for the Gaijin. The millennium hosts its moment; A tsunami coasts toward Christmas. She tells me on the telephone Of an essay on Shusako Endo, The convert Catholic novelist, His link an east-west ligature And a job for her jubilee year. Call and response continue From the ’64 Olympics To the karaoke bar She runs with an Irish Jesuit For mystical male alcoholics.

Catching Up

For three days now it has been possiblereading the letters and looking at photographs,to tell myself there is no differencebetween this and your just being somewhere else. I’ve been philosophising like a foolsupposed resemblances, absence apart:memory, other minds and the rest of it.Nothing resembles the fact that you are not. Rarely knowing what I’d come up with nextor how it would turn out, I never didsee how you always got there first- and lessby dint of progress than by standing still. Tonight we’re having our first conversationsince you died. It proceeds, as usualbut minus the element of surprise – the elementthat was you. Have I caught up at last?

The Shepherds are on Quad Bikes

The shepherds are on quad bikes. They wear Adidas and drink Black Sheep.  Still, only they know the tenderness of hills:   fleecy skies, the shiver of gorse; empty lanes  and the prayer of a winter dawn. Their angels  are on Instagram; their psalms are by Dave.  They dream of glad tidings: Lotto numbers  daubed in red, while lifting lambs like trophies.  They’ve lost count of the sleepless nights:  ice on the cattle grids, lost ewes, and a moon  herding clouds into the fold of the horizon.  Few follow the crowd, but wait for a miracle;  like finding, at the back of a cave, a cache of  stolen iPhones bundled like the Dead Sea Scrolls.

Lights and Shadows

Chichester to London Victoria They feel the same,       the missing and the found,  once empty stillness       settles in the mind  and dulls the edge       of every loss you find.

For Joan Rajsingh

Her frail breath calls through the quickening hours:‘My body is broken, make up my bed,a deep cup of reed leaves lined with reed flowers, feathers and flickers beyond human powersand cram it with anguish when I am dead.’Her frail breath calls through the quickening hours: ‘Furnish with letters, my Saint Christopher’smedal, an unleavened morsel of bread,a deep cup of reed leaves lined with reed flowers.’ A creature of proud civility cowers.The elegant brain has ruptured and bled.Her frail breath calls through the quickening hours: ‘Is life a race of unmerciful hoursto capture with toil, with furious dread,a deep cup of reed leaves lined with reed flowers?’ A reedling weaves space from whispering towers:a grail for white eggs, for wings of soft red.

Piazza Della Lepre

There’s a black door in Piazza Della Lepre with neoclassical figures. The stairs lead up to a knocking shop, at the very top. The best in the city, oh what ceilings! There’s no lift. You must walk up the slate stairs.  The stairs are steep. Not everyone can: heart seizure, ennui, brain softening and some who do never put their nose in the piazza again,  extinguished – it would seem – by rapture. Number 9, Piazza Della Lepre. Books have been written and songs have been sung. Any man of that age would have taken their pleasure there back in the day. They were young. They didn’t walk up the stairs. They – more or less – ran.

The CLA

Sectioned, I was sent to the Cicada Lunatic Asylum. Doctor Coppola signed the papers. His patients, he explained, were beleaguered by obsessions. Hence the cicadas which colonised the trees in the great courtyard. We were encouraged to adore them. This was Doctor Coppola’s radical way of defying insanity, he was known across Europe. It wasn’t easy at first. Sbagliando si impara. Practice makes perfect. Imagine locked wards of relatively decent people flapping their tongues. Even the cicadas thought we were cicadas. Saturdays Doctor Coppola conducted his monomaniacal troupe from the gazebo. People came from Spoleto: wooden benches, jugs of wine, hand-rolled cigarettes. Bravissimo! Bravissimo!

30th December 2016

Each twig of the willow tree was gluedto a clear twig shadow of frozen dew. By midday, a one degree rise in heatloosened ridges of ice to the ground in showers. They lay amongst the grassstrangely, like transparent razor blades and glistled as they fell. Under thisgentle fire: two blackbirds and a robin fought over diced apple, stollen,mince pie and Christmas cake crumbs. I stood under the tree like a figurein a cracked-open snow globe: a part of this unbound arrangementthat could never happen again.

Imposter

This is not you because you don’t work anymore. Hands that once caused crowds to roar in derby matches – flicking balls like flies over the bar – now struggle with a fork. That chest which swelled to face the cavalry stampede of strikers groans at all the air still left in the world. Legs which booted the ball miles behind enemy lines now buckle like wiry twigs. We sit in the car listening to the sea and the football results. Bolton wanted you once. You could have played in the Matthews final but you stayed behind because of the girl. Old enough to kick you taught me the goalie’s trade – dragging lines in the grass with your boot to show where the posts were. Making your body big. Yours has shrunk.

Psilocybin

(after Heine) I saw the elves in the wood last night, riding in the light of the moon; I heard their little horns ring out, their bony bells’ portentous tune. They spurred past me as swift as thought on mice whose antlers shone like gold; those steeds flew silently as swans, wild swans that range the southern cold. Their queen nodded as she went by, nodded and smiled (I held my breath). Did that strange smile mean my new love, or did that smile betoken death?

The Queue for the Kiss-gate

The festival ended aeons ago but the queue haunts on between two fields to a meadow.  Only a few ahead of us now, jovial, as if the rusty clang- clang tolled fresh vows. A sapling thrills in the breeze  like a dog shaking off a river. Children lose themselves in trees.   And now that we’re inside  the cage, we admit to nerves. It’s late                   yet the sun confuses the year, its glitter in our eyes as we kiss                        neither too old nor afraid to pass through to the second field.

Hinge

Split apart with a thumbnailits two leaves open: brushed mild steel,cool in your palm, symmetrical. Allow a finger to settlein any of the countersunk screw holes –the natural comfort of cupping. The definite edges of each leafwill be bedded one day flushin the door’s back edge and the jamb. This is where the work is done,effortlessly transportingthe weight of the door.

Gathering Daffoldils

In bulb-beds in the public park, daffodils lie headlong, scythed by Spring storms. The rate of attrition is high: one in ten felled beyond saving, fodder for slugs. I triage the casualties, their snapped stems, bruised blooms spattered with mud. These I bring home, and a vase of water will be their hospice: a tattered corps of buglers sounding the last post.