Poems

The Waves of Chios

As when a man who has been dementing for years –old friends burst into tearswhen they see the ruins of his mindold lovers in despairlook up the rules for Dignitas – when he dies at last, gently, in deep sleepand one by one for the rest of usthe memories sweep back,how he listened, how he believed in dialogueand held warmth in his heart to the end – so, looking down from the cliffI watch the wild Greek ocean-going waveswith their cargo of flotsam and saltroil around the rocks, fan up in spray, spread their all-embracing murmur on the shore, and never stop.

Stone Island Archipelago

They appear to believe they’ve laid the patio of everyone’s dreams: beautiful, lovingly made, fashionably disordered. You can see from their faces they’re proud of their work, proud of themselves — though it’s a haphazard, crazed mess, compounded of slabs of different sizes that simply don’t fit together — gaps chinking through — some slabs broken, others cracked, or dribbled with paint. And they’ve put in no foundations, no hard- core, no sand, and it’s all just plonked down on the grass of their back garden. They tell me, it does what it’s meant to do, for them, it works well, it works fine.

Procrastination Island

Some of us can’t see the wood for the piles of notes obscuring the windows – notes on paper, in the making of which the established view has had to be dismantled. We try another tack, bend our minds to an alternative approach, but down on the beach it’s high-note tide, the smooth and shiny stones all lost beneath a swell of notes. We construct an origami boat, roll up notebooks for oars and paddle staunchly to the horizon where novel observations are reeled aboard like minnows and several drownings are noted. Those of us who make it back to shore find much has changed since we set off – even the words sound different now.

With Love to Mozart

It is the fear by which all fears are fed, The certainty one day you will lie dead. Such fear is groundless, some might call it rot: Consider, where death is there you are not. Truly, this should have no power to scare, Like you, it will be neither here nor there. Just wait, the harmless truth shall be revealed, You flourished as a flower of the field. You won’t be struggling for a breath of air, Or fretting in the dust, still half-aware. Fear not, there’s no foul limbo in-between The fact that you once were and now have been. There is one who evokes this comedy Precisely and entire, most perfectly Don’t speak of hell or everlasting bliss, I simply want to be where Mozart is.

Solitary

For this to work, we must switch places so my cell, this window, these walls become yours, so now, in the blue night you can see the shadow of a bird as it flits across the moon and in the morning, feel the sun, like a jailor, pouring its light meanly through the bars. Listen, and you’ll hear faintly, the sound of children, snatches of song; on Saturdays, perhaps a violin or guitar. Once you’ve tuned your eyes to the dark you’ll see the damp on the wall  has grown into an olive tree. And after a year,  you might find the place where I bundled my despair; the loose brick where I hid my hope.

Song (After Heine)

Who invented the clock, pray tell, time’s division, the ticking spell? An ice-cold man that hated song, who sat and thought the whole night long and listened to the starved mice brawl and beetles pacing in the wall. What invented the kiss? I’ll tell: a lovely mouth, you know full well, that kissed and did not think at all; it was in May, the wondrous call of bird and bloom adorning earth, the sun-god roaring golden mirth.

The Etymology Wars

Awful you were christened on the eighth daywith a name that was like any name the christener’s gift.   Awful you were christened because your actswere so awfully and obsessively oddand broke every law of the house.Who would have known you served another lawthat advised your awe-filled dreadof what on earth would happen if you didn’t flickthe switch ten times, or hide the keys?Who would know you brought to the houseyour many awful and unlawful actsso awfully lawfully, so awfully full of awe?

Notice to Foxes

Take back your big green foam rubber balland the red one with teeth marks, and the shuttlecock. Take the leather sandal kidnapped from next door.Take your chewed KFC packaging, plus the sachet of sauce, the paper napkinand the surgical mask you scavenged from the pavement. Replace the mountain of earth you dug outfrom under the roots of our sycamores, and the panel of fencing you knocked overon the way to trampling my bedding plants, snapping off tall foxgloves at the root,and dragging down my Rosa Mundi. Go squealing and scrapping in some other garden,with all your trappings. You have ceased to be cute.

Wearyall Hill

(A legend of the Christmas rose) The old man on the Tor that morning Woke up, he said, to find his mooring Had overnight become a hill, The lake scattered with piles of land Become a valley. A lorry undid The tiny tangled road below. Where was his trading ship ? he asked, And the godchild who had travelled with him ? I offered to help him search for them. He did his best to follow me, Tired and stumbling down the slope. The stiles and precipitous ditches Pitched us above the landscape And his legendary journey. I looked back up for him. Far off He loomed above the shifting sky, The figure on a dipping prow Fastened to its endless quest. I never saw him in the town.

First-time Buyers

She dings the bell, a muffled chime from the gut of number twenty-nine, and both of us step off the step, survey. This place was quite a schlep from where we parked behind the bar we’d called ‘our future local.’ Ha! A couple emerges, whips past, and a suited lad is left; one hand grips an iPad, the other keys. He holds a smile, says ‘This way, please’ and leads us down a mildewed hall. She mutters ‘I think we’ve seen it all’ but, being English, we poke about. Two more stand ready as we file out. Two more stand ready as we file through the gate of number fifty-two which backs against the prison. Wire coils above the back yard, higher than anything the listing caught on film somehow, it seems. Abort!

Unrequited Love

They’re trying to hold the shapeof their smiles while wrestling with their darlings who, it seems,would rather be anywhere than planted on their knees: mum and thunderous son,dad clutching daughter, as she flails towards something in flight.The photographer clicks anyway. They’ve made an effort: the knitsare new and ties are properly knotted. Poor parents. These are the cuckoosthey let into their cherished nest.

Bottle

He wakes. Alive. No cash. No phone. Down from their ash trees squirrels nose through drink and dope enough to stone a wood’s astonishment of crows. He stirs and gives the crows a scare. Pinned up with lamps, tar paper sky flaps open at a corner where, tipped out of dusk, moths flicker by, skim rings around him, put to flight such stars as steel-capped boots might spark, shake out the red from each tail light before their wings fold into bark; its scabbed and corrugated face that mocks him as, still pissed, he tries to wave down cars or, flailing, chase light vanishing inside cats’ eyes, gone searching for an end, a trick with ampoule, vial or blister pack or, waiting for its twist and click, the white top of a childproof cap.

My friend Proudhon

I painted beaches, seasides, shores or waves dashed on a harbour wall, a mackerel sky, a signature, to peddle to the gullible, until the seasons ran aground with darkly varnished fishing smacks or chalk-white gulls soared to astound the cliffs that threw their shadows back. My friend Proudhon said property was theft and so each rock and shell, each stone turned over by the sea, was never mine to lift or sell; as if I’d stumbled on by chance, light-fingered, dawn’s exuberance, pickpocketing, as morning came, sienna, cobalt, cadmium.

Turntable

On the yard behind Hanley Fire Station,   Jean-Claude from the French manufacturer is servicing the ladder. Bob, the chief mechanic,  hands slipped inside navy boiler suit   warm on his belly, purses his lips,  puffs his cheeks at Jean-Claude spinning in the operator’s seat like a funfair ride,  testing the turntable: sending the ladder  higher than the drill tower, maxed out;  then all sections sliding down, gathered into one again, compact. In the first floor canteen  they face one another in silence – Bob knows a spanner and a spindle but can’t do French, Jean-Claude  flummoxed by the local cuisine – both relieved they’re almost done, back on their feet, cheers, au revoir.

Conditional

If I still remember the termsprotasis and apodosisfrom Latin grammar days at school, why can’t I exchange this knowledgewith its minimal relevanceto my subsequent life, in which sentences trot along quite wellunparsed and without their clausesneeding precise designations, for instant access to the namesof acquaintances approaching,all smiles, at social gatherings?

Versions of the Staircase (A Decuplet of Treads)

Not regret at what could have been said              but regret, half way down, at what was said  (… this will be called the fifth tread of ten). Not only regret at what was said but that it was said before it knew it was said (… this will be called the sixth tread of ten). Not only regret at what had been said but that it will cause other things to be said by way of reprisal for what was said and by way of knowing will be said again and so much regret is a foot mid-stride on what will be called the tenth tread of ten.

Borderland

Enough to walk –  enough to walk, untied enough to move together side- by-side, to let the words occur to let the world occur around. Scrap  the table in between, the stare and all  it means, enough to brush a shoulder, let a misstep cause two hips to touch.  Enough a glance, a glancing off at what a plane can teach, what  might be learnt from an edge.

She Wishes for the Cliffs of Devon

Had I south Devon’s embattled cliffs, Ablaze with gorse-bloom and salted light, The sand and the schist and the chalk cliffs Of rust and slate and softest white, I would spread the cliffs under your feet: But I, being here, have only ploughed fields; I have spread ploughed fields under your feet; Head south, love; beware the tug of ploughed fields.

Between the Toes

When he was a young reporter, writing  for the Straits Times on the Korean War,  my brother-in-law was based in Japan. His girlfriend, Itsuko by name, taught him  certain refinements concerning hygiene  that had not been part of his upbringing: for example, to dry between his toes. Sometimes I embarrass friends by asking  if they include this in their own routine – although that implies a further question:  do they, in the first place, wash between them?  Apparently not everybody does.

The Drone

The point of the hike was to forget the waveof restructures. Cuts were in favour all season,each team member prepared for transformationagainst a profile, a personal specification. Beyond the M40 underpass, we trod the gaps,those places the towns had not made their own,so we could talk through what matterslike wanting to be outside of ourselves for the day. We thought we knew what the landscape allowed for,assured by the discretion of its valley ear,in the untrammelled grass of a mid-winter.The thickets were not given over, we assumed. Only when we had achieved our aimand our legs ached from switchbacksdid we see a shape. It came over a field, a dotand then, there, only fifty yards away, its red eyesuddenly honed to us, its fervent electric buzz rising.