How to fix the Met
‘It’s impossible to predict hits,’ said the man paid $1.4 million a year to, well, predict hits
‘It’s impossible to predict hits,’ said the man paid $1.4 million a year to, well, predict hits
The Met’s show is tribute to a fine artist of boundless talent
The much-missed musician is the beneficiary of a new, bespoke space inside the Victoria & Albert Museum’s East Storehouse outpost
The week has evolved into a content-driven machine
Above all, Reiner proves his vim and vigor by the very quality of the film
Twelve Churches is a hugely accomplished and endlessly readable book, rich in historical and ecclesiastical detail
Many books mix fiction and memoir. Successfully incorporating criticism into a novel is more unusual
Buckeye is a fine illustration of how drawing-room tensions can fester and become matters of historical significance.
A new Woolf typescript is cause for celebration. Two cheers for Seshagiri. But this new edition is a weak casket
The curators’ political peacocking has long carried no risk
The artist’s unflinching vision of a world gone awry is as powerfully direct as his late-in-life compositions of compassion and hope
In early photos, the crowds – and the band members – are eager, curious and frank
The first comprehensive repackaging of any of Drake’s albums does justice to the musician
Every detail, every sound, every object feels intentional
The play rises from social commentary to legitimate art piece, avoiding mere parody and ax-grinding
Noel Parmentel’s quote, ‘The right wing was fun back then,’ is one of the takeaways from Daniel J. Flynn’s new book
Julia Clark’s new novel succeeds both as a gripping mystery and a sly commentary on the art of storytelling itself
Nicholas Boggs has written the first major biography of the writer in more than 30 years
The writer remains supreme in part because women don’t merely want dazzling men, we want to be dazzling ourselves.
The paintings become mysteries, enticing and deserving of attention precisely because there are so few