American cinema at its best
The Brutalist represents a Christopher Nolan-esque swing for the big leagues
The Brutalist represents a Christopher Nolan-esque swing for the big leagues
The pool of guests on the podcast is a commendably eclectic one
A shocking read about a World War Two tragedy
Source Code is really a book about perseverance in the face of seemingly overwhelming odds
Why are so many women reading the genre?
The Crying of Lot 49 is often hawked as the gateway drug to the writer’s peculiar universe
For sheer entertainment value, it is the ‘campus trilogy’ of Changing Places, Small World and Nice Work that can hardly be bettered
‘Drawing the emotions out of my father was the most challenging part’
There is much more to the cinematic treatment of the ‘song and dance man’ than A Complete Unknown
There’s growing appetite for original content centered on values and the artists who perform it
He once painted fakes to trick art galleries; now he paints them for wealthy customers
Graffiti in the old city is disappearing — in comes a host of new art treasures
What to watch this March
As much as anything else, Citizen is a book of omissions
In his new book, Spencer A. Klavan takes his reader through a brief but brilliantly executed history of scientific discovery
The pop psychologist’s new book is not likely to light the fire of faith in any young fan
Her memoir suggests that the icon doesn’t know what makes her compelling
It is difficult to think of any area of modern life which is not anticipated in Faust
Stanley Kubrick’s 1975 picture was ridiculed on release. Fifty years later, it is considered a masterpiece
The melding of truth and fiction is both culturally limiting and the kind of dangerous terrain which breeds conspiracy theories and fake news