Books

Evie Wyld’s powerful fourth novel opens from the perspective of Max, a ghost who haunts the south London apartment where he lived with his girlfriend Hannah. A ghost story is new ground for Wyld, the multi-award-winning Anglo-Australian writer, but her signature traits are immediately evident — poetic observations of unusual details; a pervasive sense of grief and palpable trauma, leavened with a wry sense of humor (Max notes his "strong urge to file a complaint" about being a ghost); and an intricate plot that compels readers to delve into complex past events.

What’s in a name? Well, if it’s Einstein, quite a lot. For Roberto Einstein, it was to prove a devastating connection, even though he had lived in Italy all his adult life, was married to an Italian Christian woman, Nina, with whom he had two children who regularly attended church, and was father to two motherless nieces who were brought up Catholic. In 1944, the increasingly paranoid German occupation decided that Roberto’s whole family was Jewish and inextricably linked to the world-famous Nobel prizewinning scientist Albert Einstein, now in America and high on the Nazi death list. There were connections, of course. Roberto and Albert were first cousins — their fathers were brothers — and were both committed atheists.

For a few days in February 2000, Masayoshi Son was the richest person in the world. A risk-taker and showman, universally known as Masa, he had long been disdainful of Japan’s staid "salaryman" business culture and was riding the wave of dot-com mania. His company SoftBank, founded in 1981, had bet big on the growth of online shopping. The bullish mood didn’t last, and Masa slunk away from the limelight — but only for a while. A techno-optimist, the now sixty-seven-year-old has repeatedly reinvented himself, urging doubters to see beyond the immediate: "You’re limiting your field of vision to thirty years… Start bold and think 300 years ahead.

"Gliff" is a word which can mean "a short moment," "a wallop," and "a post-ejaculatory sex act;" to "dispel snow," "to frighten," and to "escape something quickly." It’s "really excitingly polysemous," says one of Ali Smith’s characters. It’s certainly an apt title for a book which can’t seem to define itself. At its center are two children, Briar and Rose, who have been abandoned. Their mother is absent, caring for a sick sister, and their other responsible adult leaves to find her. The children exist in a stock dystopian world (people are surveilled by CCTV cameras and zombified by screens) with a twist: they repeatedly wake up to find that a red line has been painted around their house or camper van. They are on a list of "Unverifiables.

In February 1974, the British prime minister Edward Heath, then facing one of his country’s cyclical economic crises, called a snap general election. The result was close; Heath’s Conservative Party won the popular vote but secured fewer parliamentary seats than the Labour opposition. After power-sharing discussions broke down, Heath resigned from office. A fifty-seven-year-old bachelor without a London home of his own, he lodged for the next several months at a small Westminster flat owned by his political secretary Timothy Kitson. The man who had served as his nation’s head of government for the previous four years was left with a typist, a single daytime detective and a part-time driver at his disposal.

“Very fine people on both sides” was one of the first Trumpisms to enter our national lexicon. In the heady days of 2017, when Donald Trump’s presence in the White House was still a novelty and liberal resistance at its peak, the removal of a statue of Confederate General Robert E. Lee in Charlottesville, Virginia precipitated a full-blown political crisis. Trump, in his inimitable fashion, clumsily suggested that those protesting the statue’s removal had a point, an argument that was widely interpreted as proof of his secret affinity for Confederate sympathizers, white supremacists and other far-right fanatics. In truth, Trump was awkwardly defending a version of the Civil War that has lately been eclipsed in our national consciousness. Is Trump a history buff?

Film The Substance Seeing Dune: Part Two in IMAX, with the floor shaking as Paul Atreides’s forces charged the palace was my second-best cinema-going experience of the year. Trumping it was watching a DC audience recoil every other minute at Coralie Fargeat’s body-horror The Substance, a film that nods to Stanley Kubrick and David Cronenberg while declaring itself the most original of 2024. Two-thirds of the way through, I stopped wincing and started laughing, probably because my body didn’t know how to react. The film is a brutal parable of female self-loathing and insecurity — exacerbated, of course, by a venal male-led system, which Dennis Quaid’s producer Harvey personifies in a manner as grotesque as any of the movie’s gross-out special effects.

I wouldn’t have thought a book about America’s decline would cause me to laugh out loud, but having enjoyed its author Matt Purple’s work for years now (full disclosure: he’s a personal friend and former Spectator colleague), I should not have been the least bit surprised that his debut book is as funny as it is insightful. Decline from the Top: Snapshots from America’s Crisis and Glimmers of Hope is a veritable joy to read. Though he declares himself to be a “cranky conservative,” Purple’s humor and wit offer a diagnostic examination of the American condition that exudes warmth and obvious heartfelt concern for our nation’s wellbeing.