Why was Steven Soderbergh’s Star Wars film rejected?
That his film might be seen as a risk says a lot about how tainted the brand has become
The good, bad and ugly in arts and exhbitions
That his film might be seen as a risk says a lot about how tainted the brand has become
Director Jonathan Bank is unable to do the play justice
Olivia Levine’s one-woman show takes the mental illness as a subject
The actor is the best part of Springsteen: Deliver Me from Nowhere
The documentary claims the Saudis were behind 9/11 – and the CIA then protected them
It’s a strange time, McEwen reflects, to be an artist
The Life of a Showgirl is conceptually mature and compelling
It is a grand, multifaceted masterpiece of badness
The band never lost sight of what first made them great, and what made rock ’n’ roll great
She’s the nation’s court jester
Tim Robinson’s latest cringe-fest is sophisticated and hilarious
The ‘Tron: Ares’ star represents a cautionary tale for our times
From Ziggy Stardust to Marie Antoinette, the mood is maximalist
He struggles to chart a new course in The Smashing Machine
‘It’s impossible to predict hits,’ said the man paid $1.4 million a year to, well, predict hits
The Met’s show is tribute to a fine artist of boundless talent
The much-missed musician is the beneficiary of a new, bespoke space inside the Victoria & Albert Museum’s East Storehouse outpost
The week has evolved into a content-driven machine
Above all, Reiner proves his vim and vigor by the very quality of the film
It’s gotta be really, really good if it wants to stay even slightly relevant