Tanya Gold

The Ivy Chelsea Garden is a restaurant inside an Edwardian house disguised as a Tudor house on the King’s Road; it was formerly the fetid Henry J. Bean’s American Bar and Grill, which was a sort of magnet and sex market, with cheeseburgers, for Chelsea teenagers. It sits in a row of babywear shops and artisan bakers — why Chelsea needs bakers I know not, because no one here is fat enough to eat bread. Perhaps it bespeaks a psychic insecurity that even the rich of SW3 feel — for the bread is the life? It is the third instalment of Richard Caring’s growing Ivy franchise, because Caring — catering’s Dr No — cannot let a good brand rest in peace; he loves money, and napkins, too much for that.

La Coupole, Montparnasse, is the grandest and most famous of the old pre-war Parisian brasseries; that is, if you have an Esprit Brasserie loyalty card, as I have, you can dine in homage to dead continental intellectuals — plus Ernest Hemingway — whenever you wish, and with 20 per cent off. They sit, dead in black and white on the walls in their spectacles, like the toys Star Wars sold but more rigorous and interesting. Ernest Hemingway is to Parisian brasseries what Mickey is to Disney World; Edith Piaf — or Salvador Dalí — is Daffy Duck. Me, I sat under a playful cartoon of Jewish intellectuals murdered by the Nazis. Happy Easter, Europe. The street is a shrieking boulevard; the exterior is Art Deco at its most inhumane and bulbous; the room is vast.

The Dorchester Hotel, Park Lane, is a cake floating in space. All grand hotels create a parallel universe in which their guests are returned to some great gilded and unnatural womb with mini-bar and floristry, but the Dorchester feels particularly remote; has it overplayed its myth? Or is it a combination of the traffic (Park Lane has eight traffic lanes, three roundabouts, one set of unicorn-themed gates and a monument to the dead animals of war), the net curtains (the decorative equivalent of blindness) and the strange completeness of the building? What does the Dorchester, with its curved beige frontage and yellow awnings, actually look like? Bournemouth. Or any retirement community. Such as Monaco, or Torquay.

I think Rowley’s is the perfect restaurant; but I am really a gay man. Rowley’s is at 113 Jermyn Street (the Tesco end). It was made in homage to the Wall’s sausage and ice-cream fortune, although it opened in 1976, after the Wall’s sausage and ice-cream company (I call it that because it sounds magical) was sold to Unilever (less magical). So it is quite a late homage. The Wall’s sausage and ice-cream fortune, how I love to type the words; did you know that Mr Wall moved into ice-cream so as not to sack staff in the summer months, when no one — except me and George IV — wants to eat sausages? That is worth remembrance.

Rivea (stupid name) is in the bowels of Bulgari in Knightsbridge, a hotel which looks like a vast Virgin Upper Class lounge. It sits opposite One Hyde Park (stupid name), an apartment block which looks like a vast Virgin Upper Class lounge and which I am fairly certain appeared two weeks ago in a very silly television show called Silent Witness, in which a plutocrat was murdered with scented gas after being chased by the FSB. Was he Litvinenko, or Berezovsky, who I think was murdered for suggesting that Vladimir Putin is really Dobby the masochistic elf from Harry Potter? Who knows, but it is always gratifying when the BBC drama department does the government’s work for them. Even so, with the super-rich (when did everything get so super?

Quaglino’s is an ancient subterranean brasserie in St James’s, a district clinging to the 18th century with cadaverous fingers. It was founded in 1929 by -Giovanni Quaglino, who once wrote a book called The Complete Hostess; do not buy a haddock that weighs over 2lbs, he counsels, among other things. Quaglino’s is called a ‘grande dame’ by the sort of critic who confuses ‘grande’ with louche. Quaglino’s initially catered to posh idiots who thought they were ‘edgy’ because they listened to jazz during the abdication crisis. The Queen came once — the first time a reigning monarch had dined at a restaurant — and Princess Margaret repeatedly, but the Queen did not return; louche, then.

The Cereal Killer Café is a temple to cereal on Brick Lane, east London. It serves only cereal — and also Pop-Tarts, which taste like pavements smeared with chocolate — and flavoured milk. It has been open for one month and is already famous for its monomania, its whimsy — look, cereal! — and its co-owner’s on-air fight with a Channel 4 News journalist about the morality of selling £3.50 bowls of cereal in a ‘poor area’. (The Channel 4 reporter did not notice the bespoke chocolatier next door or the boxer-short boutique nearby, in which golden boxer shorts hang on hangers. He did not notice that the East End is now a tourist destination offering guided tours of graffiti or, as I call it, crime with squiggles.

Somerset House, a handsome Georgian palace on the Thames, was once the office of the Inland Revenue, and the courtyard was a car park, but that particular hell is over. Instead there is Skate at Somerset House with Fortnum & Mason, which is a purple-lit skating rink next to a ‘pop-up’ shop or ‘Christmas arcade’. This, because all PR copywriters think they write for Jennifer’s Diary in 1952, is apparently ‘the most chic and complete Christmas experience in London this season’. I doubt it. There is, for instance, no sign of Rudolph the red-nosed reindeer, Father Christmas, or rogue elves, although there is a ‘twinkling 40ft Christmas tree hand-picked from the Kielder Forest’.

Mousehole is a charming name; it is almost a charming place. It is a fishing village on Mount’s Bay, Cornwall, beyond the railway line, which stops at Penzance, in an improbable shed; I love that what begins at Paddington, the most grandiose and insane of London stations, ends in a shed. The Spanish invaded Mousehole in 1595 but Drake’s fleet came from Plymouth and chased them away; nothing so interesting has happened since; just fishing, tourism and decline. Now there are galleries and restaurants and what the Cornish call ‘incomers’ buying cottages, in which they place ornamental fishing nets after painting everything white. (For something more ‘authentic’, you can visit the Old Ship Inn on the harbour.

Atlantico is a vast buffet inside the Lopesan Costa Meloneras Resort Spa and Casino in Gran Canaria. The Lopesan Costa Melonoras Resort Spa and Casino — or, as I will henceforth call it, TLCMRSAC — looks like Citizen Kane’s Xanadu without the art, the metaphor or the tragedy. It has towers, chandeliers, vistas, pools, terraces, tennis courts, a swim-up bar, a miniature golf course and palm trees. It is a synthetic paradise for Europeans who want sun in November in their own time zone; it is more unnatural than Las Vegas. Atlantico has roughly one thousand covers, if you include an annexe room styled like an Egyptian tomb with a coffee machine, and an annexe terrace. (Each terrace has its own familiar, or cat.

Beast is next to Debenhams on Oxford Street and it is not conventionally beast-like; rather it is monetised and bespoke beastliness, which is not really beastliness at all. It is something worse. The outside is Dead Animal Inc: glassy, corporate, bland. The reception has a 10ft bronze bear covered with swirls which look like paisley or some photogenic skin disease. A woman presses the button inside the lift for you, should you be too stupid or lazy to do it yourself. And downstairs, as the lift opens and you peer into the dark, you see a fridge full of hanging beef with labels flickering in a cold synthetic wind. They are next to tanks of king crabs and lobsters clambering on each other.

Gymkhana is a fashionable Indian restaurant in Albemarle Street. It was, according to its natty website, ‘inspired by Colonial Indian gymkhana clubs, set up by the British Raj, where members of high society came to socialise, dine, drink and play sport’. This is revolting, in the same way that eating in homage to apartheid South Africa or to commemorate the genocide of native Americans is revolting. Not that this is exceptional, of course; these days no crime is so calamitous it cannot be seconded into an entertainment experience or themed meal. There is, after all, a cafeteria at Auschwitz which received the following review online: ‘They have a range of foods, from snacks, drinks, ice cream, hot dogs, burgers and meals. Plenty of seating.’ Ah, plenty of seating.

The Disney Café is a gaudy hell on the fourth floor of Harrods, Knightsbridge. It is adjacent to the Harrods Disney Store, and also the Harrods Bibbidi Bobbidi Boutique, in which females between the ages of three and 12 can, for fees ranging from £100 to £1,000, be transformed into the tiny, glittering monsters called Disney princesses. They look like the late Queen Mother, but miniaturised. They glide — or are carried, if very small — from boutique to café in hooped plastic gowns in poisonous pink; combustible cloud-dresses, made for arson. Their hair is tight with curls and hairspray, and topped with the essential tiara. They look obliviously class-obsessed and much the same as each other; and this is a wicked trick to play on children.

Rextail is a restaurant for billionaire children, such as Richie Rich. Its owner, Arcady Novikov, has already opened a restaurant for billionaire men and their spindly billionaire wives — the bonkers fusion Asian/Italian barn Novikov, which travels with its own angry cloud of cigar smoke and identity crisis; so a restaurant for children is the next logical step in the redevelopment of London as a playpen for plutocratic families or cults.

Fischer’s is Austria made safe for liberals, gays, Jews and other Untermenschen riffraff, because it is a restaurant, not a concentration camp, and because it is in Marylebone High Street, not Linz. It is the new restaurant from Chris Corbin and Jeremy King, who opened the Wolseley, the Delaunay and Brasserie Zédel, and it is more profound and lovely than any of them. There is always a clock in a Corbin and King restaurant, a big old clock from some fairytale train station, poised over the clientele as they stuff and age; for remembrance of mortality, I guess. Or maybe they just like big clocks?

L’Escargot, or the Snail, is a famous restaurant on Greek Street, Soho, opposite the old Establishment club; the oldest French restaurant in London, they say (1927), and who am I to argue? It is the type of restaurant that non-Londoners have heard of and used to visit. They passed photographs of Larry Olivier and Mick Jagger staring glumly at them as they took off their overcoats in the hallway for a pre- or post-theatre supper; despite this, or maybe because of it, the Snail fell into a long and sad decline. Its green and gold rooms embraced silence. The waiters snarled; the snails wilted. They had been there too long. They were big in the 1980s, and who recovers from that?