Tanya Gold is The Spectator's restaurant critic.
Bunyadi caters to folk for whom public nudity is somehow thrilling; I am here because A begged to go and bashed the steering wheel of the Honda Civic with his fist. I am not only nude, which is odd, because being sexually exciting is not my journalistic identity, but, worse, I have accepted a freebie.
Cliveden is a good review for a divided country and I have waited, not too long, for it to feel resonant for Spectator readers; it aches with class-consciousness. It has food pens dependent on your status — whether you are eating in the National Trust grounds, or the swanky (I love this word; it’s so
Whenever I write – or think – about Jeremy Corbyn supporters, I sound like Quentin Letts. For this I apologise. It probably did not help that the first thing I found at the pro Corbyn rally in Parliament Square yesterday was an anti-Semitism special in a far left newspaper. (It is their bar of shame). It suggested
Cafe Monico, as if named by an illiterate playboy, is on Shaftesbury Avenue between The Curious Incident of the Dog in the Night-time and Les Mis, so if you want to be in an Asperger’s syndrome/-singing French revolutionary restaurant sandwich it is the café for you, and only for you. It is from Soho House,
Absolutely Fabulous, which is about to make its cinema debut, is a comedy about women being useless. I watched it obediently in the 1990s — mostly for the clothes — and realise now, with more jaded eyes, that I was invited to laugh only at female failure. Failure is not a bad subject for comedy
I have been waiting, like a heroine in fiction, for the specialist lasagne restaurant. London has long been heading this way for the benefit of the consumer-simpleton who can only process one piece of information at a time. It is clearly a response to the glut of choice in late capitalism, and so close to
The Keeper’s House sits in the basement of Burlington House, a restaurant in disguise. It is quite different from the grand cafés of St James’s and Mayfair, which are raging exhibitionists with banquettes splayed like limbs. It is secretive and it knows, consciously or not, the tricks of children’s literature: the looking-glass, the wardrobe and
I should have known the London prep school scene was a racket from the way parents talk about it. They sound mad. ‘You’re too late!’ I was told by one mother, when my Little Face (not his real name) was nine months old, as if we had, by a whisker, missed the lifeboats at the
It is summer and the listless metropolitan thinks of grass. It cannot afford to stay at Durslade Farmhouse, Somerset, a branch of the Hauser & Wirth art gallery that serves food and plays cow noises in a former barn as authentic country folk rip their eyeballs out. Locals talk about Durslade Farm as a child
Batman owned the Criterion in The Dark Knight, but could he do anything about British Telecom? Savini at Criterion, an Italian restaurant, waited four months for an internet connection and telephone line as they prepared to launch this year; when it arrived they gave BT what must be the worst review in the history of
The V&A is selling £35 Agent Provocateur pants. This is, of course, a business deal because Agent Provocateur — along with Revlon — is sponsoring the museum’s new exhibition Undressed or, as I would have called it, if I were a curator with a gun to my head: Important Artefacts from the Ancient Kingdom of
The Parliament Hill Café is a drab glass box at the bottom of Hampstead Heath, near the farmers’ market and the running track. But it is something else too. It is a paradigm. The Corporation of London announced that the D’Auria family, who have run the café for 33 years, would not get a new
Islington is a bellwether, and also a joke: the most unequal borough in London, where social housing leans against £4 million terraces (for now, loyal Conservative voters, only for now), and also the holy font of Blairism as it appears in ‘It’s Grim Up North London’. Here, it is said, they sang the Blairite version
Wheeler’s is such a dreadful restaurant that I wonder if Marco Pierre White even knows his name is on it. I suppose, for legal reasons, we must assume he does, and was not held hostage in a cellar while they built and fretted and hung inflated photographs of their prisoner all over it, like the
Pharmacy 2 is the reanimated child of Damien Hirst; it lives inside the Newport Street Gallery in a forsaken patch of Lambeth by the railway arches. This makes it look, inevitably, like the set of The Bill, but with a painting of Damien Hirst on a nearby wall, which would surely confuse the Bill. Pharmacy 1 was,
Sartoria is a pale grey restaurant on Savile Row. As evidence that this is London’s destination street — if menswear is your compulsion — Bill Nighy walked past me as I searched for Sartoria; I had walked, obliquely, into his film and I was not dressed for it. But when am I ever? I wore
Le Caprice is a monochrome patch of the 1980s behind the Ritz Hotel, in the part of St James’s that looks like Monaco. (There is a car park.) It was, along with Langham’s and the Ivy, the most fashionable restaurant of the Thatcher years, beloved of media slags and wankers; also of Princess Diana (the
The last time I reviewed a restaurant in Selfridges, a PR man rang up to ask what he could do to change my opinion of Selfridges. Don’t worry, I told him, Spectator readers don’t go to Selfridges to sit in a fake Cornish fishing village, because they are too busy eating the remnants of the
The Feng Shang Princess is a floating Chinese restaurant on the Regent’s Canal in north London, which flows from Little Venice to the Guardian to Limehouse, and in which they quite often find corpses in shopping trolleys and vice versa. I do not know if the restaurant moves, and could theoretically travel to Paddington. I
We’re closing 2015 by republishing our ten most-read articles of the year. No9 is Tanya Gold’s piece from January, when The Theory of Everything was released. Stephen Hawking is a misogynist; and also, quite possibly, a narcissist. You wouldn’t know it from watching The Theory Of Everything, the new biopic from Working Title, in which you are invited
