Susan Hill

But of course this new book is by Peter Ackroyd, celebrated biographer, historian and chronicler, a bit of a polymath, a man who has written wonderfully informative and erudite books about Blake, the river Thames, Venice, and introductions to all the novels of Dickens, so naturally one expects a good deal more from The English Ghost than from any of those other popular titles on the same subject. One does not get it. Whether you believe in ghosts or not, one thing distinguishes the fictional ghost from the ‘real’ and that is Purpose. Read through the several dozen tales of English ghosts here and you will find not a single one that has any raison d’être fantome.

The clue comes early on in the book. ‘Beyond the Wild Wood comes the Wide World,’ said the Rat, ‘And that’s something that doesn’t matter either to you or me. I’ve never been there and I’m never going, nor you either, if you’ve got any sense at all. Don’t ever refer to it again please.’ In 1903, a shocking incident took place at the Bank of England, where the soon-to-be author of one of the most magical of all children’s books was then Secretary. A man had walked in from the street asking to see the Governor but had to settle for Grahame. He held out a roll of paper with two ribbons tied round it, one black, one white, and asked Grahame to pull either one.

First, I must declare an interest. I have never met Nicholas Haslam. As everyone else has, this makes me uniquely qualified to review his book without partiality. But not without interest, for Haslam is an intriguing man. I think there is more to him than meets the eye — whichever Nicholas Haslam it is that currently happens to do that. He is the easiest person to send up — but that surely is not the whole story. Then what is? — and can we read it here? There are some useful questions to be asked about the subject of a biography/autobiography. Has this person justified their existence? On balance, have they done good in the world or harm? Have they made best use of the talents they were given? Have they added to the gaiety of nations?

Old detectives rarely die — or age, for that matter: Poirot is forever 60, Sherlock Holmes 50, P. D. James’s Adam Dalgliesh a handsome 38 or so.  Old detectives rarely die — or age, for that matter: Poirot is forever 60, Sherlock Holmes 50, P. D. James’s Adam Dalgliesh a handsome 38 or so. But Rendell’s George Wexford is ageing all right, and it shows. He is all nostalgia and reminiscence and remarking on things that are not getting better in the latest novel set on his old patch, the Suffolk market town of Kingsmarkham. That has certainly changed. It has expanded, become less genteel and sleepy — though plenty of crime happens and much murder, as ever in these dear old places to which P. D.

Of how many novelists can it be said that they have never written a bad sentence? Well, it can be said of William Trevor, as it could of his fellow countryman John McGahern, and of many another Irish novelist. What was it that so formed them, to write such elegant, flexible, lucid, beautiful but serviceable prose? Instead of spending time doing MA courses in Creative Writing, all aspirants should be locked in a castle with only the novels of Trevor and McGahern to read and re-read. That would teach them how it should be done.

Susan Hill reappraises Charles Dickens’s classic You may be sure you have done more good by this little publication, fostered more kind feelings and prompted more positive acts of beneficence than can be traced to all the pulpits and confessionals in Christendom. So wrote the Edinburgh critic, Lord Jeffrey — not an easy man to please — to Charles Dickens. Thackeray said: ‘It seems to me a national benefit and to every man who reads it a personal kindness.’ And as A Christmas Carol was first received so it has continued: 6,000 copies were snapped up on its first day of publication and it still appears in some new edition almost every year. The total number sold round the world since 1843 must run into billions.

There are some classic novels about a boy growing up — Great Expectations and Kes spring to mind. Well, here is another. The Highest Tide is one of the best novels it has been my pleasure to read for many a day. And its cover is one of the worst it has been my misfortune to see. The author has been so badly served by this ugly, ill-drawn mess that if you have any sense you will buy it immediately and rejacket it in brown paper, as we did with our textbooks. But buy it you should. It is lyrical, moving, funny and breathtakingly well written. Miles O’Malley is almost 14 and becoming aware of the fact, but there are far more important things in his life than puberty, though his friends would have him believe otherwise.

The closed-circle Agatha Christieian detective story has rather fallen out of fashion in favour of the ‘crime novel’, the essential difference being that while every detective story is a crime novel the reverse is not necessarily the case. As the doyenne of the detective story P. D. James rarely strays far from home and The Lighthouse represents the form at its purest. First, we need the right, closed setting. It used to be a remote country house which a snowfall has cut off from the outside world, isolating the dozen people suspected of murdering the colonel. P. D. James has gone one better and invented her own island, Combe, off the Cornish coast, a windswept fortress to which Significant People needing privacy in secure surroundings go for a period of rest and re-charging.

Literature feeds off other literature and why ever not? Think of Jean Rhys’s The Wide Sargasso Sea and Michael Cunningham’s The Hours, bred from, respectively, Jane Eyre and Mrs Dalloway. Think of Shakespeare for that matter, who told a good story provided someone else had told it to him first. To get the most out of this chilling little tale you really do need to have read Henry James’s The Turn of the Screw. If you have not, shame on you, but Penguin Popular Classics have it for all of £1.50 and you have the treat in store of the greatest ghost story ever written. Come back here when you’ve done. Right. Good, isn’t it ? Now read on.