Sam Leith

‘A is for Amy who fell down the stairs/ B is for Basil, assaulted by bears...’ The Gashlycrumb Tinies, an alphabet in dactylic couplets of the surreal fates visited on a succession of blameless tots, is probably Edward Gorey’s best-known work — and that work forms a pretty coherent whole. Dozens and dozens of tiny booklets, almost all intricately hand-crosshatched in black pen, darkly spoofing established genres, set in a Victorian-Edwardian world of sighing flappers, funerary urns and decaying stately homes. They are filled with surreal menace and random violence or moral horror — much of it offstage — and always played for laughs. The dreamlike, associative drift of Gorey’s work — is that an umbrella or a bat?

“I wondered what would happen if you made Goliath the hero…” In this week’s books podcast I’m talking to the thriller writer Lee Child about the latest in his phenomenally successful Jack Reacher series, Past Tense. Lee tells me why you can’t have a knight-errant in Europe any more, about writing without knowing what happens next, Reacher’s trouble with women, why he can never remember his own titles -- and why liberals love reading about bad guys getting punched in the face. Plus: how he rumbled Robert Galbraith as woman.

In this week’s books podcast I’m talking to Geoff Dyer, one of our most wayward and wittiest writers, about his new book Broadsword Calling Danny Boy, a frame-by-frame discussion of the classic war movie Where Eagles Dare. Learn from Geoff about the importance of squinting in Clint Eastwood’s thespian toolbox, about the joy of snow-patrol Action Man, about why he shied away from plans for "Alistair MacLean: A Critical Reappraisal", and about why on earth Geoff would follow a learned book about Tarkovsky’s Stalker with a discussion of a piece of late-60s schlock. Plus: what happens when you get on the wrong side of Julian Barnes.

In this week's books podcast I'm talking to Ben Schott. The author of Schott's Miscellany, Ben's literary productions have taken an unexpected turn with the publication this week of his first novel. Jeeves and the King of Clubs is a tribute or companion piece to P G Wodehouse's Jeeves and Wooster novels, published with the authorisation of the Wodehouse estate. What the hell was he thinking? Ben tells me -- and also talks about the joys of nerdiness, the difficulty of living up to Plum, and the Spectator's role in the whole story.

In this week's books podcast I'm talking to Adam Sisman about More Dashing -- his new selection from the remarkable correspondence of one of the 20th-century's most celebrated adventurers, spongers and men of letters, Paddy Leigh-Fermor. What did Paddy really feel about his most famous act of derring-do, when he kidnapped a Nazi general in occupied Crete? What really went on in his unconventional marriage? And were -- as Adam Sisman contends -- his letters really at the heart rather than the periphery of his literary achievement?

Among the biggest surprises of this year’s Man Booker Prize longlist was the inclusion, for the first time in the prize’s 50-year history, of a “graphic novel”. Nick Drnaso’s Sabrina — a chillingly claustrophobic account of the aftermath of a murder in post-truth America — is undoubtedly a brilliant example of its form. But does a comic belong in contention for a fiction prize? I didn’t think so (and wrote as much in the FT). In this week’s Books Podcast the Man Booker Prize’s Literary Director, Gaby Wood, argues otherwise — and raises in the process the possibility that, one day, the Man Booker prize could be won by a book that doesn’t contain any words at all.