Sam Leith

Sam Leith

Sam Leith is literary editor of The Spectator.

Keir Starmer channeled Obama in his first Downing Street speech

From our UK edition

In his first speech from the Downing Street lectern, Sir Keir Starmer was setting out to reaffirm those qualities that won him the election. That was a relatively low bar to clear – he just had to give the impression that he was neither a crook nor a maniac – and he cleared it with ease. Here was a solid, sensible, ostentatiously humble speech delivered with persuasive but unshowy emotion.  Starmer was punctilious about showing grace in victory. Just a few days ago, he was deriding Rishi Sunak as a selfish chancer who had enriched himself 'betting against Britain' in his financial career; today, he was keen to 'pay tribute' to the outgoing PM’s 'dedication and hard work', and to the 'extra effort' that will have gone into earning a place as the first British-Asian PM.

Kathleen Jamie: Cairn

From our UK edition

24 min listen

In her new book Cairn, the Scots poet Kathleen Jamie sets a capstone of sorts on her trilogy of short prose collections Findings, Surfacing and Sightlines. She joins me on this week’s Book Club podcast to talk about why she hesitates to call herself a nature writer, how prose found her late in life, and why whale-watching isn’t what it used to be. Produced by Patrick Gibbons.

Why is Putin really trying to interfere in the UK election?

From our UK edition

Who says Britain is no longer a Great Power? To those of a declinist cast of mind, it must stand as a rebuke that, even with everything else on his plate, Vladimir Putin still regards our elections as worth interfering in. And, what’s more, those elections are so important that the Aussies are taking enough of an interest in them to consider that Russian interference newsworthy.   Russia may be trying to influence our elections, which as I say is flattering and all, but they aren’t trying very hard At the same time as it’s heartening that the Australian Broadcasting Corporation considers this a big deal it’s also, I suppose, a little dismaying that our own Broadcasting Corporation didn’t seem to notice. But there we are.

Åsne Seierstad

From our UK edition

48 min listen

My guest for this week's Book Club is the journalist and author Åsne Seierstad. She tells me about her new book The Afghans: Three Lives Through War, Love and Revolt; how and why she constructed a novelistic narrative about real-life people and events, and what her encounters with human rights activist Jamila, Taliban commander Bashir and thwarted student Ariana can tell us about the past, present and future of that troubled country. Produced by Patrick Gibbons.

Michael Gove is right to compare the betting scandal to partygate 

From our UK edition

Poor old Rishi Sunak. You would have to have the proverbial heart of stone not to feel, at least, a bat-squeak of pity for the man at this stage. First there was that poignant press conference in the rain, then the D-day kerfuffle, the flock of sheep in Devon who snubbed him when he tried to feed them, the series of ill-advised visits to chocolate teapot factories and pubs called things like ‘The Last Chance Saloon’, and now this...

Mark Bostridge: In Pursuit of Love

From our UK edition

41 min listen

My guest on this week’s Book Club podcast is Mark Bostridge. In his new book In Pursuit of Love: The Search for Victor Hugo’s Daughter, Mark describes his quest to uncover the traces of Adele Hugo and the doomed love affair which cost her her sanity. He tells me how Adele’s story chimed in poignant ways with his own life and what it taught him about the unstable emotional contract between biographer and subject.

The terrible consequences of the Hay Festival grandstanding

From our UK edition

Just three weeks ago, I wrote about Hay Festival sacking their main sponsor Baillie Gifford after pressure from the campaign group Fossil Free Books, which claimed the investment fund was profiting from the destruction of the planet and 'genocide' in Gaza. Whatever their merits of these charges (not much, as it happens), I argued, the sacking of a literary festival’s sponsor would do great harm to the festival and make no impact whatsoever on the fossil fuel industry or the lives of people in Gaza. Worse, I worried, would be if the campaigners scented blood and others followed suit. This could be a disaster for the arts in this country. In the three weeks since I last wrote about this, the dominoes have gone down faster than I had dared to imagine.

I’ve finally shaken my Candy Crush addiction

From our UK edition

Most of us, once we pass the age when we wash our own underpants, don’t play games on a PC or a console. We think ‘Twitch’ is what you get when your spouse stacks the dishwasher and ‘Discord’ is what comes next. But you bet we play Candy Crush on the commute. Mobile gaming is still gaming, and it’s a big deal. Problem is, most of it’s crap. This is true even when the games are OK. Take the new Strange Horticulture, which ports a well received PC/console original to mobile. It’s a cartoon-gothic puzzle game (you identify plants apothecary-style; there’s a murder plot; vibes abound) which is dragged from a solid B+ to a glum C by the fiddly interface on an iPhone. Peer angrily at the tiny script; stab clumsily at the screen with your Homer Simpson thumbs; give up.

Marlon James: A Brief History of Seven Killings

From our UK edition

40 min listen

My guest in this week’s Book Club podcast is Marlon James, who ten years ago published his Booker Prize winning novel A Brief History of Seven Killings. He tells me how that remarkable book came about, how he feared it would be 'my Satanic Verses', what genre means to him, the importance of myth, and what he learned from the X-Men.

Richard Flanagan: Question 7

From our UK edition

40 min listen

In this week's Book Club podcast, my guest is the Booker Prize winning novelist Richard Flanagan, talking about his extraordinary new book Question 7. It weaves together memoir, reportage and the imaginative work of fiction. Flanagan collides his relationship with his war-traumatised father and his own near-death experience with the lives of H G Wells and Leo Szilard, the Tasmanian genocide and the bombing of Hiroshima. He talks to me about the work fiction can do, the intimate association of memory with shame, and the liberations and agonies of thinking of non-linear time.

Keir Starmer is treating the House of Lords with contempt

From our UK edition

We have different approaches to tidying up, my wife and I. It bothers her very much that the house we share with three chaotic children is so untidy. Over the years unsightly, useless, out-of-date items accumulate in every room: incomplete jigsaws, dried-out paints, barely-played boardgames, broken furniture, too-small and obscurely stained clothes, collections of shells and pebbles, or that vibration-sensitive fluffy penguin which flaps its stubby wings and blares out a tinny version of 'Rock Around the Clock' when a spider stamps its foot anywhere within a kilometre of it.   My fantasy, when the clutter gets intolerable, is to have a clear-out in which everything that doesn’t spark joy goes into black bin bags and thence to the dump. She cannot quite bear to do that.

The legacy of Franz Kafka

From our UK edition

51 min listen

June 3rd marks the centenary of Franz Kafka's death. To talk about this great writer's peculiar style and lasting legacy, I'm joined by two of the world's foremost Kafka scholars. Mark Harman has just translated, edited and annotated a new edition of Kafka's Selected Stories, while Ross Benjamin is the translator of the first unexpurgated edition of Kafka's Diaries. They tell me what they understand by 'Kafkaesque', the unique difficulties he presents in editing and translation, and the unstable relationship between his published works, his notebooks and his troubled life.

The grandstanding against the Hay Festival is short-sighted 

From our UK edition

When the country’s largest literary festival parts ways with its main sponsor, it is not usually a cause for rejoicing among writers, performers, and the sorts of people who like to go to literary festivals. It is usually a disaster for the festival. Yet when on Friday the Hay Festival sacked (yes, it was that way round) the investment fund Baillie Gifford as its main sponsor, it was felt that a mighty blow had been struck against injustice.

Sunak’s election speech was embarrassingly bad

From our UK edition

Let’s be fair. It wasn’t Rishi Sunak’s fault it was raining. But it was, a bit, his fault that as someone who has ‘never been prouder to be British’, and so is presumably familiar with the way weather works in this country, he didn’t take one look at the lead-grey sky and make a contingency plan. That contingency plan could have been waiting 24 hours. It could have been delivering his speech indoors. It could have been – I don’t know – getting someone to stand a few feet away with a brolly, just in case.

Conn Iggulden: Nero

From our UK edition

43 min listen

My guest on this week's Book Club podcast is Conn Iggulden, probably the best selling author of historical fiction of our day. This week Conn publishes Nero, the first in a new trilogy about the notorious Roman emperor. He tells me about how he learned to write historical fiction, his years-long path to overnight success, and the advantages (and disadvantages) of having an audience comprised of men who can't seem to stop thinking about the Roman Empire.

In defence of Jonathan Yeo

From our UK edition

If the basic job of a work of art is to be interesting, as I think it is, then Jonathan Yeo’s new portrait of the King accomplished that admirably. No sooner had an image of this big canvas been released to the public than it sparked a million memes. What did it mean, people wondered, that His Majesty’s face emerged from a great abstract field of rose and crimson? Was it a nod to the blood-soaked legacy of empire? A secret signal of some sort of satanic conspiracy theory? A portentous meditation on the blood royal? An anxious reflection on the King’s recent illness? Was it a nod to the blood-soaked legacy of empire? It has been, to say the least, controversial. Monarchists and republicans alike have taken a close and lively interest in it.

Gorgeous and deeply absorbing: Manor Lords reviewed

From our UK edition

Grade: A ‘God games’, as they used to be called, have a storied history. SimCity, Civilisation and the excellently sadistic Dungeon Keeper have all been responsible for many a PhD thesis being delivered late. The Almighty seems to have smiled on the latest iteration of the genre. The product of a one-man-band independent developer, Greg Styczen, its current pre-release version scored a million downloads on the first day it was available. You can see why. It’s made with such care and love. You take the role of a medieval lord of the manor – choose a surly avatar and a coat of arms – who starts with a handful of peasant families in a tented encampment in a drizzly forest. Zoom down and watch them as they drag timber about with their mangy ox.

Olivia Laing: The Garden Against Time

From our UK edition

33 min listen

A garden is a lovesome thing, God wot! On this week's Book Club podcast I'm joined by Olivia Laing to talk about her new book The Garden Against Time: In Search of a Common Paradise. Olivia explores what it is we do when we make a garden, through her own experience of restoring the beautiful garden in her now home. She tells me about what gardens have meant in literary history and myth, how they have occluded certain real-world injustices even as they stand in for utopias, and why Candide's injunction cultiver notre jardin will always be an ambiguous one.

Farewell Nadhim Zahawi, you won’t be missed

From our UK edition

Nadhim Zahawi’s latest resignation letter was one of the all-time classics of the genre: unctuous, preening and pretentious even by the high standard of unctuousness, preeningness and pretentiousness set by his predecessors (including him).  'Greatest honour of my life,' he wrote. 'Best country on earth…it was where I built a Great [capitalisation sic] British business, YouGov, and it was where I raised my wonderful family. And it was the nation to which I was proud to return such a favour when I led the world-leading coronavirus vaccine roll-out […] called upon to serve my country […] I kept schools open [...] I ensured [...] I was given the unique responsibility...' On he burbled.

The Elphicke affair has made Starmer look incompetent and unprincipled

From our UK edition

The defection of Natalie Elphicke to Labour was, no doubt about it, a political coup de theatre. What wasn’t immediately clear, but is becoming clearer now the curtain is up and the players are stumbling around the footlights yelping and tripping over bits of the set, is what sort of theatre: farce.  Elphicke looks like the gift nobody wants to find under their Christmas tree Natalie Elphicke was delivered to Keir Starmer, that sobersides opponent of what he calls ‘gimmicks’, in the manner of a gift-wrapped present. He and his team, in the least gimmicky way imaginable, timed the opening of this present deliberately to ambush the Prime Minister ahead of PMQs. More fool him.