Sam Kitchener

Like many debut novels, The Nix, by the American author Nathan Hill, is about somebody writing their first book. Samuel Andresen-Anderson, an erstwhile literary wünderkind, working as an English professor at an undistinguished college outside Chicago, was paid a huge advance a decade ago, on the strength of a single short story. It is now 2011, the promised book has failed to materialise, and Samuel’s publishers have, reasonably enough, decided to sue him. His editor, Guy Periwinkle, is an author’s nightmare of a publishing bigshot, for whom ‘a book is simply one shape that interest can take when we scale and leverage it’. You suspect Periwinkle would be happy with the interest that The Nix has generated.

A certain sort of male novelist will always aspire to be Joseph Conrad. The seedy cosmopolitanism of his fiction and its worldly, morally compromised protagonists — those European merchant seamen negotiating far-flung colonies — are an attractive counterpoint to the unmanly business of staying indoors to write a book. Toby Vieira’s entertaining, globe-hopping debut tale of diamond smugglers wears its debt to the great man on its sleeve notes. These tout Vieira’s ‘passion’ for Conrad’s work, while his title recalls Charles Marlow, the narrator of Heart of Darkness, sent down an unnamed African river to retrieve the rogue ivory trader Mr Kurtz.

Criticising Dawn French feels like kicking a puppy. She’s so winning that the nation was even tempted to let The Vicar of Dibley slide. Criticising Dawn French feels like kicking a puppy. She’s so winning that the nation was even tempted to let The Vicar of Dibley slide. The same is true of her debut novel, A Tiny Bit Marvellous (Michael Joseph, £18.99), which has its heart in the right place, in spite of reading as though it’s jumping up and slobbering over your trousers.

Gerard Woodward’s Nourishment opens in second world war London. Gerard Woodward’s Nourishment opens in second world war London. Tory Pace, a tired and drawn ‘mother-of-three and wife-to-one’, works alongside other patriotic but ‘grey’ women, packing gelatine for the war effort. One evening, she receives a letter from her POW husband, Donald, requesting a ‘really filthy’ reply, by ‘return of post’. At first, she feels unwilling and unable to respond. An affair with the dirty-talking owner of the gelatine factory, however, provides her with the requisite guilt-stricken motivation, and some excellent material.