Rowan Pelling

Sexual fantasies, that dream you had last night, and ideas for novels have one thing in common: generally the best place for them is inside your head, never to be divulged. Until now, the major exception to the rule was Nancy Friday’s 1973 compilation of women’s fantasies, My Secret Garden, which sold more than two million copies worldwide. Friday aimed to emancipate women from guilt and inhibition, and informed an enthralled world that women of all stripes were prone to vivid erotic reverie. Many of the more heavily thumbed passages involved taboo elements, such as rape, incest and the occasional dog or octopus. Of course this was some decades before the internet, and it’s possible that not every reader engaged with the book out of entirely feminist principles.

One of the chief regrets of book-loving women of my age — and a surprising number of men — is that no one writes novels like Love in a Cold Climate and The Dud Avocado any more. I’m talking about the brand of romantic misadventure written with such wit, verve and emotional honesty that you feel you’ve washed down 100 life lessons within a vodka martini. Miraculously, Elizabeth Gilbert has managed to pull off exactly this feat with her high-kicking new novel City of Girls. It helps that she’s set the story in a shabby New York vaudeville theatre in the 1940s, thronging with bohemians, and everyone spouts one-liners straight out of Romcom Central.

It’s hard not to love a book that starts with its author fearing a police sting while flogging sex toys at a hen party in Texas. The year is 2004 and Hallie Lieberman is attending grad school in Austin and supporting her studies by working as a home party organiser for Forbidden Fruit, local purveyor of marital aids: ‘Christy is rattling off her order: a jelly vibrator, a cock ring, a bottle of Eros lubricant.’ Just one snag; devices that are intended ‘primarily for stimulation of the human genital organs’ are deemed illegal in the state of Texas. They’re illegal to this day in Louisiana.