Why one-man plays are all the rage
From our UK edition
Well, it’s nice to feel on trend. The Today programme this morning carried an item on the popularity of one-man and one-woman theatre shows, following on from the success of two such shows in the Olivier Awards: Sarah Snook in The Picture of Dorian Gray and Andrew Scott in Vanya. Only in passing did they mention a rather important factor in all this: money. If you’re trying not to haemorrhage cash in a post-Covid world, it helps if you can cut your wage bill. I should know. Straightened times call for inventiveness – which is one of the reasons why my latest venture into musical theatre, A Lark, about the Ralph Vaughan-Williams’ affair with a woman 40 years his junior (while he was still married to his first wife) takes the form of a one-woman show.