Robert S. Erickson

The play is, alas, unlikely to attract a large following in the theater

Good Night, Oscar takes us back to a time when, for better or worse, both foibles and felonies were targets for humor

Bad Cinderella is a pumpkin, while Parade becomes an exercise in emotional torture porn

The first revival of Dancin’ on Broadway is a treasure trove for Fosse fanatics

The difference between a divorce and a funeral seems lost on the director Jamie Lloyd

Let me tell you a secret: the theater world still adores Shakespeare, even in 2023

It reduces a charged premise to something more mundane

The Piano Lesson puts its characters first

Almost Famous fails to make the jump from screen to stage

The play succeeds in affirming a certain anti-liberalism

If Leopoldstadt does not convince the theatergoing public, then what will?

It was probably inevitable that the culture wars would come for the show

The British director offers seven hours of Hamlet and Oresteia

Daniel Craig whips through the Shakespeare tragedy in just over two hours

Race and sex in Paradise Square and Take Me Out

The Music Man and Plaza Suite reviewed

MJ: The Musical reviewed

The experience of seeing George Furth and Stephen Sondheim’s Company is something like inadvertently joining a swingers’ party

Mrs. Doubtfire reviewed

Girl from the North Country is a delight as pure as birdsong