A stunt man does all my Oscar presenting
24 min listen
On this week's episode, we'll hear from Damian Thompson on the Patriarch in league with Putin. (00:58)Next, Jade McGlynn on how Russian TV is presenting the war to its people. (08:46)And finally, Nick Newman asks how should cartoonists respond to war? (17:35)Produced and presented by Sam Holmes and Max JefferySubscribe to The Spectator today and get a £20 Amazon gift voucher.
Laughter has always been a coping mechanism for dealing with war. Some of this country’s most memorable cartoons have been born out of conflict. Think of Gillray’s ‘Plumb-Pudding in Danger’, Bairnsfather’s ‘Well, if you knows of a better ’ole, go to it’ or Low’s ‘Very well, alone’ – they are the quintessential images that defined the Napoleonic, first and second world wars. War didn’t stop cartoonists in the thick of the action from making light of their circumstances. Bruce Bairnsfather, a young officer who began sending jokes to the Bystander in 1915, was invalided out of Belgium suffering from shell-shock, but continued to draw.