Every December, for the past decade, I have laid a red rose on Schubert’s grave in Vienna’s southern cemetery. What began as a gesture has become a custom, a way of giving thanks to the most lovable of all composers. Schubert may not be as great as Bach or Beethoven, who established the musical language
They are lighting the candles at Covent Garden to honour one of the great singers of our age. Thomas Allen (as he was then) first appeared on the stage of the Royal Opera House in 1972, as Donald in Billy Budd, when Benjamin Britten was alive and his opera not nearly so highly thought of
It is one of Kenneth Tynan’s most-quoted observations. After seeing the first night of Look Back in Anger at the Royal Court Theatre in May 1956, the mustard-keen young critic could not contain his enthusiasm for John Osborne’s play. ‘I could never love anybody,’ he wrote, ‘who did not want to see Look Back in
Michael Henderson talks to John Wilson, whose obsession with songs from the golden age of musicals led him to form his own band ‘People think I am an expert on musicals,’ says John Wilson, in his pleasing Geordie voice, ‘but that is something I am certainly not. I am obsessed with songs, written by professional
When, two decades ago, the cricket historian David Frith published his study of cricketing suicides, By His Own Hand, the book carried a foreword by Peter Roebuck. As an opening batsman, Roebuck had represented Millfield School, Cambridge University and Somerset, where he was the club captain. In his second life he proved to be a
Last month, on the most glorious of autumnal days, the world of music paid its last respects to Robert Tear. St Martin in the Fields was packed and the singing, as you can imagine, was magnificent. Sir Thomas Allen gave us Kurt Weill’s ‘September Song’, Sir John Tomlinson contributed Sarastro’s aria from Zauberflöte, and Dame
The latest issue of The Spectator is out tomorrow, but we thought that arts blog readers might appreciate a very special preview of one of its articles. It’s by Michael Henderson, and takes umbrage with Katherine Jenkins’ recent comments about opera and elitism: Last month, on the most glorious of autumnal days, the world of
Talent, said Laurence Olivier, was plentiful; skill much rarer. Genius in a performing artist is rarer still, but Olivier had it, and so does Christian Gerhaher, the Bavarian baritone, who presented Schubert’s three song-cycles last week in a series of concerts that brought splendour to Wigmore Hall. This was singing of exceptional quality and, just
The cyclist sipping wine on the terrace of a Thames-side pub may not look much like an English hero, but anybody who loves cricket knows that he ranks only slightly lower than the angels. Thirty years ago Bob Willis bowled England to the most astonishing victory in the history of Test cricket, taking eight for
What makes an appropriate encore? And when should they be performed? Michael Henderson on the art of finishing well After a recital at Wigmore Hall earlier this year András Schiff performed an encore, as pianists often do. Normally a Bach prelude or a Schubert impromptu will round the evening off. It is part of the
Some of the best writing about sport in recent years has been done by journalists who tend their soil, so to speak, in another parish. Peter Oborne’s biography of the Cape Town-born England cricketer Basil D’Oliveira was a deserved prize-winner, and another political scribe, Leo McKinstry, has done justice to Geoffrey Boycott, the Charlton brothers
Carmen Callil isn’t ‘Prizes are for little boys,’ said Charles Ives, the American composer, ‘and I’m a grown-up’. That, most sensible people will agree, is a proper response to the world’s follies. But when a gong is struck for outstanding work over a lifetime then there can be merit in it, which is why we
Michael Henderson considers the perennial appeal of Bob Dylan Bob Dylan turns 70 next week, and from Duluth to Derby they will blow out the candles. The Minnesotan troubadour, who rolled into New York the year Kennedy became president, will pay no attention. As he wrote in one of his better songs, ‘Me, I’m still
Michael Henderson talks to Alfred Brendel about his favourite films ‘I belong to no tribe,’ says Alfred Brendel, taking tea at his home in Hampstead, surrounded by some of the books that constitute his vast library. ‘I follow no creed, subscribe to no ideology, and I despise nationalism. I have lived in many places but
‘We’re asked to console with each tremulous soul who steps out to be loudly applauded. Stars on opening nights weep when they see their names in lights. Though people who act, as a matter of fact, are financially amply rewarded, it seems while pursuing their calling their suffering is simply appalling.’ The mummers couldn’t deceive
Assailed on all sides by cultural vacuity, we are more than ever in need of the life lessons of Beethoven, argues Michael Henderson We do not, as a rule, meet all our loves at once. Those things which mean so much to us in our emotional maturity did not always strike us as special presences.
For a composer who gave so much delight to so many, Ravel occupies a peculiar position in 20th-century music. Stravinsky’s famous description, ‘the most perfect of Swiss clockmakers’, still brings a chortle of recognition, though it might be better to think of him as a jeweller. In the words of one critic, writing in 1906,
Three decades ago, when his voice still carried some weight, Malcolm Muggeridge reckoned that social historians of the future would be puzzled by the middle-class death wish that took root after the second world war. It isn’t hard to see what he meant. Some time in the Sixties, politicians and other public figures who had
Books, we are continually told, particularly by people who rarely read them, are going the way of the dodo. The shops that sell them are closing at an alarming rate, as the dreaded Kindle takes over, and public libraries are being encouraged to turn themselves into noisy ‘resource centres’, designed to attract the feckless young.
‘To tell the truth,’ says Peter Myers, his Cumbrian baritone untouched by four decades of life in Manhattan, ‘I’m glad it’s all over.’ By ‘it’ he means Christmas and new year, when Myers, the sausage-knotter and purveyor of pies to New Yorkers, is at his busiest. ‘It was bedlam. They began to queue up outside