Marcus Berkmann

Marcus Berkmann’s Berkmann’s Pop Miscellany is out in June.

The pretenders

From our UK edition

Like a lot of essentially cautious people, I like my music to take some risks, play with fire and damn the consequences. In truth, of course, most musicians are every bit as conservative as the rest of us: they do whatever it is they do and if it sells, they keep on doing it until

And then there were four

From our UK edition

Where were you when you heard that Zayn Malik had left One Direction? No, me neither, but as my teenage daughter reports, an entire generation of female youth appears to have been traumatised by the event. Not that she gives a monkey’s herself, of course, but she says that everyone she knows knows someone who

End of the Rainbow

From our UK edition

The golden age of pop music may be long gone, but the golden age of pop musicians’ obituaries is definitely with us. Soon I shall have to start apologising for returning to this subject with such regularity, but barely a week now seems to pass without some rock legend turning his or her eminent toes

Why you should never trust songwriting credits

From our UK edition

Songwriting credits are, as we know, not always to be trusted. Since the dawn of music publishing, there has always been a manager or an agent or a well-connected representative of organised crime willing to take a small cut of a song’s royalties, in return for services rendered or threats not carried out. Who actually

Is there anything a gospel choir can’t cheer up?

From our UK edition

‘I’m starting to think that all of the world’s major problems can be solved with either oyster sauce or backing vocals.’ That was Brian Eno writing in his diary one evening, after a long day’s thinking and maybe a glass or two of something agreeable. I am not entirely convinced by the bivalve mollusc argument,

Michael Frayn’s new book is the most highbrow TV sketch show ever

From our UK edition

Enough of big ideas and grand designs. Instead, here are 30 unusually small ideas from the giant pulsating brain of Michael Frayn. Matchbox Theatre is a collection of tiny playlets, all one-handers or two-handers, designed to be performed in the most intimate theatrical space of them all: your mind. In ‘Sleepers’, Sir Geoffrye de Frodsham

Why everyone wants what Nora Ephron was having

From our UK edition

I have come late to Nora Ephron — a little too late for her, anyway, as she died in 2012. Indeed, it was just after she breathed her last that I read her only novel, Heartburn, a copy of which had been pressed on me by a writer friend with a mad glint in her

The secret to a long and happy pop career? Don’t die

From our UK edition

As everybody in the world except me seems to have seen Kate Bush’s live shows — against all apparent arithmetical sense — these have been gloomy weeks in the primary Berkmann residence. Even the mother of my children managed to acquire a last-minute freebie, even though she only really likes the first two or three

A toast to beer, from Plato to Frank Zappa

From our UK edition

‘He was a wise man who invented beer,’ said Plato, although I imagine he had changed his mind by the following morning. Beer: A Global History (Reaktion, £9.99, Spectator Bookshop, £9.49) is the latest addition to ‘The Edible Series’, following Cake, Caviar, Offal, Wine, Soup and, rather shockingly, Hot Dog into the catalogue. As reading

How do you like your pop: clean, dirty or downright soap-shy?

From our UK edition

I am still listening to the new Coldplay album, and liking it more and more, and not just because everyone keeps telling me how terrible it is. There is perversity in all enthusiasm, for sure, but the unanimity of critical disapproval in this case seems to have mixed with popular ennui to create a bracing