Marc Oestreich

My grandmother lived on a Christmas tree farm in Indiana. December weekends meant hauling evergreens, pulling needles from our socks and pretending I was far more help than hindrance. But the real event – the thing the whole month orbited – was Christmas Day dinner: the good china, the stiff grace and the quiet family rule that no one under 20 offered up an opinion unless asked. The table was a study in American aspiration: a ham glossy with cloves, wassail steaming on the hob, potatoes whipped into obedient fluff, canned cranberry sauce still bearing its aluminum-molded rings… and always, inevitably, the Jell-O. There were several, because my family believed in abundance, even when the abundance quivered. Aunt Deb and Uncle Fritz arrived with their famed Jell-O eggs.

The Pisco Sour is poured by Maria, my business partner’s wife and the quiet boss of a small empire of bars and restaurants. It is served in the living room, the windows cracked open, friends drifting in and out, the kids out of school. It has rained and something in the air has lifted. Then comes the coupe glass: perfectly chilled, capped in silken foam, dots of bitters shaped like a closing parenthesis. I’ve had Pisco Sours before. But this one makes sense. In Peru, the drink is practically sacred, served at protests and presidential inaugurations alike The ingredients shouldn’t work – harsh grape brandy, raw citrus, egg – but in the glass, they harmonize. Chocolate at the edge, grape in the middle, something like spring itself underneath.

It’s 1951 and the Hotel Monteleone burns bright, a gilded island of light and liquor adrift in the New Orleans dark. Inside, the air is thick with the sweet tang of cigar smoke and the murmurs of polished conversation. Over in the Swan Room, the trumpets blare, their brassy notes cutting through the gentle chatter, their absence filled with the lively, gravelly voice of Louis Prima. The crowd sways in rhythm, caught between the pulse of jazz and the flicker of chandelier light. Outside, the French Quarter is still alive.

Near the lake in the quaint beach town of New Buffalo, a rotating sign carries the silhouette of a shaggy mutt. A line forms near the door for the boring beachy fare, churned out at factory pace. The souvenir hoodies are out the door as fast as they can print them; the Stray Dog has become a destination in itself. I’ve seen their signature motto — Sit! Stay! — everywhere from Santa Barbara to Brooklyn. You probably have too. And don’t get me wrong, the Stray Dog is great at being what it is: the quintessential beach-town bar. But I prefer it here, half a mile south, in the uncelebrated version of a beach-town bar. There’s no merch store, no zany southwest eggrolls, no Jägermeister dispenser, no television. Just ten velvety bar stools and endless respite.

The sun is ebbing, casting a wash of orange and gold on a city inching towards autumn. There’s that tinge in the air — the crisp, promising whiff of cooler days. Inside, the curtains dance with the gentle wind as the melodious clash of helmets and cheers from the first weekends of football beckon. This isn’t any evening; it’s a bridge between seasons. It deserves an ample companion; a drink that blends seasons, cultures, flavors with the same seamlessness as summer memories fade into autumn anticipation. Tonight, it’s the Oaxaca old fashioned.  Ah, the old fashioned. The name says it all, doesn't it? It harks back to a time of simplicity, of elegance. Of not making a song and dance about, well, a drink.