Lucy Vickery

In Competition No. 2904 you were invited to take as your first line ‘There’s a breathless hush on the centre court’ and continue for up to 15 lines in the style of Sir Henry Newbolt’s poem ‘Vitaï Lampada’. There is just space to congratulate the winners and to commiserate with unlucky losers John Whitworth, who submitted a charming tribute to Christine Truman, Robert Cross, Sid Field and R.M. Goddard. Those printed below are rewarded with £25 each. Bill Greenwell hoists the championship trophy and nabs the bonus fiver in the process.   There’s a breathless hush on the Centre Court: Seventeenth deuce after championship point — The crowd is tense, as the first serve is short. Is this the time? Is there one to anoint?

In Competition No. 2903 you were invited to provide an extract from an article in an interiors magazine featuring some paint-colour names of your own invention that rival the ludicrousness of the real-life likes of ‘potentially purple’, ‘salty tear’ and ‘likeable sand’. High points in a patchy entry were Adrian Fry’s ‘Dresden licht’, John O’Byrne’s ‘failed rouble’, Alan Millard’s ‘hectic cockerel’, Mike Morrison’s ‘Magaluf mea culpa’ and Bill Greenwell’s ‘tartar’s lips’. Chris O’Carroll nabs the bonus fiver. The rest take £25 apiece.

In Competition No. 2903 you were invited to supply a poem incorporating a dozen cricketing terms. English poets love cricket: Housman, Betjeman, Chesterton and Sassoon all wrote about the game. And then, of course, there is Harold Pinter, who encapsulated it so beautifully in two lines: I saw Len Hutton in his prime, Another time, another time.   I admired P.C. Parrish’s clever poem in the opaque modernist style of Edith Sitwell. Tim Raikes, Peter Goulding, Nick Hodgson and Rosemary Kirk also stood out in a large and impressive field. The winners earn £25 apiece. Brian Allgar takes £30. My wife reminds me of a game of cricket: A splendid sport, but hard to comprehend. I often feel I’m on a sticky wicket — Caught out, or stumped, or driven round the bend.

In Competition No. 2901 you were invited to write a poem in praise of a modern-day blot on the landscape. Stephen Spender wasn’t praising pylons on aesthetic grounds in his notorious poem but celebrating the progress that these non-human structures embody: ‘There runs the quick/perspective of the future’. The spirit of the 1930s poets — applied to those 21st-century gods technology and consumerism — was very much alive in what was a large and accomplished entry. It was tricky to single out just six prizewinners. Catherine Chandler, Tim Raikes, Bill Greenwell and Alanna Blake shone, but were narrowly pipped to the post by those printed below, who are rewarded with £25 each. Brian Murdoch pockets the bonus fiver.

In Competition No. 2900 you were invited to write a short story that ends on a condiment of your choice. The germ of this comp was the writer Richard Brautigan’s wish to end a short story with the word ‘mayonnaise’, an ambition he fulfilled in his 1967 novel Trout Fishing in America. Actually, strictly speaking, he didn’t. As an eagle-eyed friend and self-confessed pedant pointed out to me, the word that appears in most editions is the deliberately misspelt ‘mayonaise’. The pun-merchants had a field day this week and there were several Cluedo- and Wodehouse-inspired entries. The winners take £30, D.A. Prince pockets £35. Keith hadn’t listened properly.

In Competition No. 2899 you were invited to write a poem commemorating the birth of Princess Charlotte of Cambridge. The impetus for this comp was Carol Ann Duffy’s failure to deliver the goods. This made some people very cross, but as the official website of the British Monarchy makes clear, modern laureates are under no obligation on this front: ‘It is up to the individual poet to decide whether or not to produce poetry for national occasions or royal events such as weddings and funerals.’ Some may even argue that it was a wise decision on Duffy’s part; after all, previous laureates have produced royal-inspired verses that might have been better left unwritten. In any case, you stepped into the breach with gusto.

In Competition No. 2898 you were invited to give an update on one of the children in Cautionary Tales who lived to tell the tale. Belloc’s gallery of kiddie delinquents suffered particularly unpleasant comeuppances — being eaten, feet upwards, by a lion, and so on. Of those who did escape with their lives, weepy Lord Lundy and Algernon (who narrowly missed killing his sister with a loaded gun) were the most popular subjects in this comp. Max Ross’s entry, in which Algernon grows up to be a jihadi, had a chilling topical twist: ‘Thus, in the best religious fashion,/ Al-gee indulged his boyhood passion’. Both Mae Scanlan and Chris O’Carroll saw a glittering future for Franklin Hyde, digger of dirt, as a member of the press.

In Competition No. 2897 you were asked for a job application by a well-known writer, living or dead. Inspiration for this comp came from a young Hunter S. Thompson’s characteristically unorthodox pitch for a position at the Vancouver Sun. An unflattering portrait of his relationship with a previous employer — ‘The man despised me, of course, and I had nothing but contempt for him’ — is followed by an attack on journalists en masse, who are, he says, ‘dullards, bums, and hacks …stuck in a bog of stagnant mediocrity’. The godfather of gonzo didn’t get the job. Commendations to Peter Goulding, R.M. Goddard and Josh Ekroy. The winners take £25. Alan Millard pockets the extra fiver.

In Competition No. 2896 you were invited to take Kipling’s ‘If’ and recast it on behalf of a politician on the campaign trail. In an interview with the New Republic in 1985, Mario Cuomo said that politicians campaign in poetry and govern in prose. And Hugo Rifkind, in conversation on Radio 4 with the poet Ian McMillan about the relationship between politicians and poetry, noted that ‘If’ is often cited by politicians as moral inspiration. So it seemed like a good idea to give you the chance to put a twist on Kipling’s rousing poem, on behalf of one of the contenders in the current campaign as they neared the finishing post. G.M. Davis, Nick Grace and R.M. Goddard earn commendations.

In Competition No. 2895 you were invited to submit a poem describing a meal with a well-known poet. Sylvia Fairley tucked, somewhat reluctantly, into albatross with Coleridge, D.A. Prince shared cocoa with Wendy Cope and Rob Stuart enjoyed a curry with Dante. Well done, all: it was a top-notch entry. The winners take £25. Frank McDonald nabs £30.   ‘How do you like your eggs?’ the waiter says And with a smile Elizabeth replies: ‘How do I like them? Let me count the ways: I like them scrambled, sometimes served with fries; Or smiling at me like a golden sun Inviting me to spill delicious yolk; Or boiled hard as when in Easter fun I used to roll them, like religious folk.’ I touch her hand and say: ‘Let’s take them fried.