Lucy Vickery

Praise be

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In Competition No. 3095 you were invited to submit an elegy by a poet on another poet.   The prompt for this challenge was ‘Adonais’, Shelley’s celebrated 55-stanza tribute to Keats. Frank McDonald imagined Keats responding in kind:   My heart aches for you, brother Percy Bysshe, Who wept for me although my name was writ In water. Dearest friend, it was my wish We two romantics might some autumn sit…   Robert Schechter, meanwhile, channelled Auden, who also wrote a famous elegy to a fellow poet. Here he is on Ogden Nash:   Earth, receive an honoured guest. Ogden Nash is laid to rest. Let the Yankee vessel sink Emptied of its light-heartedly whimsical yet somehow undeniably indelible ink.

Spectator competition winners: Sonnets found in ‘Theresa’s loony bin’

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G.K. Chesterton once observed that ‘poets have been mysteriously silent on the subject of cheese’. Well, not the anonymous author of the curious poem that inspired the latest challenge — to submit a ‘Sonnet Found in a Deserted Mad House’. Line eight of this sonnet, which appeared in A Nonsense Anthology (1915), edited by Carolyn Wells, refers to ‘…mournful mouths filled full of mirth and cheese…’ Though there was no cheese in your excellent and varied compositions, food did feature (a boiled egg — two mentions — artichokes, yogurt, custard pies…).

That way madness lies

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In Competition No. 3094 you were invited to submit a ‘Sonnet Found in a Deserted Mad House’. G.K. Chesterton once observed that ‘poets have been mysteriously silent on the subject of cheese’. Well, not the anonymous author of the curious poem that inspired this challenge: line eight of ‘Sonnet Found in a Deserted Mad House’, which appeared in A Nonsense Anthology (1915), edited by Carolyn Wells, refers to ‘…mournful mouths filled full of mirth and cheese…’   Food featured strongly in your excellent and varied compositions (a boiled egg — two mentions — artichokes, yogurt, custard pies…). It was tricky to nominate winners, but after much prevarication I settled on the seven below, who take £20 each.

Spectator competition winners: Winnie-the-Pooh grows up

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The latest challenge was to submit an extract from a novel that chronicles the adult life of a well-known fictional hero from children’s stories. I enjoyed Jess McAree’s account of Paddington Bear’s Conrad-esque voyage — ‘evicted by Brexit, residence visa revoked’ — to the heart of darkness in deepest Peru. Hugh King, D.A. Prince and A.R. Duncan-Jones also shone with their portrayals of the later lives of the stars of the Just William and Noddy stories. In Harry Potter and the Cursed Child, the play based on J.K. Rowling’s books, the boy wizard has grown up and become a father of three who works for the Ministry of Magic. David Shields, one of those who made the final cut this week, imagined him taking an altogether different path.

Write of passage

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In Competition No. 3093 you were invited to submit an extract from a novel that chronicles the adult life of a well-known fictional hero from children’s stories.   I enjoyed Jess McAree’s account of Paddington Bear’s Conrad-esque voyage — ‘evicted by Brexit, residence visa revoked’ — to the heart of darkness in deepest Peru. Hugh King, D.A. Prince and A.R. Duncan-Jones also shone with their portrayals of the later lives of the stars of the Just William and Noddy stories.   In Harry Potter and the Cursed Child, the play based on J.K. Rowling’s books, the boy wizard has grown up and become a father of three who works for the Ministry of Magic.

Spectator competition winners: spring villanelles

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The latest challenge was to compose a spring villanelle. The villanelle – established in France in the 16th century by Jean Passerat with his poem about a lost turtledove – lends itself to themes of loss and time passing, and many of you chose to reflect on the bleaker side of spring. But this overall somewhat gloomy mood was more than offset by how well you rose to the form’s technical challenges. Congratulations all round, but especially to unlucky losers Noah Heyl, R.M. Goddard, Philip Roe, and Jasper and Julia Griffin. The winners earn £30 each. Alan Millard A green haze hints that spring might soon appear, The trees come into leaf, unhurried, slow, Like Brexit, always coming, never here.

Spring villanelle

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In Competition No. 3092 you were invited to submit a spring villanelle. The villanelle lends itself to themes of loss and time passing, but the somewhat gloomy mood of the entry was offset by how well you rose to the form’s technical challenges. Congratulations all round, but especially to unlucky losers Noah Heyl, R.M. Goddard, Philip Roe, and Jasper and Julia Griffin. The winners earn £30 each.   A green haze hints that spring might soon appear, The trees come into leaf, unhurried, slow, Like Brexit, always coming, never here.   The sky grows blue, the grey begins to clear And as the flowers’ colours start to show, A green haze hints that spring might soon appear.

Spectator competition winners: ‘She had the type of fake tan that would be of great service if she ever had to hide in Oak Furniture Land’ – and other bad analogies

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Your latest challenge was to come up with toe-curlingly bad analogies. This is an idea shamelessly pinched from the Washington Post, whose contests have produced the impressively so-bad-they’re-good ‘Her hair glistened in the rain like nose hair after a sneeze’ (Chuck Smith) and ‘Her vocabulary was as bad as, like, whatever’ (Jennifer Hart). Yours, too, were gloriously cringe-inducing. Laboured, overwrought, banal, tasteless — yet grimly compelling for all that. The winners take a fiver each per analogy printed below. Adrian Fry As the narcotic took effect, Frank felt extremely odd, as if he were sole occupant of a set in a Venn diagram containing men who loved the novels of Barbara Pym and people who sought the reintroduction of bear baiting.

Cringe benefits

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In Competition No. 3091 you were invited to submit toe-curlingly bad analogies. This is an idea shamelessly pinched from the Washington Post, whose contests have produced the impressively so-bad-they’re good ‘Her hair glistened in the rain like nose hair after a sneeze’ (Chuck Smith) and ‘Her vocabulary was as bad as, like, whatever’ (Jennifer Hart). Yours, too, were gloriously cringe--inducing. Laboured, overwrought, banal, tasteless — yet grimly compelling for all that. The winners take a fiver each per analogy printed below. As the narcotic took effect, Frank felt extremely odd, as if he were sole occupant of a set in a Venn diagram containing men who loved the novels of Barbara Pym and people who sought the reintroduction of bear baiting.

Spectator competition winners: what Keats really thought of that nightingale

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For the latest challenge competitors were asked to submit a recently discovered lost poem by a well-known poet that makes us see him or her in a new light. Step for-ward, Philip Larkin, flower arranger, Slough fan John Betjeman and knickers-on-fire Emily Dickinson. Congratulations all round are in order this week, but I especially admired Alanna Blake’s palinodic villanelle from Dylan Thomas: Calm down, relax, accept the dying light, It will be unaffected by your rage, For all our sakes, give up this futile fight... And G.M. Davis’s Tennyson, who reveals what he really thought of her maj: What a prissy old Queen is Victoria! She looks like a case of dysphoria In the straitest of lace With that vinegar face, Though they say that in private she’s whorier.

The big reveal | 21 March 2019

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In Competition No. 3090 you were invited to submit a recently discovered lost poem by a well-known poet that makes us see him or her in a new light. Step forward, Philip Larkin, flower arranger, Slough fan John Betjeman and knickers-on-fire Emily Dickinson. Congratulations all round are in order this week, but I especially admired Alanna Blake’s palinodic villanelle from Dylan Thomas:   Calm down, relax, accept the dying light, It will be unaffected by your rage, For all our sakes, give up this futile fight…   And G.M. Davis’s Tennyson revealing what he really thought of her maj:   What a prissy old Queen is Victoria! She looks like a case of dysphoria In the straitest of lace With that vinegar face, Though they say that in private she’s whorier.

Spectator competition winners: ‘Shall I prepare thee for a summer’s day?’ (new ways of weather-forecasting)

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The seed for this week’s task, to put your own spin on a weather forecast, came from the Master Singers’ take on a weather report, soothingly intoned in the style of an Anglican chant. But one competitor accompanied his entry with a note reminding me of that comic gem from the 1970s, courtesy of the Two Ronnies: ‘The sun will be killing ’em in Gillingham, it’ll be choking in Woking, dry in Rye and cool in Goole. And if you live in Lissingdown take an umbrella!’ The brief was deliberately open and it produced a pleasingly corpulent and diverse if somewhat gloomy postbag.

Climate change | 14 March 2019

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In Competition No. 3089 you were invited to put your own spin on a weather forecast.   The seed for the task came from the Master Singers’ take on a weather report, soothingly intoned in the style of an Anglican chant. But as one competitor reminded me there is also that 1970s gem, courtesy of the Two Ronnies: ‘The sun will be killing ’em in Gillingham, it’ll be choking in Woking, dry in Rye and cool in Goole. And if you live in Lissingdown take an umbrella!’   The brief was deliberately open and it produced a pleasingly corpulent and diverse if somewhat gloomy postbag. An honourable mention goes to Brian Murdoch for his 12-isobar blues, the winners take £25 and Bill Greenwell’s Henry Reed-inspired bulletin earns him an additional fiver.

Spectator competition winners: Killer-Heels Tess and Boris the Johnson – Westminster hard-boiled

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Your latest challenge was to submit a short story in the style of hard-boiled crime fiction set in the corridors of power. Raymond Chandler cast a long shadow over an entry bristling with stinging one-liners, dames, black humour and grandstanding similes laid on with a trowel. The mean streets of Westminster were the most popular setting, though there were glimpses of Brussels and the Oval Office too. Commiserations to unlucky losers Bill Greenwell, D.A. Prince and Alan Millard. High fives to the winners, printed below, who trouser £25 each. Adrian Fry Down these dull corridors a man must go who is not himself dull.

Political noir

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In Competition No. 3088 you were invited to submit a short story in the style of hard-boiled crime fiction set in the corridors of power. Raymond Chandler cast a long shadow over an entry bristling with stinging one-liners, dames, black humour and grandstanding similes laid on with a trowel. The mean streets of Westminster were the most popular setting, though there were glimpses of Brussels and the Oval Office too. Commiserations to unlucky losers Bill Greenwell, D.A. Prince and Alan Millard. High fives to the winners, printed below, who trouser £25 each.   Down these dull corridors a man must go who is not himself dull.

Spectator competition winners: crossing a haiku with a limerick

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We already have short-form hybrids such as the clerihaiku (here’s one from Mary Holtby): Peter Palumbo Cries, ‘Mumbo-jumbo!’ and rails At the Prince of Wales And the limeraiku: A haiku will do For a limerick trick, called A Limeraiku That was by Arthur P. Cox. And now clever Bill Webster, veteran competitor, has come up with the haikick, a new version of the haiku-limerick combination. You responded to the call for topical haikicks with your customary vim and wit, and drew on such notables as William Spooner, Abraham Lincoln and Jeremys Clarkson and Paxman. The winners below are rewarded with a tenner per entry printed. Hugh King Abraham Lincoln Once made America great, When showing the place That honour and grace Held at the heart of the state.

Haikick

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In Competition No. 3087 you were invited to submit haikicks. We already have short-form hybrids such as the clerihaiku (here’s one from Mary Holtby): Peter Palumbo Cries, ‘Mumbo-jumbo!’ and rails At the Prince of Wales   And the limeraiku:   A haiku will do   For a limerick trick, called A Limeraiku. That was by Arthur P. Cox.   Now Bill Webster, veteran of these pages, has come up with a new version of the haiku-limerick combination. Hence this challenge. You responded to it with your customary vim and wit, and with the help of such notables as William Spooner, Abraham Lincoln and Jeremys Clarkson and Paxman.   The winners, printed below, are rewarded with a tenner per entry printed.

Spectator competition winners: poems about struggling to write a poem

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The call for poems about the difficulty of writing a poem attracted a far-larger-than-usual entry. A.H. Harker’s punchy couplet caught my eye: I’m stuck. Oh ****. Elsewhere there were nods to Wordsworth, Milton and ‘The Thought Fox’, Ted Hughes’s wonderful poem about poetic inspiration. The winners below earn £25 each for their travails. Brian Allgar I struggled with my verse time after time, Yet somehow I could never make it work. It scanned quite well, but there’s no use pretending My couplets had a satisfactory finish. The words at their conclusion never matched; They would not rhyme, however hard I rubbed My head. The wretched quatrains fell apart, And I despaired of mastering the skill.

Writer’s block

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In Competition No. 3086 you were invited to submit a poem about the difficulty of writing a poem.   In a far-larger-than-usual entry, A.H. Harker’s punchy couplet caught my eye: I’m stuck. Oh ****.   Elsewhere there were nods to Wordsworth, Milton and ‘The Thought Fox’, Ted Hughes’s wonderful poem about poetic inspiration. The winners below earn £25 each for their travails. I struggled with my verse time after time, Yet somehow I could never make it work. It scanned quite well, but there’s no use pretending My couplets had a satisfactory finish.   The words at their conclusion never matched; They would not rhyme, however hard I rubbed My head. The wretched quatrains fell apart, And I despaired of mastering the skill.

Spectator competition winners: in dispraise of Valentine’s Day

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The invitation to submit poems in dispraise of Valentine’s Day certainly struck a chord, drawing a large and heartfelt entry that captured the ghastliness well: overpriced dinners, sad, single-stemmed roses, chocolate genitalia, nasty cards – or no cards at all... Valentine’s Day is said by some to have its roots in the Roman pagan festival of Lupercalia. But one scholar has proposed the theory that it was Chaucer who first designated 14 February as a day of love in his poem ‘The Parlement of Foules’, and I wondered if any of you would come up with a Chaucerian pastiche (you didn’t). A consolatory handshake to Fiona Pitt-Kethley, Susan McLean, Hamish Wilson, Robert Schechter and Mike Morrison, who were unlucky losers.