Lloyd Evans

Lloyd Evans

Lloyd Evans is The Spectator's sketch-writer and theatre critic

Saturday

Lloyd Evans

A good life

From our UK edition

As she prepares for the role of Mrs Malaprop, Penelope Keith talks to Lloyd Evans, who finds her decisive, cheerful, pragmatic and modest, with a tendency to break into fits of unexpected giggles A winter off. That’s what Penelope Keith had planned for this year. But when an opportunity arrived to play Mrs Malaprop in Sheridan’s The Rivals she couldn’t turn it down. ‘It’s one of the great women’s parts so I thought I must have a bash at that.’ We meet in a compact, slightly unloved dressing-room in the Theatre Royal, Brighton, where she sits in light-brown slacks and a soft-pink cardigan with her back to a bright mirror festooned with good luck cards. An assistant brings me a cup of coffee and Keith instantly spots that I have nowhere to put it.

Lloyd Evans

The future of defence procurement: a Spectator conference

From our UK edition

War, debt and recession. Last month’s Strategic Defence and Security Review had to confront a unique combination of difficulties. Secretary of State Liam Fox, opening the Spectator conference on the future of defence procurement, explained the review’s aims. Proudly identifying himself as ‘a hawk on defence and on deficit reduction’ he re-stated his commitment to our front-line capability in Afghanistan. But, until 2015, the ministry will ‘rebalance our strategic direction’ (spend less money). After 2015 it ‘will be about re-growing capability’ (spending more). The MoD aims to order fewer equipment types and all new kit must be affordable, adaptable, inter-operable and exportable.

Lloyd Evans

Too much chat

From our UK edition

Ed Hall, boss of the Hampstead theatre, places before our consideration a new play by Athol Fugard. The gong-grabbing, apartheid-drubbing South African author creates dramas that are rich in humanity and compassion, filled with curiosity about the architecture of suffering, and distinguished by flights of poetic soulfulness. And by God, they’re dull. Fugard doesn’t do action, romance or suspense. He does chat. Lots of it. His monologues stream in and out of one another in a textured gloop of Oscar-hinting earnestness. Generally, he deploys the same easy-to-assemble stage furniture: a shack dumped on the orange savannah surrounded by poverty-stricken fences. The shack can be assembled from the contents of a skip. The fencing can be cadged from nearby allotments.

Wednesday

Lloyd Evans

A day off for Dave

From our UK edition

The giraffe was back. Hattie Harman came to PMQs today wearing That Frock with its eccentric pattern of burnt umber pentagonals framed by light squiggly outlines. A great colour scheme for camouflaging giraffes in Africa. And an even better one for attracting attention in the house. Why does Hattie feel herself particularly giraffic? Her noble breeding naturally aligns her sympathies with an animal that has evolved upwards over many generations and can enjoy the lush topmost leaves not available to lowlier creatures. Or perhaps it’s her unsteady gait as she lumbers through her questions. Or perhaps it’s the fact that if she leans forwards and touches her knees with her chin she’ll fall over.

Saturday

Lloyd Evans

Curing amnesia

From our UK edition

As Iraq fades from view so does our outrage at the crimes it provoked. Three monologues by Judith Thompson may cure our amnesia. Forgetting atrocities is an essential preliminary to repeating them. We meet a girl soldier (based on Lynndie England although not identified as her), who faces trial for brutalising prisoners at Abu Ghraib. At school she was a bullied bully, an opportunistic sadist who instigated attacks on others as a survival mechanism. Once she invited a girl with a false leg to a house-party where a gang removed the prosthetic limb, cut it to pieces, and jeeringly ordered the girl to crawl home. At Abu Ghraib, this self-defence technique serves her again, and she strives to impress the male soldiers by devising pantomime humiliations.

Wednesday

Lloyd Evans

Cheating on the students

From our UK edition

Writhe, squirm, cringe and cower. The Commons wanted to inflict ritual punishments on Nick Clegg today for his broken pledges on student fees. The plan nearly succeeded. With Cameron in China, (finding out what happened to our manufacturing base), Clegg took his place at the dispatch box opposite Harriet Harman.    Long practice has given Harman some skill, and even self-possession, at the dispatch box. She had an exceptionally easy target today. As she stood up to give Slick Nick a roasting, the streets around parliament were swelling with angry university-goers waving photos of Clegg signing his fateful election pledge on fees. The LibDem manifesto was being burned in public. Yellow election placards were being trampelled and spat on.

Saturday

Lloyd Evans

The Spectator defence debate

From our UK edition

Just a few hours after the publication of the strategic defence and security review, two crack teams of speakers clashed over the future of the armed forces at a Spectator debate sponsored by Brewin Dolphin. The novelist and military historian Brigadier Allan Mallinson proposed the motion — ‘The army, navy and air force are so 20th-century. Scrap them and have a massive British Marine Corps’ — with a heavy heart. ‘I love the armed forces,’ he said. ‘I watch the “Battle of Britain” with tears in my eyes.’ But the trinitarian approach had failed. He imagined a new combined force under the command of an army general.

Lloyd Evans

Act of vision

From our UK edition

A wretched, stinking, mouldy, crumbling slice of old Glasgae toon has dropped on to the Lyttelton stage. Ena Lamont Stewart’s play, Men Should Weep, is an enthralling act of homage to her slum childhood and it follows the travails of the Morrison family, all nine of them, wedged into two filthy rooms in Glasgow’s east end. A wretched, stinking, mouldy, crumbling slice of old Glasgae toon has dropped on to the Lyttelton stage. Ena Lamont Stewart’s play, Men Should Weep, is an enthralling act of homage to her slum childhood and it follows the travails of the Morrison family, all nine of them, wedged into two filthy rooms in Glasgow’s east end. The play takes a while to ensnare your loyalty. The first act is a slack and linear piece of documentary reportage.

Wednesday

Lloyd Evans

Music hall act fails to cut it next to suave Etonian

From our UK edition

Miliband’s in a mess. He makes it far too easy for Cameron to portray him as a hypocritical opportunist who sidles up to PMQs every week with lame soundbites and incoherent policies. How come? Perhaps because he sidles up to PMQs every week with lame soundbites and incoherent policies. Today he tried to unsettle the PM with the news that ‘members of his government’ (ie LibDems) ‘have given cast-iron guarantees that they would vote against a rise in tuition fees.’ This isn’t a Cameron problem. It’s a Clegg problem. Right issue, wrong tactics. Cameron had no difficulty adopting a noble but weary expression and praising his coalition partners for taking ‘courageous decisions’ in ‘difficult’ circumstances.

Saturday

Lloyd Evans

Family at war

From our UK edition

I couldn’t wait for this one. Nina Raine’s debut play Rabbit was a blast. With exquisite scalpel-work she dissected the romantic entanglements of a quartet of posh young professionals. Her new effort, Tribes, opens on similar terrain. A family of bourgeois Londoners are seated around the dinner table punishing each other with rhetorical flick-knives. Dad and Mum are writers. Ruth is a jobless soprano. Dan is wasting his youth smoking skunk and writing an impenetrable thesis on linguistics. I couldn’t wait for this one. Nina Raine’s debut play Rabbit was a blast. With exquisite scalpel-work she dissected the romantic entanglements of a quartet of posh young professionals. Her new effort, Tribes, opens on similar terrain.

Wednesday

Lloyd Evans

Weak, weak, weak

From our UK edition

Weak again. For the second session in a row Miliband was feeble at PMQs. He opened in his quiet-assassin mode with a quickie question. ‘There are reports that the government is planning changes to housing benefit reforms. Are they?’ Clearly he meant to wrong-foot Cameron by tempting him into admission which could be instantly disproved. But Cameron simply denied the suggestion and Miliband had no embarrassing disclosure to fire back with. Pretty duff tactics there. He fared slightly better when he asked Cameron what advice he’d give to a family facing a 10 percent cut in housing benefit after the chief bread-winner had been unemployed for a year. Cameron replied that unlimited benefits ‘are a serious disincentive to work.

Saturday

Lloyd Evans

WEB EXCLUSIVE: Review of Spectator defence debate

From our UK edition

‘The army, navy and air force are so 20th century. Scrap them and have a massive British Marine Corps.’ Just a few hours after the publication of the Strategic Defence and Security Review, two crack teams of speakers clashed over the future of the armed forces at the Spectator debate. Brigadier Allan Mallinson, the novelist and military historian, proposed the motion with a heavy heart. ‘I love the armed forces,’ he confessed. ‘I watch the “Battle of Britain” with tears in my eyes.’ But the trinitarian approach had failed. He imagined a new combined force under the command of an army general.

Lloyd Evans

Greek myth

From our UK edition

Thank God for the critics. All failings can be laid at their door. Robert Lindsay appeared on a telly sofa last week to repudiate the shirtier reviews of Onassis. ‘It’s not a critic play,’ he said. And I wondered if ‘critic’ had changed grammatical species and become an adjective meaning ‘good’. The show has its moments but the script is devoid of dramatic intelligence. Proper plays open with a dilemma that enlists the audience’s sympathies, unifies the action and creates suspense. Plenty of options were available to playwright Martin Sherman. Would Onassis succeed in replacing Maria Callas with Jackie Kennedy? Would he destroy his son Alexander’s romance with an ageing English divorcee?

Lloyd Evans

Spectator Debate: ‘Taxpayers’ money should not fund faith schools

From our UK edition

Ninja Turtles were the first witnesses at last week’s Spectator debate. Ninja Turtles were the first witnesses at last week’s Spectator debate. Proposing the motion ‘Taxpayers’ money should not fund faith schools’, the Sunday Times columnist Minette Marrin said that the child of a friend had been denounced as ‘satanic’ at his Christian school for wearing Ninja-branded pyjamas. Religious schools, she went on, led to ghettoisation and contempt for the host culture. Three Islamic schools in the UK require girls to wear the full veil, and they boast that they ‘oppose the lifestyle of the West’. Cristina Odone, former editor of the Catholic Herald, trumpeted the success of faith schools.

Wednesday

Lloyd Evans

Cameron’s warm-up act for Boy George

From our UK edition

Cameron was a mere warm-up man at PMQs today. With Osborne’s statement due at 12.30 the session felt like a friendly knock-up rather than the main fixture. Ed Miliband rose to thunderous cheers from his backbenches and he tried to capitalise on their support by opening up an ancient Tory wound – heartless attitudes to unemployment. Spotting Cameron chinwagging with Osborne instead of listening, Miliband chided the PM for not paying attention. ‘Well, it’s a novel concept,’ said Dave smoothly ‘but in this government the prime minister and the chancellor speak to each other.’   Ed’s problem was that the OBR has predicted rising employment for the next three years. Bad news for the opposition leader.

Saturday

Lloyd Evans

WEB EXCLUSIVE: Review of Spectator Faith Schools Debate

From our UK edition

'Taxpayers’ money should not fund faith schools' Ninja Turtles were the first witnesses at the Spectator debate. The motion ‘Taxpayers’ Money Should Not Fund Faith Schools’ was proposed by Sunday Times columnist Minette Marrin. She evoked the green cartoon reptiles as proof that faith schools are discriminatory and irrational. The child of a friend had been denounced as ‘satanic’ at his Christian school for wearing Ninja-branded pyjamas. Religious schools, she went on, are not only divisive, they lead to ghettoisation and contempt for the host culture. Three Islamic schools in the UK require girls to wear the full veil, and they boast openly that they ‘oppose the lifestyle of the West’.

Lloyd Evans

Bourgeois frippery

From our UK edition

Regime change at Hampstead Theatre. The era of special measures is over and Ed Hall, son of Sir Peter, has taken charge. Hall’s debut show is daring in its complete lack of audacity. Regime change at Hampstead Theatre. The era of special measures is over and Ed Hall, son of Sir Peter, has taken charge. Hall’s debut show is daring in its complete lack of audacity. Shelagh Stephenson’s new play Enlightenment is the sort of bourgeois frippery we were used to yawning through under the previous administration. We’re in a posh house in Angstead Garden Suburb where two yuppie liberals are struggling to cope with the disappearance of their gap-year son in south-east Asia. Mum consults a psychic. Dad invites a TV producer to make a shock-doc highlighting their plight.

Lloyd Evans

Innocent mischief

From our UK edition

He’s been taking aim for two decades. Now Craig Brown presents his greatest hits. He’s been taking aim for two decades. Now Craig Brown presents his greatest hits. The best of his fortnightly spoofs in Private Eye, supplemented by new entries from historical characters, have been loosely sorted into an imaginary calendar. Everyone has their favourite Brown character. Mine is Heather Mills McCartney, whose self-righteous truculence he captures perfectly, while encouraging her to indulge her gift for fantasy. She reacts to a documentary about Florence Nightingale and blames the press for peddling lies: They try and make out she’s only in it for the publicity.

Wednesday

Lloyd Evans

Cameron’s cruise uninterrupted by Miliband’s confident start

From our UK edition

You could write a book about that. The first ever Dave vs Ed Miliband fixture at PMQs was a fascinating joust between two smart, skilful and ruthlessly ambitious public men who have been groomed for power, in their different ways, from the cradle. Four decades of arduous preparation led to this tumultuous match. Ed Miliband opened in funereal tones and offered ritual homages to the dead of Afghanistan. Then in his modest bank-manager’s manner he pledged to support government reform to sickness benefits. But not, he added ominously, to child benefit cuts. How many families with one stay-home parent would suffer from the forthcoming cuts, he asked. Cameron couldn’t answer with an integer. He gave a percentage. Those who pay the higher tax-rate would be affected.

Saturday

Lloyd Evans

Arts debate: ‘Brutal and vulgar’

From our UK edition

From the start, the combatively worded motion — ‘Time for the arts to stand on its own two feet and stop sponging off the tax-payer’ — came under attack in the Spectator arts debate at Church House last month. From the start, the combatively worded motion — ‘Time for the arts to stand on its own two feet and stop sponging off the tax-payer’ — came under attack in the Spectator arts debate at Church House last month. Speaking for the motion were Nigel Farage MEP, Tiffany Jenkins and Marc Sidwell; against were Ben Bradshaw MP, Matthew Taylor and the Culture Secretary Ed Vaizey, who called it ‘brutal, vulgar, left-wing, and hostile to excellence and quality’.