Lloyd Evans is The Spectator's sketch-writer and theatre critic
From our UK edition
Too much time at the barbers. That’s the opposition’s problem. Ed Miliband showed up at PMQS today after a long morning lounging in the chair having his hair coiffed and burnished. His darkly gleaming scalp now looks like the kind of thing toffs scrape their boots on after a morning’s shooting. And that’s precisely what
From our UK edition
How Rachel Johnson became the voice of Britain’s forests Clueless, aimless, rudderless, directionless. Labour’s disarray has left the task of holding the government to account in the hands of volunteers and publicity-seekers. The result is pop-up opposition, scrutiny by happening. Groups of protestors coalesce around a famous figurehead and raise merry hell until the coalition
From our UK edition
The teeny-weeny Bush Theatre is grappling with the monster of the free schools debate. In Little Platoons by Steve Waters the issues are laid out rather simplistically, naively even, which is perhaps just as well with undereducated dimwits from London comps, like me, in the audience. The pivotal character is a disaffected music teacher, Rachel,
From our UK edition
Plenty of personality at today’s PMQs. Not much policy. Miliband opened with one of his stiletto questions. Short sharp and deadly. ‘How’s his Big Society going?’ he asked the prime minister. Potentially this is tricky ground for Cameron and he rose to a barrage of Labour jeers. At least he’s had time to rehearse his
From our UK edition
Lloyd Evans talks to Sophie Thompson, whose lack of vanity defines her approach to acting Straight off, as soon as I meet Sophie Thompson, I can see the look she’s striving for. Elegant ragamuffin. Torn jeans, scruffy trainers and a charity-shop blouse all offset by some peachy designer accessory worth five grand. Then I realise
From our UK edition
The Almeida relishes its specialist status. The boss, Michael Attenborough, isn’t keen on celebrity casting because he wants ‘the theatre to be the star’. It’s a niche operation for purists and connoisseurs, for seekers and searchers, and for those who can spell Verfremdungseffekt without having to check (as I just had to) what the penultimate
From our UK edition
One yawn every minute. That’s how PMQs felt today. Foreign affairs dominated the session as Ed Miliband and the Prime Minister exchanged lofty words about the Cairo demonstrations and the spread of democracy around the world. Doubtless they felt they struck a suitably elevated tone but to the viewers they came across as a pair
From our UK edition
An all-Hall haul this week. Sir Peter directs his daughter Rebecca in Twelfth Night at the National. This traditional and very fetching production opens in a sort of Elizabethan rock-star mansion where Orsino (Marton Csokas) lounges on a carved throne, in Lemmy locks and Ozzy cape, intoning the play’s gorgeous opening lyrics. Then the plot
From our UK edition
Plunging into the second volume of Alastair Campbell’s diaries is like opening a Samuel Richardson novel. Plunging into the second volume of Alastair Campbell’s diaries is like opening a Samuel Richardson novel. The tone is breathless and excitable and the dramatic world of backstabbing, tittle-tattle and palace intrigue is instantly captivating. Historians will scour the
From our UK edition
Ed Milliband took up his position at PMQs today flanked by Caroline Flint and Ed Balls. Between a rock and a hard face. His proximity to so many colleagues who wish him ill can hardly have helped his performance. He was like a stale doughnut. Layers of stodge surrounding a hole in the air.
From our UK edition
Gently does it. The Fitzrovia Radio Hour takes us back to the droll and elegant world of light entertainment in the 1940s when the airwaves were full of racy detective shows and overheated melodramas about pushy Yorkshiremen and rogue Nazis. The show is set in a radio studio during a live performance and we watch
From our UK edition
Labour are on the up. They strolled Oldham. They’ve recruited great armies of Clegg’s defectors. And they’d win a majority if a general election were held tomorrow. There’s been a lot of excited talk in Westminster about Tom Baldwin, Labour’s new communications attack-dog, coming in with his fangs bared and sharpening up their tactics. Well,
From our UK edition
There’s gold out there. The search for lost masterpieces beguiles many a theatrical impresario but with it comes the danger that the thrill of the chase may convert a spirit of honest exploration into an obtuse reverence for the quarry. There’s gold out there. The search for lost masterpieces beguiles many a theatrical impresario but
From our UK edition
Wow. Dave had a real wobble at the start of PMQs today. Ed Miliband stood up, looking as mild as a puppy, and asked about the ‘tip’ of two million quid recently paid to the boss of Lloyds. ‘In opposition,’ said Ed, ‘the prime minister promised, “where the tax-payer owns a large stake in a
From our UK edition
It’s that time of year. The great reckoning is upon us. Insurance is being renewed. Tax returns are being ferreted out. Roofing jobs are being appraised and budgeted for. And spouses are being trundled into central London for the annual session of dialysis at the theatre. It’s that time of year. The great reckoning is
From our UK edition
The film-maker John Waters specialises in weirdos. His new book, Role Models (Beautiful Books, £15.99), is a collection of interviews and anecdotes seasoned with off-beat fashion tips. The film-maker John Waters specialises in weirdos. His new book, Role Models (Beautiful Books, £15.99), is a collection of interviews and anecdotes seasoned with off-beat fashion tips. One
From our UK edition
Here is the latest Bookends column from the magazine The film-maker John Waters specialises in weirdos. His new book, Role Models, is a collection of interviews and anecdotes seasoned with off-beat fashion tips. One of his earliest films, Multiple Maniacs, was a reaction to the Manson family massacres of 1969. He attended a pre-trial hearing
From our UK edition
Michael Grandage, boss of the Donmar, is a most unusual director. He has no ideas. His rivals go in for party-theme, concept-album, pop-video Shakespeare (provincial folksiness in metropolitan disguise), but Grandage just goes in for Shakespeare. He arrives with no prejudices or pieties, only solutions. He’s the bard’s delivery boy. His current production of King
From our UK edition
Deceptively attractive. Romeo and Juliet tempts directors and leads them on while keeping all its false doors and secret pitfalls out of view. Rupert Goold’s RSC production is two fifths good and three fifths indifferent. A respectable score. This lovely, tricky and rather silly play isn’t the work of a genius but of a jobbing
From our UK edition
Up, up, up! It was the only way he could go. For the last couple of months Ed Miliband has arrived at PMQs like a hapless fag with his bottom ready-stripped for a ritual flogging from Flashman. Today he made a proper fight of it. This was his best PMQs performance since his debut. He’s
