Julie Burchill

What do we talk about when we talk about Marilyn Monroe? Sex, death and everything in between. Unlike other legendary film stars from Garbo to Bardot, Monroe has become (to use that awful and over-popular word) ‘iconic’ – which is ‘problematic’ in itself. Being recognisable as a hank of blonde hair and a white dress failing to preserve her dignity dehumanises Marilyn – and we know that being treated as a ‘thing’ contributed towards her terminal sorrow. We want to have our cheesecake and eat it, without adding the heavy weight of posthumous complicity in the death of this likeable young woman – which is what Monroe was, beneath all the glamour and the pain.

The old should envy the young; it’s part of the natural order of things. When I was young, I was gloriously aware that old people (anyone over 30) envied me; though I was a virgin until I went to That London at 17, my mum and her mates thought I was up to all sorts – and as soon as I was able to escape from my poor-but-honest home for the fleshpots of the capital, I was. Two poems by Philip Larkin sum up how old people used to feel about the younger generation.

With Owen Jones very huffily leaving the Labour party, I was moved to examine the state of The Flounce in public life de nos jours. The Merriam-Webster dictionary defines it thus: 1. To move with exaggerated jerky or bouncy motions (‘flounced about the room, jerking her shoulders, gesticulating’ – Agatha Christie)2. To move so as to draw attention to oneself (‘flounced into the lobby’)3. To go with sudden determination (‘flounced out in a huff’) Are we are past the glory days of flouncing?

Few things sum up the chasm between childhood and adolescence more poignantly than our changing relationship with music. One minute life is all familial cuddles and nursery rhymes – the next it’s all parental alienation and rock’n’roll. One year I was eagerly buying the records of Pinky & Perky, the next those of Dave Dee Dozy Beaky Mick & Tich – and the next, the records of the Velvet Underground and Nico. Nico had finally found the family’s piano and was pumping away on it as if her life depended on it My relationship with Nico – the fantasy and the reality – is one of the funniest never-meet-your-heroes experience I’ve ever had.

‘PUNK’S NOT DEAD!’ I will sometimes write as a sign-off on emails to mates when I’ve said something particularly ‘bad’. It’s something of a joke with me; although I was around the scene early on (1976) and started my career off as a 17-year-old writing about punk, I didn’t much like it. I liked black music – disco, Motown, soul; I thought that most white music was just a nasty old racket. The establishment has moved from right to left but remains sexist, snobbish and racist But I do like the phrase, implying as it does a refusal to bow down to the establishment. Although we had a Labour government from 1974, it’s fair to say that the establishment of the 1970s was a fusty right-wing thing, sexist and racist and snobbish.

As someone who was fond of Derek Draper (a feeling that probably wasn’t mutual, as I nicked his bird) it was strange to see photographs of his funeral. It seemed like a state occasion for some legendary leader who had died in battle defending his country, rather than for the husband of a likeable TV presenter who had been unlucky enough to catch a virulent version of a sickness which so many shook off. Sir Elton John sang; Sir Tony Blair speechified. Gordon Brown, Peter Mandelson, Ed Balls and Alastair Campbell showed up; the Blair Bunch reunited. The dignity of Draper’s widow and children sat oddly next to this ghastly bunch of carpetbaggers, reminding us that before he found redemption, Derek became famous – notorious – for revealing the hollowness at the heart of New Labour.

Awhile back, I followed the career of the writer Elizabeth Day, but not in a good way; rather, I followed it much as a fly must have followed a muck-cart in the olden days. Her column for the Mail on Sunday, from 2018 to 2021, was quite probably the worst column ever to appear in a newspaper up to that point. I dubbed her The World’s Worst Columnist (and it wasn’t envy, as I had a cushy billet at the Sunday Telegraph at the time) and took great delight in sharing the choice cherries of triteness atop her weekly Sunday sundae of banality with my mates on social media.

Was I the only person who felt a flash of disappointment when a source said of the imminent Girls Aloud re-union that ‘No one wants it to be a catfight’? Obvs I don’t just want a catfight – they’re the best girl group ever, so they are artists and women of substance. But just a bit of a catfight, maybe? I’ve had a soft spot for catfights since I was a child; I saw loads at the rough comprehensive school I attended between the older girls - they’d always take their earrings out first and hand them to their best friend to hold, which I found unspeakably glamorous. One of the few disappointments of having been so upwardly mobile during one’s long and lush life is that one never got to see such scraps at one’s watering holes of choice.

Like most clever people, I’m not over-fussed about clothing; there have been numerous studies showing that successful types – unless they’re in entertainment, showbiz or fashion itself, obvs – tend to wear the same thing every day. Whenever I hear the phrase ‘I like to express myself through what I wear’ I know we’re dealing with a dim bulb – how about expressing yourself through, I don’t know, your words and your actions? Fran Lebowitz once said ‘If people don’t want to talk to you, what makes you think they want to hear from your clothes?’ and though she was referring specifically to slogan T-shirts, I often think of it when I see people dressed in an ‘interesting’ manner.

We’re all wise to those phoney rotters who hold ‘luxury beliefs’ – the excellent phrase coined by the social commentator Rob Henderson in 2019 to describe ‘the modern trend among affluent Americans to use their beliefs as a way to display their social status… a belief held or espoused in order to signal that a person belongs to an elite class’. I’ve recently noticed a new side-effect of extreme privilege; luxury self-deprecation, as seen principally in actors who diss their own vehicles (if old) or express dismay at becoming famous (if young). I call them the Slamming Hams – Shams for short.