Josephine Livingstone

The medium is the message

Molly Crabapple is an American artist and Drawing Blood is the story of her life. That life has only been going on since 1983, but despite its author’s relative youth Drawing Blood is a valuable political document. It tells of a life lived in struggle — against the prospect of going dead broke, against gross misogyny within the arts and against sex workers, against the obscene wealth splattering the fine art business — redeemed by intoxicating levels of exposure, then finally reoriented by a new political consciousness. Crabapple describes an artistic childhood followed by a pretentious adolescence spent performance-reading Nietzsche and hating everybody. Bored of America, the teenage Crabapple goes on holiday to Paris and Turkey.

Long nights of delicious horror

The thick of autumn is upon us, dear reader, and with it the shivers. Around Hallowe’en you may be tempted to go and see yet another edition of Paranormal Activity (a quotation from the trailer: ‘There’s, like, obviously something going on here’) or something similar. Do not. There is nothing frightening about going to the movies. You are there with a crowd of other human beings, doing something fun and communal. This is not scary. If you’re serious about engaging with the spirit of the season, the thing to do is to stay up late alone, in bed, reading a terrifying book. Fortunately, the bookshop shelves are currently creaking under the weight of exactly that. Here are some of the most delicious horrors lately made available on the printed page.