James Delingpole

At the launch of Patrick Bishop’s 3 Para at the Cavalry and Guards Club last week, I met some of the boys who’ve been doing their bit in Helmand. At the launch of Patrick Bishop’s 3 Para at the Cavalry and Guards Club last week, I met some of the boys who’ve been doing their bit in Helmand. God, they looked tough, with a keen, frankly rather unnerving, glint in their eye which set them dramatically apart from all us milksop civvies. One senior NCO told me what a thrill it had been when for the first time in 26 years’ service he’d finally been able to give the command ‘Fix bayonets’ — then lead an actual charge. ‘They don’t like it up ’em,’ he said, as of course he would.

Sorry, I’m in Sardinia at the moment and I couldn’t find any preview tapes that really grabbed me before I went away so if you don’t mind I thought I’d just have a general grumble about the state of TV. First, Weekend Nazis (BBC1, Monday), whose undercover team made the truly cataclysmic discovery that one or two members of Second Battle Group — a British second world war re-enactment outfit which specialises in portraying German Waffen SS soldiers — may have neo-Nazi sympathies. Well, knock me down with a feather. Perhaps next week this same crack team will manage to infiltrate the Vatican and emerge with the shock horror revelation that the Pope (and quite possibly several of his aides) are Catholic. I mean, really.

‘I’m sure I’ve read this before,’ said the Fawn, skimming through my review of Heroes in the week-before-last’s Speccie. ‘I’m sure I’ve read this before,’ said the Fawn, skimming through my review of Heroes in the week-before-last’s Speccie. ‘You can’t have done, we were away when it came out,’ I said. ‘Well, it seems very familiar,’ she said. ‘That’ll be because all my pieces start to resemble one another after a time. Same style. Same jokes. Maybe I should just give up now, before anyone else notices.’ But I can’t, obviously.

Which super power would you choose? When I was young, the one I quite wanted was invisibility. I imagined myself sneaking into the bedrooms of all the girls I fancied and persuading them that I was an incubus come to satisfy their every desire. An ability to arrest time with a stopwatch would be a handy power too, as would being able to fly or teleport. But the impression I get with super powers is that you’re not allowed to be too greedy. I was trying to think which low-level super power I’d accept today and I realised how unambitious I’ve become. Being able to go to the loo without ever again needing to wipe your bottom — I’d be quite happy with that. Always going to sleep within 30 seconds of one’s head hitting the pillow, that would be even better.

Great news, guys. Thanks to Live Earth (BBC1 and BBC2, most of last Saturday), recycling is up by almost 6,000 per cent, the icecaps are regenerating, Kilimanjaro has got its snow back and polar bear experts are reporting that the latest batch of cubs are whiter, cuter and fluffier than at any time since records began. Furthermore, no fewer than 98.8 per cent of 15- to 24-year-olds now agree with the statement: ‘Man-made global warming is the greatest threat to humanity ever and if my parents disagree I promise to chop them to pieces with sharp knives like the fascist, Gaia-raping pigs they are.’ Actually, I can think of two encouraging things that came out of all that nonsense over the weekend.

Doctor Who (BBC1, Saturday) has been particularly brilliant of late and I think Spectator readers should know. There were moments in the first two new series where one might reasonably have gone, ‘Yeah, but it’s still not a patch on the original.’ But as series three draws to an end, I don’t think there can be any more doubt: the new Doctor Who is the greatest British TV sci-fi series since Quatermass. Where did it go so incredibly right? My personal theory on this — based on wishful thinking, mainly — is that it has to do with the episode in the first series called ‘The Empty Child’. If you saw it, you’ll never forget it. It’s the one with the spooky child wearing the gasmask who goes round saying, ‘Are you my mummy?

The other day I had to address a group of media students from Michigan State University on the purposes of TV criticism. I came up with about five, the last of which was: always impress on your audience what a massive waste of life almost all TV-watching is because it’s mostly rubbish, it sucks out your brain and you’re far better off with a book or the wireless. Possibly they thought I was joking but you all know I wasn’t. It’s a variation on an argument I have every week with the Fawn over The Apprentice (BBC1, Wednesday). She thinks it’s antisocial the way I read the newspaper through the longueurs and then head for an early bath rather than wait to find out who got fired.

Very sadly I couldn’t get hold of Sea of Fire (BBC2, Friday), the (reportedly superb) drama documentary about the destruction of HMS Coventry in the Falklands War, because tapes weren’t available till just before broadcast. But not to worry. I think I can still tell you with some confidence how it went. The first thing I know is that it was artfully shot, beautifully acted, had an authoritative voiceover and looked very realistic, for these BBC drama docs always are. The second thing I know is that, also like all BBC exercises in this vein, it made you feel dreadfully ashamed to be British.

There’s a really horrible stage you go through as a writer when you’re working on a new novel, and I’m in the middle of it right now. It’s called the ‘research and planning’ stage and what you do is spend lots of time reading relevant books, watching documentaries, visiting museums, travelling abroad, interviewing interesting people, surfing the net, idly contemplating, searching Amazon to see whether there are any more relevant research books you haven’t yet bought. I’ve made it sound almost fun but the reason it’s not is that while all this is going on you feel terrible.

Victoria’s Empire (BBC1, Sunday) is the BBC’s new Palinesque travelogue series in which comedienne Victoria Wood goes from exotic location to exotic location chatting to the locals, making wry observations and being mildly funny. But there’s at least one thing that’s very, very annoying about it. The annoying thing — and I don’t know whether this is a problem Wood herself has or whether it’s something which has been imposed on her by the BBC’s political-correctness-enforcement department; a bit of both, I suspect — is the way it keeps apologising for being white, middle class, middle-brow, post-Imperial and British. For example, in a scene where Wood goes to visit the ghats of Calcutta, her expert guide happens to be English.

The thing I really don’t get at all about The Mark of Cain (Channel 4, Thursday) is how the people involved could bring themselves to do it. I mean, I’m quite skint at the moment and in need of attention and acclaim and a better career. But I promise — no matter how much they paid me or how many column inches I might expect to generate or Baftas I might hope to win — that never in a zillion years would I do what this documentary has done to the British army. I’m not saying it wasn’t gripping viewing. Artistically, you could scarcely fault it. Militarily, I wasn’t quite convinced by the scene where a few insurgents armed with AKs and another with an RPG cause a British army section completely to fall to pieces.

Insomnia is a self-fulfilling prophecy. When, for example, I made up my mind that I was going to review the BBC’s new series Sleep Clinic (BBC1, Monday), I knew that later that night I would have enormous difficulties getting to sleep. This is one of the horrible tricks we insomniacs play on ourselves. We’ll have had maybe four or five good nights’ sleep in a row and the nasty little voice in our heads will go, ‘Well, you’re not seriously expecting to get another good night, are you?’ To which our nice, rational, sensible voice will reply, ‘Well, why not? I’ve been doing pretty well so far. I’m quite tired. I haven’t got anything major to worry about at the moment...’ ‘Oh, haven’t you?

In the last ten years there has been (a) an alarming rise (b) a slight but significant rise or (c) no statistically significant change in global mean temperature. Actually, the answer is (c) but if the one you gave was (a) or (b) I’m hardly surprised. How could it not be when pretty much all they show on TV are programmes with titles like Climate Change: Britain Under Threat (BBC1, Sunday) and Should I Really Give Up Flying? (BBC2, Wednesday). Climate change is happening, on this almost everybody agrees.

If Sean Langan isn’t the bravest, best and most likeable foreign correspondent on TV, I don’t know who is. And what a bumper week this has been for his admirers. On Monday, a Dispatches documentary (Fighting the Taleban, Channel 4) about the six-day battle he witnessed in Garmser, Helmand, when a half-platoon of British infantrymen and a couple of hundred Afghanis held out against several thousand Taleban. Then, on Thursday, another one (Meeting the Taleban, Channel 4) in which he gingerly approached a Taleban/al-Q’aeda mountain stronghold and amazingly came away with testicles intact and a halfway cogent interview.

There’s a programme I sometimes do on the right-wing guerilla media website 18 Doughty Street which I think you might enjoy. It’s called Culture Clash, presented by Peter Whittle, and it’s a bit like Newsnight Review would be if you took away the pseudery, the left-liberal cant and Ekow Eshun. Obviously, the production values are a lot ropier than you get on proper TV, and because the guests are generally less media-exposed there’s quite a lot of ‘you know’ and ‘I mean’. But what’s good about it is that everyone feels free to say what they actually think about the films, books and TV programmes they’re reviewing rather than going ‘Heaven help us. We’re on TV! Better take care!