James Delingpole

James Delingpole

James Delingpole reviews television for The Spectator.

The Islamic sermon that taught me what’s happened to Birmingham

Birmingham has changed a bit since I grew up there in the 1970s. Back then, the stories of the hour were the usual industrial unrest at Longbridge, the IRA bombs in the Tavern in the Town and the Mulberry Bush, and the ongoing success of local lads Slade, Wizzard and ELO. Today, though, it’s mainly stuff like Operation Trojan Horse, and I barely recognise the place or the culture at all. So when, driving back from the Conservative party conference the other week, I found the radio button that normally takes me to Radio 4 mysteriously tuning instead to a local Islamic station, I thought I’d do a bit of homework and listen to the sermon it was playing. I’d never heard an Islamic sermon before. Nor probably have you.

James Delingpole falls in love with Grayson Perry – and almost comes round to Chris Huhne

I love Grayson Perry. You might almost call him the anti-Russell Brand: a genuinely talented artist who also has some very interesting stuff to say — as he’s demonstrating yet again in his highly entertaining new series Who Are You? (C4, Wednesdays). It ought to be ghastly and it ought to be pretentious: a trendy ceramicist known at least as much for his transvestism as for his wackily decorated, hugely fashionable pots meets up with people from diverse backgrounds so that he can explore the theme of identity and then exhibit creations inspired by them at the National Portrait Gallery.

My new affair is thrilling, expensive — and might just break my neck

I have fallen in love with an unsuitable male. My wife isn’t totally happy about this relationship because she recognises how dangerous it is. The problem with Eddie is that his vices are my vices. He’s reckless, an adrenaline junkie who likes always to be up front. Really, a most unsuitable companion for a skinny, breakable family man fast approaching 50. And did I mention how expensive he is? It’s as bad as having a high-class mistress or a serious cocaine habit, but I’m powerless to resist. I love hunting. I love my mount Eddie Stobart. When I’m riding to hounds, all my worldly cares vanish. It makes me feel like I’ve finally discovered the point of existence. Tragic, isn’t it? It’s tragic because I know I could quite easily die — or worse.

Fellow saddoes rejoice: BBC4 has made a comedy-drama about metal detecting

Detectorists (BBC4) is a sad git’s niche comedy that would never have been commissioned if it hadn’t been written and directed by Mackenzie Crook (who sort of counts as a Hollywood star, now, because after making his name in The Office he went on to appear in the Pirates of the Caribbean series). But I’m glad it was because I’m one of the sad gits it’s targeting: desperate blokes who spend their every spare weekend at this time of year scouring ploughed fields for non-existent treasure. We’re a fairly eclectic bunch, we detectorists.

Stop “Stoptober”! It’s another insidious attack on liberty and free will

Say what you like about the French Revolutionaries but at least they had a poetic imagination. When they wanted a new name for October, they anticipated Keats and named the season of mists and mellow fruitfulness ‘Brumaire’, meaning ‘foggy’. Which is a lot more evocative, I think we can agree, than its current incarnation under the new politically correct Terror: Stoptober. Stoptober. Geddit? That’s ‘-ober’, as in the second half of ‘October’, with the word ‘Stop’ cunningly positioned where the ‘Oct’ would normally be. And what marketing genius was responsible for this rebranding? Why, someone from an Orwellian body which you’d probably much prefer didn’t exist, let alone to have to fund with your taxes. Public Health England.

Could the Kenyan mall atrocities happen here?

So you’ve just popped down to the supermarket for the weekly shop, toddlers in tow, when the grenades start to fly, the air lights up with tracer bullets and you realise to your horror that unless you find a suitable hiding place in a matter of seconds these are the last moments you’ll spend with your kids on earth. This was the awful crisis that faced Amber Prior and her children, who were among the numerous innocents caught up in the al-Shabaab suicide attack on the Westgate shopping mall in Nairobi, Kenya, last year. Their tale was told in the BBC2 documentary Terror at the Mall, and I make no apologies for reviewing it late because it is surely one of the most gripping and important pieces of television any of us are likely to see this year.

The greatest joy of playing Grand Theft Auto V? It lets you give the finger to the PC brigade

The last — and only — time I had sex with a whore she was so impressed by my performance that she begged me to do it all over again. I thank the drugs. Before popping out in my stolen car for my rendezvous with my skanky ho, I had smoked a couple of fat blunts which I’d found ready prepared for me by my bitch next to my beer fridge and it put me in just the right mood. But none of this was ‘real’. I was playing the video game Grand Theft Auto V (GTAV) and enjoying the transgressive thrills of living the life of a young black hoodlum in inner-city America.

I love that people assume I’m gay

At a birthday dinner over the weekend I was introduced to this delightful party girl of a certain age whose diet for the evening consisted of chips and Grey Goose vodka on the rocks with lime. She launched straight into the praises of this marvellous gay couple she knew in the area who were mad keen on hunting, kept getting injured but didn’t care, and who she was sure I’d get on with like a house on fire. They did indeed sound like my kind of people. But it was only later, after my new friend had had a few more and she had expressed surprise at the existence of my wife across the table, that she fessed up. ‘I had no idea you weren’t gay. Those clothes. Your manner. That gaunt look...’ I didn’t mind, obviously.

My amazing dad has found the secret of a happy life

This week I wanted to tell you about my amazing dad. He hasn’t died or anything. I just thought I’d get in there with my panegyric quick while he’s still got most of his marbles and before he’s lying in a coffin quite deaf to all the nice stuff I’m about to say about him. So: my dad. What prompted this was a chance remark he made the other day about having left school at 15. Fifteen? ‘Well I wasn’t enjoying it,’ he explained. ‘And Dad said he couldn’t afford the fees. So it made much more sense for me to come and work for the family firm as a lathe operator. I loved it. It gave me independence and I was earning money.’ Now if you were to meet my Dad, you wouldn’t guess his education was so basic.

We need more opinionated English eccentrics making documentaries like, ahem, me…

Is it just me or are almost all TV documentaries completely unwatchable these days? I remember when I first started this job I’d review one almost every fortnight. Always there’d be something worth watching: on the horrors of the Pacific or the Eastern Front, say; or castles; or Churchill; or medieval sword techniques. But now it’s all crap like The Hidden World of Georgian Needlecraft or In The Footsteps of Twelve Forgotten South American Civilisations Which All Look The Same or A Brooding, Long-Haired Scottish Geographer Shouts From Inside A Volcano Why Climate Change Is Worse Than Ever. The presenters have got more annoying too. I mean, I’m not saying some of the old ones weren’t infuriating with their hand-waving and tics and mannerisms and wheezings.

Frankie Boyle is a cowardly bully, and I’m ashamed I ever stood up for him

‘Outspoken comic Frankie Boyle has called on the BBC to sack “cultural tumour” Jeremy Clarkson.’ Can anyone tell me what’s wrong with this opening sentence from a recent news report? Clue: it’s that first word. In order to qualify as ‘outspoken’, surely, you need to be the kind of person who fearlessly, frequently and vociferously sets himself in opposition to the clamour of the times. Does demanding that a public figure lose his job for some mildly sexist/racist/homophobic/ableist remark fit into that category? Hardly.

Eye-gouging within the first half-hour: the edgy new rules of TV drama

Where is Jessica Hyde? If those words mean nothing to you then I have some excellent news. If not, then you’ll already be aware that I have failed you totally. And not for the first time, either. I was about a series (sorry, ‘season’) late to Game of Thrones; not much quicker into Breaking Bad; and now here I am again belatedly drawing your attention to something we all really should have seen last year if we were to consider ourselves even halfway in the loop... Anyway, for what it’s worth, the show is Utopia (Channel 4, Tuesdays) and I can’t remember when I last saw a British drama series open so strongly.

You’re never too old, they say. But I am

For my 49th birthday treat, I went to see Shakespeare in Love at the Noël Coward theatre in London. Expensive but worth it: spry, funny, uplifting and moving but also, for all the surface froth, quite a deep meditation on the creative process and the enduring power of art. What everyone secretly loves best about it, though, I suspect, is the way it so shamelessly flatters their intelligence. We’re all aware that Shakespeare wrote a sonnet that begins ‘Shall I compare thee to a summer’s day?’; that Marlowe was stabbed to death in a pub brawl; that Malvolio wears yellow stockings and cross garters. This is basic, middlebrow general knowledge.

Gomorrah is gangsters without glamour – but it’s still not as scary as Dance Moms

Gomorrah (Sky Atlantic, Monday), the new, must-see Mafioso series, started promisingly. We met two hoods — one young, shaven-headed, good-looking; one weary, brow-beaten, middle-aged — filling up at a petrol station in Naples, an unfamiliar (to me anyway) setting that looks promisingly like a cross between Vegas and downtown Gaza. Clearly they were up to no good. Meanwhile, in a decrepit apartment block, an elderly mamma was preparing her beloved, twentysomething son a rather delicious-looking pasta dinner. She chastised him for smoking at the dinner table. The son tried explaining, to no avail, that this was an E-cigarette, not a real one. Mamma wasn’t having it. She said grace and her nicely brought up if wayward boy crossed himself piously.

You owe it to yourself to visit John Clare country

This has been a terrible year for horseflies. It’s bad enough if you’re human: often by the time you swat them off the damage has already been wrought by their revolting, cutting mandibles and it’s not till 24 hours later, I find, that the bite reaches peak unpleasantness, swelling into a huge itchy dome which somehow never quite generates the massive sympathy you feel you deserve. But obviously it’s worse if you’ve no hands to swat them with, as Girl and I were reminded when we went out for a summer ride. Every few yards our mounts shuddered and twitched and twisted their heads back under sustained and vicious assault from the evil clegs. Sometimes, you could see the blood. ‘Kill them! Keep killing them!

In which James Delingpole gets down with the kids, finds they’re sex-obsessed…

If there’s one thing everyone knows about BBC comedy it’s that it’s going downhill. According to Danny Cohen, now Director of BBC Television, it’s too white and middle class; according to producer John ‘Blackadder’ Lloyd, it’s run by idiots like the bureaucrats in the BBC satire W1A who don’t understand what comedy is; according to the gag-inducingly PC Dara O’Briain, it’s too gag-inducingly PC (he means the quota system they’re trying to introduce whereby every comedy panel show must have a token female); according to John Cleese, it’s never been the same since John Cleese left; etc. Probably they’re all right.

Fear and libertarianism in Las Vegas

Great God, Vegas is an awful place. I realised this the moment I arrived. My cab driver — who’d been perfectly agreeable en route from the airport — mistook my post-flight sluggishness for reluctance to give him a tip, and drove off angrily cursing me as I fumbled in my pockets. The line just for the check-in desk was about a mile long. Everyone was fat and drunk and dressed for the beach. Outside it was too hot: 105°F at 5 p.m. Inside, it was too cold from the relentless air-conditioning. Everywhere had the style and charm and tastefulness of Redditch. By day three I’d had enough. ‘Don’t stay in Vegas more than three days,’ people had warned me. And people were right. It’s more than enough. Four days would definitely drive you mad.

Your starter for ten: why do we Brits so love University Challenge?

‘Fingers on buzzers!’ says Jeremy Paxman on University Challenge. But technically this is inaccurate. Only one of the teams actually has buzzers. The other side has push-button bells, instead. I’ve been watching the programme religiously for God knows how many years without ever consciously noticing this. But, once you’ve been told, it’s obvious — in much the same way it’s obvious that the way you tell Thompson and Thomson apart is that one has an upturned moustache and the other doesn’t. Which, come to think of it, would be quite a good University Challenge question. Apparently, one of its main criteria is that every question must have ‘inherent interest’. That is, it must make you genuinely keen to know the answer.

A Glastonbury adventure with Led Zeppelin, Lana del Rey, drug dealers – and my son

‘Charlie. E. Powder,’ said the friendly, helpful man working his way through the crowd during the mindblowing Friday-night headline set by the American dubstep DJ Skrillex. I looked wistfully at his man-bag of chemical  enhancers. Skrillex was good. Maybe the best electronic act I’ve seen in 24 years of Glastonburies. (‘Slivers of mutant dancehall, booty house, Daft Punk arpeggios and big pop choruses, all mangled into oblivion with his signature sub-bass wobbles,’ as the Guardian’s critic so rightly put it.) But imagine just how much more trippy that Transformers light show would look if...‘Dad?’ said Boy, next to me. ‘I’m really tired. Can we go soon?’ Yes.

Imperialism is back – and this time it’s politically correct

‘Why did you leave us?’ said the old Sudanese man in Omdurman market. ‘Things were so much better when you were here.’ He was talking about the British empire, of course, and apologies if I’ve told the story before, as I know I have. It’s just that it’s such a fantastically satisfying way of winding up all those guilt-ridden post-colonial types who find it a source of shame and embarrassment that the world’s atlas was once half-covered pink. I don’t though. Not at all. What shames me far more are the mistakes we’re now making as a response to that guilt. We’re still treating the Africans like children; and we’re still ripping them off.