Germán Saucedo

Marty Supreme mirrors Timothée Chalamet’s desire

From our US edition

Recently, Timothée Chalamet gave the world a refreshing show of ambition when, after winning a SAG award, he said that “the truth is I’m really in pursuit of greatness. I know people don’t usually talk like that, but I want to be one of the greats.” Ambition perhaps turned into arrogance when, during an interview for his new film, Marty Supreme, Chalamet noted that during the last few years, he’s been handing in “top-of-the-line performances... I don’t want people to take it for granted. This is really some top-level shit.

marty supreme

Give Stellan Skarsgård an Oscar for Sentimental Value

From our US edition

Recently, a friend of mine found himself having a bad day for a reason I now forget. I made a lousy attempt to cheer him up. “Omnia in bonum,” I said to him – all things work together for good. The Latin phrase has served as a salve for me in hard times. Little did I know that I had just made things much worse. He was visibly shaken. I asked him what was wrong. I had unknowingly stirred memories of his parents’ difficult and traumatizing divorce, during which that same phrase had been used by them in a pointless attempt to assuage their children’s sadness. The idea that a phrase, a memory or an object can be simultaneously cursed for one person and blessed for another had never occurred to me. It has occurred to the Finnish filmmaker Joachim Trier.

We need Sabrina Carpenter

From our US edition

Sabrina Carpenter, who will for the first time this week be hosting NBC’s Saturday Night Live, continues to be a cause of controversy. Over the summer, the five-foot, honey-voiced singer revealed the cover for her newly released album, Man’s Best Friend. It shows her wearing a black minidress on her hands and knees, while a faceless man holds a handful of her hair. The image immediately stirred outrage online. Those who usually find themselves on the side of unfettered female sexual liberation called the cover regressive, degrading, and submissive toward the male gaze. Some fans defended the image, arguing that Carpenter was clearly satirizing incompetent and controlling men as well as her portrayal by the media as a “sex obsessed” pop star.