Gareth Roberts

Gareth Roberts

Gareth Roberts is a TV scriptwriter and novelist who has worked on Doctor Who and Coronation Street. He is the author of The Age of Stupid substack.

The fascinating obsession with Phillip Schofield’s downfall

From our UK edition

The rift between Holly Willoughby and Phillip Schofield, long-standing sobbing/giggling presenters of This Morning, has been one of the big talking points of recent weeks. A torrent of Holly 'n' Phil headlines has covered every twist and turn: Holly’s shock This Morning departure! (She clocked off ten minutes early to attend a function.) Shock This Morning farewell from Holly and Phil! (They’re taking a summer holiday like they do every year.) These headlines were all false tempters, but I'm only slightly ashamed to say I found myself clicking on every single one.

The shameful decline of BBC Radio 4

From our UK edition

Radio 4 is in trouble. Listening figures for the station have dipped to their lowest level since 2007. The Today programme, Radio 4's flagship morning show, is doing particularly badly: its audience fell 12 per cent year on year, from 6.5 million to 5.7 million, according to Rajar. For anyone who has tuned in to Radio 4 recently, this decline won't come as a surprise. ‘I’ll just stick Radio 4 on’ was the default habit of my life when bored, from about the age of ten in 1978 to fifty in 2018. It felt like the still, reliable centre of the nation. It was also handy as a blood pressure reducing device. But, in the last few years, something changed.

A Lib-Lab coalition would be hilarious

From our UK edition

Talk of a new Labour-Lib Dem coalition is in the air. This is piquantly nostalgic to those of us whose earliest political memories were forged in the fire of the red-hot excitement of David Steel and Jim Callaghan’s short-lived Lib-Lab pact of 1977-78. My initial reaction, along with many others I’m sure, was a guttural ‘oh God no’. But a moment later a different aspect of it occurred to me, in a fine example of what the young people call ‘cope’. My banter senses started to tingle. Because, yes, it would drag out and exacerbate the country’s current despairing decline. But it would also be hilarious. PR might very well remake British politics, but not in the way that the progressives intend There is something inherently funny about coalitions.

Could AI save the human race?

From our UK edition

Two things are buzzing about in the air at the moment: decline and artificial intelligence. Douglas Murray and Louise Perry have written recently in these pages about social desuetude: Murray on the five million or so Britons who seem to have opted out altogether of economic activity; Perry on the worrying lack of new humans being born. Could AI get us out of these holes?  It’s tempting to scoff at new tech and the alternating warnings and promises about what’s coming down the line. Many of us in the demographic bulge of older citizens will recall the heated clamour of the early 80s. We remember how the auguries about the microchip revolution turned sour when we found that toilets still had to be cleaned and bins still had to be emptied.

Monarchy and celebrities should not mix

From our UK edition

This weekend’s coronation will be an historic moment, a milestone in the mass memory. Just think how many dreary British films will be set against the backdrop of the coronation. (At least it will make a change from things being set against the backdrop of the miners’ strike – a mate of mine invented a game where you take turns adding that to the synopses of other famous films, e.g. ‘Jack Nicholson is possessed by the spirit of a murderous caretaker, set against the poignant backdrop of the miners’ strike’.)  But there is already a sense of a rather odd, half-in half-out, uncertain tone to the affair. This is meant to be a spectacle of majesty and splendour, but oh no, we can’t have the Speaker’s gold coach.

Jolyon Maugham’s opening sentence might be the worst of all time

From our UK edition

In the first sentence of his book, Jolyon Maugham – the anti-Brexit KC best known for clubbing a fox to death – achieves a mean feat. In 22 words, he conveys his trademark self-pity, self-aggrandisement and capacity for tying himself into pompous knots: 'The life I have is hard, but I got to choose it, and the road that brought me here I did not,' Maugham writes in Bringing Down Goliath. It certainly acts as a tantaliser. If this is only the first sentence, what other jewels are contained in the remaining 318 pages? After we’ve picked ourselves up from the floor, it’s worth unpacking – or trying to unpack – this remarkable string of words. ‘But’ and ‘and’ seem to be in each other’s places.

Angela Rayner is the odd one out in Starmer’s top team

From our UK edition

Who are Labour? Focus groups regularly report a lack of familiarity on the part of voters with His Majesty’s Most Loyal Opposition, even with their leader. ‘Don’t know’ looms quite loudly on Keir Starmer’s focus word cloud, though dwarfed by ‘Boring’. Despite this – maybe because of it – Labour are still a good stretch ahead in the polls. A recent slight crumbliness in that lead has sparked Labour to produce attack ads which use a formulation I hadn’t seen since reading the walls at my primary school, i.e. – ‘Do you think people should wash under their arms? Janet Figgis doesn't’ – but even these flavourful communications are all about Rishi Sunak and the Tories.  Labour might be running the country pretty soon.

The rise of rowdy theatre audiences isn’t a surprise

From our UK edition

The incident at Manchester’s Palace Theatre last Friday night at the close of a performance of the musical version of The Bodyguard – audience members singing loudly over the showstopping final number ‘I Will Always Love You’, being manhandled out by security, the show actually being stopped, and police called – has led to lots of chat about etiquette in auditoriums. We are told that rowdy audiences are becoming more of a problem, with a similar incident the week before at Bat Out Of Hell in London, and a new campaign from the theatre union Bectu against anti-social behaviour in theatres.

Paul O’Grady represented a bygone era of TV

From our UK edition

The tragically early death of the magnificent Paul O’Grady struck a blow at the national heart that’s unusual for a celebrity death. After all, this is, for most of us, the death of a stranger.  This was a man who spent much of his professional life portraying a markedly waspish and unsentimental character, and even when he became more of what we used to call a ‘family entertainer’ he was never either sugary or oily. He reflected the British, or how we’d like to see ourselves, very well – unshowy, animal-loving, regularly quite angry, but most of all not fake.

The very British Kinks

From our UK edition

It’s been 60 years since Muswell Hill brothers Ray and Dave Davies – then 19 and 15 respectively – formed The Kinks. What is now known as the ‘catalogue’ division of record companies love an anniversary, particularly when fans of the band are likely to be edging into pensionable disposable-income territory. And so, a new compilation titled The Journey has arrived, with 36 tracks curated by the brothers from across The Kinks’ 30 years of active service, which have been scrubbed up to sound better than ever. It’s fitting that a band which sang a lot about heritage and preservation – very unusually for the young men that they were at the time – should, in turn, be added to that heritage and preserved.

The last thing we need is more TV adaptations of Dickens

From our UK edition

Allow me to introduce you to a fun game you can play in your own parlour. You take it in turns for someone to shout out the title of a pre-21st century literary classic. The other player responds by giving the blurb of a 21st century television adaptation. It might go, for example; ‘Middlemarch!’ ’ A searing, never-more-relevant exposé of the rural chemsex scene starring Sophie Okonedo’. Or possibly; ‘Mapp and Lucia!’ ‘Benedict Cumberbatch and Eddie Izzard are locked in combat with the county lines gangs of the Sussex coast’. Or even: ‘Jane Eyre!’ ‘Lesley Manville and Cush Jumbo star in this accessible tale of the devastating mental health impacts of Tik-Tok addiction’.

Gary Lineker has exposed the truth about television

From our UK edition

The Gary Lineker debacle has exposed the breathtaking historical and political ignorance of the supposedly educated. Lineker's suspension – and subsequent return – has also demonstrated (as if we didn't know it) the power of the managerial class establishment. But the transmission of Match of the Day last Saturday sans Gary and his co-mutineers revealed something else. The truth about much modern television is that the percentage of actual content is dwarfed by the amount of waffle. As the row rumbled on, the BBC was contractually obliged to run the day’s football highlights package. Without the banter, chat and flimflam Lineker is paid £1.3 million a year for, this clocked in at a mere 20 minutes.

Radio 2 has misjudged its audience

From our UK edition

BBC Radio 2 is one of the many modern cultural enterprises which seems to have as its primary aim alienating the people who love it. The shabbily executed departure of Ken Bruce from his long-established and still wildly popular mid-morning show feels like a final door being slammed shut. Bruce is to be replaced by Vernon Kay, a live wire television presenter. Like the breakfast show’s Zoe Ball, Kay is one of those people who is very excited about something the rest of us have not been let in on. They both retain a prepubescent bounce that is frankly odd in those around the age of 50. Is this tartrazine level of enthusiasm really necessary for the Radio 2 audience? Young people sleep like bears. They need to be blasted awake. Old people do not. We were up anyway.

The decline and fall of Matt Hancock

From our UK edition

When Covid first hit the headlines in early 2020, I remember asking myself a question: who’s the health secretary again? And then I remembered: Oh God. Matt Hancock is, you may have noticed, back in the news. The disgraced ex-health secretary doesn’t ever seem to be out of it for very long. But even prior to the pandemic – before we came to know and love Hancock, in those innocent days before his weeping, before his red-hot doorway loving, before his gulping of blended sheep vagina – he did not inspire confidence. Hancock had that Alan Partridge joke of a branded app for a start. Then there was his unprepossessing demeanour; he looked cocky and guilty at the same time.

The Tories should be planting some bombs for Labour

From our UK edition

The recent self-defenestration of Nicola Sturgeon led to a rash of columns listing her dazzling lack of actual achievements, many of which added the caveat that she was the consummate, in fact the most successful, politician of her generation. These statements seemed somewhat contradictory at first glance. But then the reader remembered – oh, yeah, right – the other politicians of her generation.  Looking back over the last 13 years of Tory governance, it’s hard to find anything to stick laurels on. Brexit was an achievement, yes, but that was foisted on the Tories by an uncooperative public, and the Tories tried their damndest to wriggle out of it even then (and they still might).

Is ‘woke’ dead?

From our UK edition

If you don’t live online, you may have missed the controversy over Hogwarts Legacy, the latest computer game to have been spun out of the multi-billion Harry Potter franchise. A small but amazingly vocal band of activists launched a vicious campaign against the game because of its connection to ‘transphobe’ J.K. Rowling. Then the game came out and was instantly a phenomenal success – the most popular game ever on the streaming platform Twitch, physical sales of 12 million in its first two weeks of release, earning its makers $850 million (£709 million) in revenue. These cold, hard, commercial facts are like a glass of cold water in the face. The balance sheet shows that we have a very skewed understanding of the popularity and reach of ‘woke’.

JK Rowling will stand the test of time

From our UK edition

I have a problem with magic. Even as a small child with a big imagination, I found magic very hard to swallow. If a character in a story teleported using a technological aid, that was fine. If a character vanished in a magical puff of smoke after an incantation, I was having none of it.  I became aware of the Harry Potter book series quite early for a childless adult. A friend worked in a central London bookshop and was tiring of parents descending in their lunch hours enquiring ‘do you have any of these books by Harry Potter?’ Intrigued, I read the first two – the only two at the time – to see what all the growing fuss was about.

Britain is the sick man of Europe – again

From our UK edition

Liz Truss’s recent written confession is remarkable for its childlike air. It reminded me of my buck-passing wheedling whenever I was caught doing something naughty aged about eleven; ‘No, I didn’t know what I was doing – but neither did the Treasury, yeah what about the Treasury, eh, mum?’ I can remember when the British disease, being the ‘sick man of Europe’, etc, was a national obsession but mostly of the right and the reactionary. Think of the low-status laughs to be had from Basil Fawlty bemoaning ‘more strikes!’ or Alan Partridge tutting and muttering ‘This country …’ But in the 2020s doominess seems to be the default for everyone, all sides of the political spectrum.

Sam Smith and the embarrassing terribleness of LGBTQIA+ culture

From our UK edition

Pop music – and specifically pop music stardom – has an incredible power to transform people into things they are not. The pop sphere enjoyed by my generation as teens transmogrified Morrissey into a sex symbol, Neil Tennant into an intellectual and Simon Le Bon into a surrealist poet.  More recently, pop’s alchemical potency has made Ed Sheeran someone people like to look at and Adele someone people want to hear from describing her emotional upsets at great length. But there are limits, and the singer Sam Smith has done us a favour by smashing into them.

Did Sandi Toksvig think she could change Justin Welby’s views on gay sex?

From our UK edition

An urgent ecumenical update: the conclave has taken place. The great community leader has descended from the summit of Sinai, bearing, not tablets of law, but sorrowful tidings. Yes: the Archbishop of Canterbury has ‘grabbed a coffee’ with Sandi Toksvig, following her twee plea for an audience a few months ago on the subject of the Church of England’s attitude to gay sex.  The good news is that the ‘long-promised coffee’ was 'calm and considered,’ according to Toksvig. The bad news is that Sandi is sad: Justin Welby had to report, unsurprisingly to anyone paying the slightest attention, that any change in the Anglican Communion’s stance on same-sex relations is likely to be – in Sandi’s words – ‘glacial’.