Candia Mcwilliam

Here is part of an Evening Standard review of Goldfinger, written when it was first published in 1959 under the untentative title ‘The Richest Man in the World’: ‘The things that make Bond attractive: the sex, the sadism, the vulgarity of money for its own sake, the cult of power, the lack of standards.’ Over 50 years later (Casino Royale, the first Bond book, was published in 1953, its author born in 1908) what is the verdict? That highly accessoried and fetishistic sex in the novels is rather unpenetrative by comparison with thriller-sex now; it is too ultra-romantic, of course, in the mean-keen/ luxe-location mode.

There was recently, in the serious and excellent Saturday Guardian review, a short piece on Oor Wullie, a small boy whose cartoon adventures divert the readers of the Sunday Post in Scotland. It was written by Ian Jack, distinguished editor of Granta, the influential literary magazine. The article mentioned a number of things that touched dear places for a Scot, and mentioned too that Mr Jack hadn't a recipe for black bun, a dense cake served at Hogmanay. Along with, it turned out, very many, others, I wrote to him. There is nothing so homesick as a Scot, and nothing, I suspect, as vigilant and quick to take exception.

The fine, rusty-gold building of the University Press presides over Walton Street in Oxford with its more monumental than collegiate presence. The touchstone of literacy in homes all over the world will be an Oxford dictionary, compact, shorter or the full, distinguished thing. The livery of the press is recognisable everywhere, ultramarine and gold. Reliably compendious, with such indiosyncratic flowerings as Quiller-Couch's Oxford Book of Modern Verse, the backlist of the Press fills a worthy niche for the second-hand bookshop browser. The OUP's own bookshop on the High in Oxford is, however, rather different. The assistants are young, helpful, conceivably not overlavishly paid. The beautifully printed Oxford University Gazette may be purchased, at 75p.