Alexander Larman

Since his notorious legal battle with Amber Heard, Johnny Depp has had an eclectic career, which has seen him go on tour with the musician Jeff Beck, announce his intention to direct a film about the painter Modigliani (in which he will reunite with his Donnie Brasco co-star Al Pacino, who will play the art collector Maurice Gangnat) and take on the role of Louis XV in the equally controversial actor-cum-director Maïwenn’s biopic of the king’s mistress Jeanne du Barry. The latter film, which premiered at Cannes this year, is widely regarded as Depp’s comeback after the bruising revelations in the court case — which he won, but with such damage done to his reputation that to large sectors of public opinion, he is now little more than a pariah.

The British comedian, actor and author Charlie Higson is famous internationally for being one of the writers that has carried on the mantle of Ian Fleming by writing novels and stories that continue James Bond’s adventures, most recently On His Majesty’s Secret Service, published to coincide with King Charles III’s coronation. Yet in a recent interview with the Sunday Times of London, Higson was openly dismissive of the recent Daniel Craig-starring 007 films. He said “I went to see No Time to Die with my oldest boy, Frank, who is thirty, and he said, ‘That felt like a Bond film made by people who are embarrassed to make a Bond film.’ You had to watch two films in advance to know who such-and-such is and you think, ‘Oh, fuck off with that.

It is possible that there are A-list Hollywood stars who enjoy fame less than Joaquin Phoenix, but it would be hard to find them. The impression the man formerly known as Leaf Bottom gives is that any kind of public appearance is a miserable chore. It's as if he would rather be swimming through sewage than presenting awards at the Oscars, glad-handing at film premieres, giving interviews — oh, how he seems to hate giving interviews! — or any of the hundred and one other obligations that any leading actor faces today. Yet he continues to make fascinatingly offbeat choices that have kept him firmly at the top of filmmakers’ wish lists for decades. Joaquin Phoenix is a rare figure in an increasingly homogenized industry. Imagine if Johnny Depp had never made Pirates of the Caribbean.

I have a confession, or perhaps a boast. I have never played the roleplaying game Dungeons and Dragons, and now, at the grand old age of forty-one, I doubt I ever shall. But there’s no doubt it’s a cultural phenomenon that has long since transcended any suggestion of being the preserve of adolescents, literal and overgrown alike. Since it was created in 1974, sales of the game have grossed billions, and it has been played by tens if not hundreds of millions of people worldwide. To be an aficionado is to find yourself in broad company — but how does that translate at the movies?  The first answer to this question came in 2000, when a film that starred Jeremy Irons as the villainous Mage Profion was released in cinemas.