Zadie Smith

Bella Freud’s fashion inquisition

Sometimes the mind needs to take a break. And I can’t think of a better stopping-off place than the soothing, gloriously bonkers discussions on the Fashion Neurosis podcast, hosted by the British fashion designer Bella Freud. Its premise is that Freud, daughter of Lucian and great-granddaughter of Sigmund, encourages guests to recline on her couch and talk over any and every aspect of their relationship to fashion. Her mellifluous, affirming manner is much more soft soap than steel wool, but this is not territory that requires a serious broadcaster, and the concept proves a surprisingly fruitful route into family history, personal stories and high-grade gossip.

Fashion

My Martin Amis FOMO

There’s a form of social anxiety that a lot of people suffer from — FOMO, Fear of Missing Out. “Fear” suggests something imaginary, that isn’t really happening. Not so. I don’t fear missing out, because I know I am. Friends are always asking me: are you appearing at the Hay Literary festival? No! Am I speaking at the Idler festival? No! Am I reading extracts from my book at the Cambridge Literary festival? No! “What?!” they exclaim in mock disbelief — and then ask why I’m not appearing at some small, obscure, local village literary fête, somewhere in the rectum of rural England. I’ve gotten used to the seasonal snub from the lit-festival establishment. And there are literary events all over London that I haven’t been invited to as well. OK, I’ll live.

Amis

Zadie Smith’s latest novel is glittering, grand and powerful

Zadie Smith’s ambitious latest novel, The Fraud, is loosely based on the life of the little-known nineteenth-century novelist William Harrison Ainsworth. He was, at one point, as popular as Charles Dickens, his novel Jack Sheppard even outselling Oliver Twist. But Ainsworth’s fortunes and talents declined, and his forty-odd novels vanished, going out of print soon after his death. Throughout The Fraud, as he sits groaning at his desk, he is an arch reminder not only of the vagaries of literary fame, but the pains of fiction-writing. As his cousin Eliza Touchet observes: “God preserve me from that tragic indulgence, that useless vanity, that blindness!” Ainsworth’s actual writing is redolent of educated middle-class male privilege. (“‘Zounds!

fraud

Getting in touch with my inner groupie

I like to think that I’m too intelligent, too sophisticated and too cultured to get excited by the presence of a famous person. Let the manipulated masses enjoy the bread and circus of celebrity; we enlightened members of the metropolitan elite are far above that sort of thing! Or so we like to think. Whenever I encounter the famous, something very strange happens to me: I go all groupie. I get excited. I giggle. I inwardly drool. I long to please. I want to be their new best friend. I want to tell all my friends about meeting my famous new friend — who isn’t actually my friend, but never mind. I was reminded of my groupie tendencies the other day when I went to the Idler Festival, Britain’s best arts and literary festival. I usually hate those sorts of events.

famous