Science fiction

Wednesday

Alexander Larman

Andor is Star Wars for grown-ups

The critical reception to the second series of Andor has been nothing short of ecstatic. At the time of writing, it has a hugely impressive, near-unprecedented 99 percent “Fresh” rating on Rotten Tomatoes, far in excess of any other Star Wars movie or television spin-off. Its creator and showrunner Tony Gilroy, who has been open in the past about his relative disdain for fantasy in general and Star Wars in particular, has been doing the interview circuit and making it clear that he has no interest in fan service. He told the Daily Telegraph, “Some people have a problem: ‘It’s not for kids. There aren’t enough creatures in it.’ Well, I don’t make that show. Sorry.

andor

Thursday

Bill Kauffman

Asteroid 2024 YR4 and the geekoisie

"Giant Asteroid" has been a popular also-ran in the last three presidential elections, at least judging from bumper stickers, and those wiseacres who preferred planetary annihilation to Hillary, Biden, Kamala and Trump may finally get their wish in 2032, when the newly discovered asteroid 2024 YR4 has — according to current calculations, liable to change — about a 3 percent chance of hitting Earth. The geekoisie has been all a-twitter over this forecast, as visions of tsunamis and extinction-level events and the hot astrophysicists who adorn disaster movies dance in their heads.

asteroid

Wednesday

J.S. Barnes

Christopher Priest was a grievously underrated novelist

There really ought to be a word to describe the dispiriting realization that a great writer has slipped through our fingers without the culture at large ever quite appreciating what’s been lost. The novelist Christopher Priest, who died earlier this year of cancer at the age of eighty, was one such figure. It would be glib to describe him as the nearly-man of English fiction, for this wasn’t quite the case — instead his career represented a sequence of missed opportunities for the world beyond his chosen genre to recognize his skill and quiet profundity. In some ways, the early part of his publication history closely resembles that of J.G. Ballard without the mid-career renaissance Ballard enjoyed.

Priest

Monday

Alexander Larman

How progressive will the new Doctor Who be?

The fourteenth series of Doctor Who returns to international screens imminently — and this time there’s a twist. Thanks to the heavy financial investment of Disney+, who have become co-financiers with the BBC, the show now has a considerably higher budget than it has done before, of around $130 million per season. Little wonder that the BBC’s director-general Tim Davie commented, only slightly tongue in cheek, that “we’ve got to thank – a lot – our partners, Disney+, who came on board so that the Doctor can travel even more widely across the planet in a slightly flashier Tardis.

doctor who

Saturday

Will Collins

Dune, an enduring monument to cultural appropriation

One of the Ukraine war’s minor celebrities is Ramzan Kadyrov, a Russian politician and Islamic hardliner who rules his native province of Chechnya as a personal fiefdom. Kadyrov and his combative underlings have been active on social media from the beginning of the conflict, posing with guns and trophies and boasting about their martial prowess.  Before they became villains in the Western press, tarred by their association with Russian aggression and Islamic fundamentalism, the Chechnyan mountain clans’ struggle for independence was a Victorian cause celebre, akin to Western support for Ukraine today.

dune

Tuesday

Ross Anderson

The frustrating promise of infinite freedom in video games

Starfield is intermittently, unexpectedly profound. As my custom spaceship lands on one of the game’s thousand planets, and my customized character steps into the neon lights of a strange alien city, I’m struck by the sheer scale of this digital universe. This is the game I dreamed of as a sci-fi nerd child and teen, burying myself in The Icarus Hunt, The Long Earth, Foundation, Hyperion, Dune and boundless other sci-fi novels that transported me from a rural Australian library and into space. And here I am, transported there again, through an Asus M16 gaming laptop. There’s a big galaxy out there, and it’s yours to explore. And yet, however vast, it’s a desolate universe.

starfield

Tuesday

Gavin Smith

Crimes of the Future is David Cronenberg at his best

Canada’s all-time greatest writer-director has come a long way since his film Videodrome proclaimed “Long live the New Flesh” nearly forty years ago. Because his films are often horrifying, many mistake David Cronenberg for a purveyor of horror films, and to be sure he singlehandedly invented the now-fashionable “body horror” genre. But only a few of his films are horror movies per se, and they are way in the past. The subsequent fifteen aren’t so much scary as disturbing: think the experimental gynecological implements in Dead Ringers. And a couple are unapologetically transgressive: think the death-by-car-accident fetishists in his 1996 adaptation of J.G. Ballard’s Crash.

cronenberg

Thursday

Niall Ferguson

How science fiction novels read the future

The pandemic is not quite over, but we are getting used to its inconveniences. What disaster will be next? An antibiotic-resistant strain of the bubonic plague? Climate collapse? Coronal mass ejection? Will the next catastrophe be natural — perhaps a massive volcanic eruption, the likes of which we have not seen for more than two centuries, since Tambora in 1815? Or will it be a manmade calamity — nuclear war or a cyberattack? And might we inadvertently descend into a new form of AI-enabled totalitarianism in our efforts to ward off such calamities? To all these potential disasters it is impossible to attach more than made-up probabilities. So what can we do about them? The best answer would be that we should strive to imagine them.

science fiction

Tuesday

James Delingpole

Ridley’s game

An epic new sci-fi series executive-produced by the director of Blade Runner and Alien: who wouldn’t want to watch Ridley Scott’s Raised by Wolves? Myself for one. When I heard the name, I assumed Raised by Wolves was an update of the forgettable 2013 sitcom based on Caitlin Moran’s chaotic childhood in the industrial city of Wolverhampton, England. Caitlin’s very strong on stuff like vaginas and the importance of female empowerment, but I’d rather be stuck aboard an attack ship on fire off the shoulder of Orion than have to endure any of that. To be honest, I’m not sure that Scott’s drama is any more enticing than Moran’s sitcom.

raised by wolves