Restaurants

The other day, I came across a description of afternoon tea written by Alfred Douglas in 1920: ‘Two kinds of bread and butter, white and brown, cucumber and tomato sandwiches, cut razor thin, scones, rock buns and then all the cakes — plum, madeira, caraway seed — the meal had about it the lavishness of a Victorian dinner.’ There are a few things about this feast which I find striking. It includes two kinds of bread and butter. Sliced bread and butter never features on the modern table but a century ago, people used it to fill themselves up; it took the edge off your appetite. Note also the simplicity of the cucumber and tomato sandwiches. Both are excellent if they’re made from good stuff. The crucial thing was that they were cut thin.

The Roof Garden is a pale, Nordic-style restaurant at the top of the glorious Pantechnicon in Belgravia — formerly a bazaar — opposite a Waitrose I didn’t know existed. (Waitrose seems too human for Belgravia. Food seems too human for Belgravia.) This thrilling building, which should be a library — it has Doric columns — is instead a collection of restaurants, shops and what I think are called ‘outlets’ (a Japanese café; something called, gnomically, ‘Kiosk’), all celebrating the ‘playful’ intersection — I mean meeting, but marketing jargon is addictive if you are an idiot — between Nordic and Japanese food. It is a wealth mall from hell, then, in the style of Terminal 5’s main street.

You cannot have cars and dining tables in the same dreamscape: it doesn’t work, unless you think carbon monoxide is a herb, or are wearing full Hazmat, like some teachers. London is in much denial about its air pollution; in the East End child asthmatics are choking. But we must embrace it for a few days more; others have lost more in pandemic than an attachment to the convention that if we dine outside it should be in a flower-filled garden. Perhaps there are enchanted restaurant gardens in London, but I have never found one. I conclude that, outside fiction or aristocracy, they do not exist. Instead, we have modish kerbside dining.

The St Pancras Brasserie and Champagne Bar by Searcys is as expansive as its name, but ghostly. It is an immense Art Deco restaurant spilling on to an empty platform at the station. When restaurants opened their patios and gardens, I fretted that they would be too busy to be enjoyed: a diner would cling to a square of Astroturf, fearing to sink. But not here: the people have been removed, and they have not returned. Inside, it is empty if not shuttered: a great, golden brasserie with dark wood, dark leather and pale globes of light. The door to the loo is so tall I imagine they stole the idea from Mr Greedy (and the giant who loved peas).

The west end of London is still pale and necrotic, but there are points of light. Hatchards the bookseller is open and its memorial to the Duke of Edinburgh is relatively, blissfully, restrained: a portrait in the window, with minimal text for a writer to trip up on his own sycophancy. People are buying whisky on Jermyn Street. The greasy spoon Piggy’s in Air Street survives and if before you merely loitered outside restaurants and ate your food from a bucket you can now sit down, though a strange sort of duck marshal lurks in St James’s Park, and I do not trust him. I do not think he is really watching the ducks. I celebrate the end of this lockdown at Bentley’s Oyster Bar & Grill in Swallow Street.

When I arrived a month ago, one wouldn’t believe LA was suffering a major pandemic. The roads were still busy with fast cars, the freeways choked when we ventured on to them, all vehicles seeming to be dodgem cars, zooming across the lanes with ferocious abandon. There was a major accident recently in front of my building. I looked out of my window at a speeding sports car, which had been careening down the boulevard at 120 mph and had crashed into another expensive car (as well as a few others on the way). It had been cut in half and exploded into flames. Both drivers died. Sadly, there’s an epidemic of young rich boys playing speed games on the wide boulevards.

Restaurant-goers who cannot let go of restaurants — for professional or other reasons — are floating on a sea of takeaway boxes, which have none of the glamour. Which of us fell in love on a takeaway? I wish I did not have to write about them, nor you to read about them, but if this is the worst thing that happened to you this year — packaging — it is not so bad. I have already begun a small counter--revolution by shopping at the greengrocers and the cheesemongers, and I suggest you do the same. Even so, they are faintly mesmerising by volume: a box-themed version of the Rumpelstiltskin myth, which is familiar to all children, and adults with an eating disorder. Perhaps it is a metaphor: we float on glut and are lucky, if not happy.

The Corbin & King dining and home entertaining box includes dishes from the Delaunay, the Wolseley and Brasserie Zédel ‘delivered to your home and finished by you’. My husband doubts it, because it comes from London, of which some Brexiters are more suspicious than the whole of France, and because it is not ‘cooked from scratch’. He claims he never heard this phrase before he married me, but he had the sort of rural Wiltshire childhood where he would roam the fields chasing hot air balloons while his mother stood in the kitchen in an apron with a spoon waiting for him. ‘It’s like being a latchkey kid,’ he moans, as I stroke the box with tiny whimpers of joy. Then he says: ‘What’s a latchkey kid?

Turnips is an haute cuisine restaurant inside a greengrocer in Borough Market in London. I suspect others will try this conceit soon — it is the sort of dishonest fantasy affluent anti-vax mothers enjoy as they peddle their oblivious self-hatred on smartphones made of minerals hewn by child slaves — but not like this. Turnips is indisputably magical. Perhaps I say this because it is almost completely outdoors but still warm. These are mad times, even for mad times. Borough is a good place to feel the throb of the ancient city; but particularly now. It has the toughness and ennui of a district that says: global pandemic, kids? What else you got? Look at late-capitalist masculine inadequacy disguised as a skyscraper called the Shard. What else you got?

Oxford is not an easy city to homogenise; but that doesn’t mean you can’t try. I found a vast shopping centre where the Westgate used to be, looking as shopping centres do: lonely, despite its similarity to every other shopping centre. This was confirmed by the signage. New York City loves and misses you, said a sign, which I doubt: surely New York has things to worry about beyond the citizens of Oxford being unable to shop in New York City if they cannot get what they want at the Westgate? Still, I like the idea of shopping centre lamenting shopping centre across the ocean; it expresses the fashionable neurosis that objects are sentient, and worthy of compassion. Oxford is an ideal place to believe this, because the stones are the most convincing thing here.

Pity the gilded restaurants of Mayfair, if you can: they are dying. Some have reopened; they ache on like men with no legs but a glut of polenta. Occasionally, a brave one will open for customers who simply do not exist and so hangs about like a character in a Vladimir Nabokov novel: interesting but superfluous. Where are the rich? In Tuscany? On MS The World, the floating block of luxe flats? In the vault? Because they are nowhere to be seen: they are like plushly appointed Borrowers. A journalist wrote his report of the reopening of the Savoy Hotel in the Strand last month. They had six guests in a hotel reconfigured — for social distancing — for 100.