Prince charles

Charles’s ‘spider letters’: The Guardian falls for the pseudoscience of graphology

From our UK edition

The Prince of Wales's 'spider letters' are out today – his letters to government ministers written or annotated in his distinctive spidery hand (see above) have been released under the Freedom of Information Act. Hat tip to James Snell on Twitter for alerting me to this utter garbage from the Guardian's liveblog: What can we tell about Charles’ personality from the small amount of handwritten annotations in the black spider memos? Actually, quite a lot, according to the chairman of the British Institute of Graphologists. Charles’ fluid strokes, joined-up words and slight slant to the left reveal interesting things about his personality and how he will approach his kingship.

Princess Charlotte’s middle names will soon seem extraneous

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Beatrice Elizabeth Mary. Anne Elizabeth Alice Louise. Elizabeth Alexandra Mary. These are the full baptismal names of Princesses Beatrice, Princess Anne and the Queen respectively. And what use are any of them other than the first one in each case? Today the papers have worked themselves up into a state of mild hysteria over the Cambridges' choice of name for their daughter. Charlotte: fine, one for Prince Charles. But the Elizabeth and especially the Diana bit really got them going - the child's third name merited an entire front page in the Mail. Diana won't be forgotten, says her 'closest friend', Rosa Monckton. Well, fine.

The rudeness of John Eliot Gardiner

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Sir John Eliot Gardiner is talented almost beyond measure. His Monteverdi Choir, English Baroque Soloists and stupidly named Orchestre Révolutionnaire et Romantique have notched up one triumph after another over the decades: benchmark recordings of the Monteverdi Vespers and Bach B minor Mass, the finest period-instrument Beethoven symphony cycle and a cantata pilgrimage of live performances of all the Bach sacred cantatas. His recordings of Mozart operas are dazzling. At 72, Gardiner is at his artistic peak. His live re-recordings of the Beethoven Fifth, Seventh and Missa Solemnis eclipse their predecessors and in its second account of the Bach motets the Monteverdi Choir sings with such eerie precision, infused with the spirit of dance, that its rivals must despair.

Palace Notebook

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The day of my investiture at Buckingham Palace dawned bringing freezing rain and fierce winds, which lashed at the windows as I regarded the outfit I had painstakingly planned — a lightweight, cream wool suit. A little damp didn’t bother me, so I didn’t care if I’d be shivering as Prince Charles pinned the medal on to my cape. No — it was the fate of the hat that worried me most. Designed by milliner Philip Treacy, it was a frothy creation of white grosgrain, chiffon flowers and delicate veiling, and I was concerned about the wind whipping it off. My best friend Judy Bryer said soothingly, ‘Philip has put so much construction inside that even a gale wouldn’t shift it.

Max Hastings reveals the contents of a Prince Charles letter about homeopathy

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Last month the Supreme Court ruled that Prince Charles's 'black spider memos' to government ministers should be made public. The decision comes following a ten year legal battle between Buckingham Palace and the Guardian, after Clarence House argued that the contents of the letters were private. With the release now impending, Max Hastings has offered a taste of what could be to come in this week's issue of the Spectator.

Prince Charles letter: “There is a DIVINE Source which is ultimate TRUTH”

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I notice an online howl of anguish from a Kentucky professor of biology who faces demands from local evangelical Christians that creationism should be taught alongside evolution in his classes. This, it seems to me, parallels the Prince of Wales’s successful lobbying for some NHS funds to be diverted from conventional medicine to homeopathy. I have beside me a copy of a letter allegedly written by him some years ago to a cultural institution, asserting the conviction that ‘there is a DIVINE Source which is ultimate TRUTH… that this Truth can be expressed by means of numbers… and that, if followed correctly, these principles can be expressed with infinite variety to produce Beauty’.

Max Hastings’s diary: The joys of middle age, and Prince Charles’s strange letters

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I am living in rustic seclusion while writing a book. Our only cultural outing of the week was to Newbury cinema to see, transmitted from the National Theatre, Arthur Miller’s A View From the Bridge, object of rave reviews. We respected the piece but did not enjoy it. Granted, appreciation of all major works of art requires an effort by the viewer, listener, reader. But a pleasure of getting older is to be unafraid of waving the white flag. We resist modern-dress Shakespeare or worse, opera. We will cross continents to avoid the music of Harrison Birtwistle or the art of Damien Hirst. We are ardent Trollopeians, incorrigibly middlebrow.

The trouble with Kids Company

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In 2006, when David Cameron was leader of the opposition, he made an infamous speech that is remembered as an exhortation to hug a hoodie. Feral youth, he said, should be helped rather than demonised. He was reaching towards what he hoped would be a new, ‘compassionate’ conservatism inspired in part by the charismatic social activist Camila Batmanghelidjh. She was the perfect lodestar for the young Tory leader. She began her drop-in centre — the Kids Company — in 1996 and within a few years, was helping thousands of disadvantaged inner-city children. She’s colourful, powerful but also a former Sherborne girl with whom Cameron and other members of the establishment felt at ease. Cameron told his shadow ministers that Camila embodied the Big Society.

Spectator letters: The ENO must go on; another expensive typo; and PC and Pamela

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A vandalistic proposal Sir: Igor Toronyi-Lalic (Farewell, ENO, 7 February) displays a lack of judgment in advocating ENO’s demise and in suggesting that opera needs no opera houses, companies or subsidy. That its new arts editor should plead for the closure of England’s great repertory opera company is unworthy of The Spectator. Toronyi-Lalic is wrong to think that the hundreds of thousands of English opera-goers will be content with performances by itinerant ensembles only. Small-scale performances presented anywhere can be moving, but the public demand productions of a scale that befits the art form as it has grown over the last four centuries.

Spectator letters: Oxfam’s Ebola appeal; what Cumberbatch should have said; and why Prince Charles is right and wrong

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In defence of Oxfam Sir: Mary Wakefield rightly praises Médecins sans Frontières but makes many misinformed claims about Oxfam and aid in general (31 January). Contrary to her suggestion, money donated to Oxfam and other charities’ emergency appeals must be spent solely on that crisis. This is stipulated by the Charity Commission and confirmed by our publicly available audited accounts. It is regrettably not possible for our website to provide a running commentary of developments in Liberia, but the British public can rest assured that their generous support is helping to save lives and to put lives back together.

Model Olivia Inge has a proposition for Prince Charles

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Prince Charles has a lot on his plate this week after a new biography claimed that the Queen thinks Britain is not ready for her son's activism should he become king anytime soon. While his lawyers are set to examine the book closely to check if the author Catherine Mayer used 'artistic license' over her access to the Prince, Charles can take some comfort in the fact that he still has one ardent supporter. The model Olivia Inge, who is a descendant of William Gladstone, is keen to go into business with the heir-to-the-throne. She hopes that he will help her open a teepee in Regent's Park, offering free tea and acupuncture to the public. 'I plan to pitch the idea to Prince Charles,' she tells this month's Tatler.

As a republican, I used to look forward to Charles III. Now I’m scared

From our UK edition

When republicans meet, we console ourselves with the thought that our apparently doomed cause will revive. The hereditary principle guarantees that eventually a dangerous fool will accede to a position he could never have attained by merit, we chortle. With Charles III, we have just the fool we need. I don’t laugh any more. Britain faces massive difficulties. It can do without an unnecessary crisis brought by a superstitious and vindictive princeling who is too vain to accept the limits of constitutional monarchy. If you want a true measure of the man, buy Edzard Ernst’s memoir A Scientist in Wonderland, which the Imprint Academic press have just released. It would be worth reading if the professor had never been the victim of a royal vendetta.

Those ancient Greeks were bores — but things are looking up

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Thick snow is falling hard and heavy, muffling sounds and turning the picturesque village postcard beautiful. I am lying in bed listening to a Mozart version of ‘Ave Maria’, a heavenly soprano almost bringing tears to my eyes with the loveliness of it. This is the civilisation of our ancestors — one that gave us Mozart, Schubert and Beethoven and built cathedrals all over the most wondrous continent in the world. It is now being replaced by a higher one in which distinctions of ethnicity and religion will no longer be tolerated. The human race has a limitless capacity for self-improvement, and it shows where architecture, the arts and music are concerned, not to mention literature.

Truth, Lies, Diana review: it was a cover-up!

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Truth, Lies, Diana Charing Cross Theatre, in rep until 14 February John Conway’s sensationalist play, Truth, Lies, Diana, is a forensic re-examination of the circumstances surrounding the princess’s death in 1997. The issue of Prince Harry’s paternity, which earned the play much advance publicity, reaches no conclusions. James Hewitt co-operated with the show and Conway portrays him as a decent twerp ruthlessly smeared by shadowy puppet-masters (‘men in suits,’ Conway calls them), who set out to destroy his credibility. Hewitt admits that his trysts with Diana began at least a year before Harry’s birth. But is the Cad the dad? Hewitt’s keeping mum.

The National Theatre could – and should – survive without state funding

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Two glorious playhouses grace the south bank of the Thames. Shakespeare’s Globe and the National Theatre stage the finest shows available anywhere in the world. Both are kept in business by the play-going public who last year helped the Globe to turn over £21 million, with a surplus of £3.7 million. Audiences also flocked in record numbers to the NT and it notched up nearly 1.5 million paid attendances, with its three houses playing to over 90 per cent capacity. But there’s a massive difference between the two. The Globe is funded by customers who spend cash freely in an open market. The NT gets a bung of £17.6 million from the Arts Council, which is extracted from you and me, through the Inland Revenue, on pain of prosecution.

Floods of incompetence – why Chris Smith should resign from the Environment Agency

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[audioplayer src='http://traffic.libsyn.com/spectator/TheViewFrom22_6_February_2014_v4.mp3' title='Fraser Nelson discusses the Environment Agency:' startat=1350] Listen [/audioplayer]When Prince Charles arrived in Somerset to meet some of those caught up in the disaster which in five weeks has drowned 50 square miles of that county in floodwater, a reporter asked him whether he blamed the Environment Agency. Judiciously, he replied, ‘You may well think that — I couldn’t possibly comment.’ Later, having spoken to several of those intimately involved in this crisis, he hinted rather more plainly at his own view by saying, ‘The tragedy is that nothing happened for so long.

Thanks for trying, Charlie Boy

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I’d just like to take this opportunity to say a big thank you to our heir to the throne, Prince Charles, for, as he put it, spending ‘twenty years’ trying to ‘build bridges between Islam and Christianity and (to) dispel ignorance and misunderstanding.’ Sadly, he has concluded that this noble endeavour was in vain and that Christians are being persecuted right, left and centre (or indeed wherever they are unfortunate enough to live in Muslim countries). Still, how kind of him to have tried. The thought of Prince Charles dispelling ignorance on any topic, let alone this one, is a captivating one.

‘If they kill us all, what would be the reaction of Christians in the West?’

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The Silence of Our Friends, my Amazon Singles ebook about the persecution of Christians in the Middle East, is published today. I know I’ve written several posts on this subject recently, so I promise to stop, so long as everyone buys the book. Otherwise I won’t. Ever. It’s a subject that has become ever more urgent this year with violence against Christians in Syria, where Islamists have been engaged in ‘religious cleansing’, and in Egypt, which saw the worst anti-Christian violence in centuries.

The men who demolished Victorian Britain

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Anyone with a passing interest in old British buildings must get angry at the horrors inflicted on our town centres over the last half-century or so. Gavin Stamp is wonderfully, amusingly, movingly angry. And he has been ever since the early 1960s when, as a boy at Dulwich College, he saw workmen hack off the stiff-leaf column capitals in the school cloisters. He reserves particular rage for that ‘cynical, philistine Whig’ Harold Macmillan for murdering the Euston Arch. Not that Stamp’s a ranting fogey, reserving his anger only for the demolition of Victorian buildings.