Nick drake

Nick Drake’s explosive creativity

From our US edition

Nick Drake’s debut album Five Leaves Left (1969) had so much going for it. Supported by tasteful string arrangements and a cast of noteworthy musicians, Drake (1948-74) sang with a delicate croon that sounded like Chet Baker if he’d gone to Eton, and he played some of the finest acoustic guitar this side of Segovia. Joe Boyd, the impresario who’d launched Pink Floyd and Fairport Convention, produced the album, and it bore the imprimatur of Island Records, London’s hippest label. On the cover, Drake cut a shy but handsome figure, nonchalantly clad in blue jeans and blazer, gazing wistfully out the second-story window of an abandoned house in Wimbledon.

Drake

The musical benefits of not playing live

Glenn Gould considered audiences ‘a force of evil’. ‘Not in their individual segments but en masse, I detest audiences.’ He retired from public performance on 10 April 1964, at the age of 31, having given fewer than 200 public recitals. The Canadian classical pianist had longstanding philosophical objections to the ritual of performing live. He found applause automatic and insincere, and often asked spectators not to bother. He even wrote a (partly) tongue-in-cheek manifesto, the Gould Plan for the Abolition of Applause and Demonstrations of All Kinds, in which he called for clapping to be banned. Gould believed that the most useful and honest response to music came following a period of solitary reflection, rather than as instantaneous public display.