Netflix

Netflix’s Caliphate is all too frighteningly plausible

From our UK edition

Sweden is now properly celebrated as the Land that Called Coronavirus Correctly. But in the distant past, those with long memories may recall, it had a less flattering reputation as the Land Absolutely Ruddy Swarming With Jihadists. Caliphate — an eight part Swedish-made drama on Netflix — takes you back there in vivid and compelling detail. Partly, it’s an edge-of-seat thriller about a major terrorist attack on Swedish soil —from its conception in Isis-held Raqqa to its execution (or its foiling by the security services: I haven’t got there yet so I don’t know) by a mix of radicalised locals and hardened Isis killers flown in from Syria.

Joyous and very, very funny: Beastie Boys Story reviewed

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The music of the Beastie Boys was entirely an expression of their personalities, a chance to delightedly splurge out on to record everything that amused them. And early on, in their teens-get-drunk debut album, Licensed To Ill, that resulted in obnoxiousness. But mostly they were kinetic and colourful, which is why the new Apple TV+ film about them works so well. The format suits the story. Beastie Boys Story simply documents a stage show where winningly they talk the audience through their personal history. It’s much like Netflix’s Springsteen on Broadway. But since the third Beastie, Adam Yauch, died in 2012, the band no longer perform, so where Springsteen punctuated his memories with songs, the Beasties do it with film clips.

Frieda Vizel: ‘Unorthodox’ is nothing like the Hasidic community I know

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A few blocks away are hipster-dense streets with street art and coffee shops. But around Lee Avenue in Williamsburg, it’s as if time has stood still. Men in white knee socks, high hats and coats from another century rush by. Women wearing wigs or shawls on their heads. Here are kosher grocery stores, synagogues and a mikvah – a ritual Jewish bath. It is an enclave few outsiders get real insight into. In the middle of the New York City, the Hasidic community – fundamentalist ultra-Orthodox Jews – practice strict gender segregation, distancing themselves from Western modern society without television, cinema and pop music. This is the environment in which 19-year-old Esty grows up in Netflix’s new series Unorthodox.

Superbly convincing: Unorthodox reviewed

From our UK edition

When I lived briefly in Stamford Hill I was mesmerised by the huge fur hats (shtreimel) worn by the local Hasidic Jews, and the wigs worn by their wives, and the almost tubercular pallor of their children. I often wondered how such a remote, aloof and archaic sect could possibly relate to 21st-century London. The answer, of course, was that they didn’t: they were like ghosts from another age, walking the same streets but not of this world. I wished I could get a glimpse of their private lives — and now, thanks to Unorthodox (Netflix), we all can. Loosely based on a memoir by Deborah Feldman, it tells the story of 19-year old Esther ‘Esty’ Shapiro (Shira Haas) who flees her ultraorthodox Jewish sect in Williamsburg, Brooklyn, for a new life in very secular Berlin.

8 mini-series to watch over the weekend

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The perfect mini series is an elusive beast. In the pre-Sky and Netflix era, you’d get the DVD and it would last you a few weeks (back then, reading books was still a thing), lend it to friends, and fawn over it at dinner parties for the next few months. Yet back then we were watching less, didn’t have much choice, and consequently, weren’t so picky. The rise of on-demand TV was like moving from small town to the big city: our standards jumped, except this time, the dumped girlfriend was ITV, and the new belle was Sky Atlantic. When there’s so much new TV to choose from, it’s rather difficult to pick.

Joe Exotic is an ordinary American

Netflix’s Tiger King has been touted as ‘the only show that’s crazier than the world outside right now’. Besides being weird beyond measure — a seven-part freak show combining meth-heads, involuntary amputees, firearms, sex cults, gay polygamy, cocaine, rednecks, attempted murder and, yes, more tigers than you could shake a flaming torch at — it offers fascinating parallels with the most important debate of our time: the eternal conflict between liberty and authority. As you may have noticed, this coronavirus pandemic has brought out the best and the worst in people and produced two highly polarized visions of the world.

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The best comedies to watch on Netflix

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At the moment, what everyone needs is a good laugh. This doesn’t necessarily mean that the funniest comedies have to exist in their own bubble; many of the best examples of the genre have held a mirror up to society, in all its complexity and absurdity. But then many also manage to divert and entertain on their own terms, too. Whether you’re into jet-black political satire, deceptively clever romantic comedies or broad farce, there’s something here for everyone. Even if humour remains the most personal of inclinations, these half-dozen masterpieces are endlessly, hilariously rewatchable. The Death of Stalin https://www.youtube.com/watch?

Joe Exotic might be the best gay role model I’ve seen on television

If you haven’t heard of the Netflix docu-series Tiger King, then you probably haven’t spent much time on the internet during the national quarantine. The series centers around Joe Exotic, a now-incarcerated, gay, meth-addled, big cat breeder and former candidate for both president and governor of Oklahoma, whose bleach-blond mullet, handlebar mustache, sequined leopard-print blouses and eccentric underworld of private zoo-keeping has been the unlikely catalyst to bring a nation together that is stuck at home with severe cabin fever. Tiger King is another indication that we should prepare to say goodbye to classic documentary filmmaking and get used to the docu-series, usually timing in at about six hours long spread across several episodes.

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A Formula 1 doc for people who hate Formula 1

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Some years ago I was invited to the British Grand Prix at Silverstone courtesy of a watch manufacturer. As freebies go it was one of the best: endless champagne, overnight in a posh hotel near the track (wife invited too), then a trip by helicopter so as to avoid all the frightful traffic jams. All was going swimmingly until the actual race… God, it was boring. Noisy too. You’re stuck in an elegant marquee with endless booze and as many gold-plated, jewel-encrusted lobsters as you can force down your gullet, but it’s impossible to relax or chat or enjoy yourself because screaming endlessly in your lughole is the ‘neeaaawwww’ noise of those stupid bloody racing cars.

Taylor Swift is fascinating – but you really wouldn’t want to be her

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There had been some question about whether Taylor Swift’s Netflix special would actually appear. Last year it seemed that the ownership of her old songs by her previous record label would scupper it. But no, Ms Swift is not to be resisted, and lo, Miss Americana is available right now on Netflix, one of its two big music documentaries for the spring. Many older men seem to have a visceral distaste for Ms Swift. If you share that distaste, then I’m sorry, it’s your loss, because she’s a fascinating figure (who has also made three truly terrific albums in Fearless, Red and 1989), and Miss Americana is well worth watching.

Netflix sued for defamation over Central Park Five miniseries

Linda Fairstein, the former head of the Manhattan District Attorney’s Sex Crimes Unit, is suing Netflix for defamation over the streaming platform’s series When They See Us, a dramatized retelling of the ‘Central Park Five’ rape case. Fairstein’s suit alleges that the series contains numerous inaccuracies and fictionalized events that were ‘deliberately calculated to create one, clear and unmistakable villain to be targeted for hatred and vilification for what happened to The Five’. Director Ava DuVernay and co-writer Attica Locke are also named defendants in the lawsuit.

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The refreshing darkness of Netflix’s Locke & Key

Don’t be put off by the slow first episode, which makes you fear it’s just going to be another of those so-so emo magical-fantasy adolescent dramas in which Netflix abounds: Locke & Key is superior, addictive and bingeworthy stuff in the league of, or possibly even better than, Stranger Things. It begins with an achingly clichéd scenario — family driving across America to seek new life in exotic location, kids bickering in the back, awkward high-school experiences awaiting them, etc. — and the familiarity never lets up.

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The best sci fi films on Netflix

From our UK edition

From serious sci-fi to spoofs in space, here are films and TV to watch on Netflix if you’re after some futuristic entertainment… Annihilation https://www.youtube.com/watch?v=89OP78l9oF0 One of Netflix’s in-house productions, Annihilation sees Natalie Portman play a biologist leading a rescue mission into a mysterious zone on the US coastland known as The Shimmer. It’s an area hit by a meteorite that is expanding and doing bizarre stuff to any living things that come into its orbit. What unfolds is a tense and imaginative sci-fi adventure that chucks plenty of other genres and film references into the mix.

The best Gangster shows to binge-watch this weekend

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Gomorrah (Sky) https://www.youtube.com/watch?v=-4QORgagblU Life in the Naples Mafia (the Camorra) is nasty, brutish, short – and nothing like Goodfellas. Even when you’ve made your millions from the drugs trade, there’s nothing to spend it on save your fleet of armoured 4 x 4s and your gilded cage in some bleak, rundown suburb which it’s never safe to leave because you’ll only end up arrested or shot. Spoiler alert: almost everyone dies over the four seasons of this mesmerisingly bleak, moodily soundtracked, fabulously compulsive drama.

How I fell out of love with the BBC

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One of the many technological things I don’t understand is, how come I’m paying to watch television? I know why I used to pay. I used to switch on a box in the corner of the room and marvel at the choice of three quite interesting programmes and something slightly racy on Channel 4. It was all reassuringly underwhelming, with everyone doing as well as could be expected given the circumstances. The cardboard sets on a lot of the shows wobbled and we were happier for it, one could argue. There was an obvious balance of earnestly attempted light entertainment and archly presented informative content and I for one didn’t mind paying a fee to the BBC for this arrangement because the BBC was providing precisely 50 per cent of it.

Too edgy and clever to be wasted on kids: Netflix’s Locke & Key reviewed

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One of my perpetual gnawing terrors is that I’ll recommend a series that looks initially promising but turns out to be total rubbish, meaning I’ll for ever have thousands of viewers’ wasted lives and disappointment on my conscience. But my even greater fear is that I’ll peremptorily condemn something after one or two episodes which subsequently reveals itself to be a near-masterpiece. This almost happened with Locke & Key (Netflix). ‘You realise I’m watching this on sufferance. The second you’ve seen enough to review, we’re moving on to something else,’ declared the Fawn. And I could sort of see her point.

Why the BBC licence fee makes sense

From our UK edition

A consensus seems to be forming that the BBC licence fee is for the chop. In a digital age, the reasoning goes, we should not be forced to subscribe to huge bundles of content, with no choice over what we pay for and what we don’t. This argument, intriguingly, is both true and false at the same time. It is worth remarking that Netflix and Spotify succeeded by adopting a very similar model to, er, the BBC What’s true is that technology has removed two constraints which made the licence fee necessary in the first place. At the BBC’s outset, the airwaves were limited, creating a monopoly. Moreover it was impossible to charge for specific content: anyone with a wireless set could freely enjoy anything on air. Other than advertising, a licence was the only option.

The best underrated shows on Netflix

From our UK edition

With over 160 million subscribers – which ranks somewhere between the population of Bangladesh and Nigeria – Netflix’s biggest shows command staggering audiences worldwide. But the streaming platform has also snapped up the rights to hundreds of lesser known series, some of which are just as good. Here’s our pick of the undiscovered gems: Rectify https://www.youtube.com/watch?v=rd0_nNkdi0c When it comes to sheer critical acclaim, few shows can match Rectify. From the moment this slow-burn crime drama debuted in the US in 2013, it was praised to the hills by television aficionados. Yet even after four successful seasons, and an excellent finale, the show remains relatively unknown compared to the likes of Breaking Bad and The Wire.

Cats: The Snuff Movie

This article is in The Spectator’s March 2020 US edition. Subscribe here. In the 1970s, the English humorist Alan Coren set out to create the grabbiest literary cover package in the history of bestsellerdom. He titled his book, a collection of funny essays, Golfing for Cats and hit the trifecta by putting a massive, and otherwise totally irrelevant, swastika on the front. Needless to say, the book sold well. Golf isn’t as big now as it was then, but Coren’s other two ingredients remain staples of popular entertainment.

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The best Oscar-winning films to watch on Netflix

From our UK edition

As this year’s Oscar-winning films continue their box office reign, it’s salutary to remember that some excellent films have been honoured over the years. Even as many have faded from memory (Crash, anyone?), some of the award-winners that can be found on Netflix represent the very best in contemporary cinema. Here are some of our favourites. The Silence Of The Lambs (1991) https://www.youtube.com/watch?v=W6Mm8Sbe__o Jonathan Demme’s psychological thriller was the last (to date) film to win the ‘big five’ at the Oscars – Best Film, Best Director, Best Actor, Best Actress and Best Adapted Screenplay.