Los angeles

What monuments stand to teach Americans about themselves

Why do we raise monuments? Why do we tear them down? These questions hover over MONUMENTS, now on view at Los Angeles’s Museum of Contemporary Art and the Brick. The premise is straightforward enough: gather the remains of America’s shattered sculptural conscience – decommissioned Confederate statues and their graffiti-marred plinths – and display them alongside contemporary works on racial topics. This comparison is supposed to reveal something about America’s nature and history, and it certainly does: it shows us just how attached we are to grievance. Both the raising and the destruction of monuments nourishes convictions on either side, ensuring that the argument can never end. Readers will remember the

monuments

Christmas in Los Angeles and London

“Never again!” I sigh every January 6, as I pack away the abundance of Christmas decorations lovingly collected over the decades. “It’s too much!” I moan to Percy. “Let’s go to a hot island next year and get away from it all…” But I never do, because I just love Christmas. Every year in early November I eagerly unpack multiple boxes tenderly packed two years earlier because we like to spend Christmas in London one year and in LA the next, as we love both cities. I have quite a lot of extended family in each, so we know that celebrating in either one will be very “happy families.” But