Lindsay Lohan

The strange life of Lindsay Lohan

You may not have realized it, but the actress Lindsay Lohan has been quietly orchestrating a comeback over the past few years. In 2022, she signed a multifilm deal with Netflix that led to such forgettable pieces of fluff as the Oirish romantic comedy Irish Wish, and now she has returned in her highest-profile film in years, the Freaky Friday sequel, Freakier Friday. Lohan stars opposite the Oscar-winning Jamie Lee Curtis in what is clearly (and cynically) intended as a piece of four-quadrant fluff, and Disney will be hoping that the sequel recaptures some of the 2003 original’s box-office alchemy; it grossed $160 million worldwide on a $26 million budget.

Why Ted Sarandos — and his son — should be disciplined

It must be nice to be Netflix CEO Ted Sarandos. Not only is he paid a truly eye-watering amount of money to be in his job (roughly $50 million a year, according to reports), but because of his company’s pre-eminent position in the streaming market, he is interviewed, largely uncritically, by major news titles, even when he says things that are obviously either wrong or deeply stupid. Thus it has proved in a recent conversation with the New York Times, in which he announced, of last year’s hits Barbie and Oppenheimer, “Both of those movies would be great for Netflix. They definitely would have enjoyed just as big an audience on Netflix.” To add insult to injury, he declared that the size of a screen was all but irrelevant, saying, “My son’s an editor.

ted sarandos netflix

What’s with the pro-pregnancy tabloid trend?

The “Femail Today” section of the Daily Mail often features such can’t-miss content as Doja Cat “flashing her bare bust beneath fishnet body stocking in VERY racy shoot” and Emily Ratajkowski’s every move. Lately, though, there’s been a shift in the Mail’s focus: pregnant women are everywhere! Femail last week, for instance, featured as many women with child — Lindsay Lohan, Rihanna and Serena Williams — in its top stories as women without. Kourtney Kardashian is regularly pictured “showing off” her growing baby bump (today it was in a TINY string bikini). When Lohan gave birth this week, the Mail lauded the occasion and reported how Lohan and her husband are “‘in love’ with their new addition.

lindsay lohan pregnant pregnancy

‘Rent-a-pap’: inside the murky relationship between paparazzi and celebrities

The clamor of voices, the snapping of shutters, the dazing glare of bulb after bulb. A celebrity is whisked into a waiting car by a no-nonsense staffer, holding back the throng so they can make their escape. But just how easy is it to cause this scene? This week, I put on my most refined accent and dialed the number of a photo agency to find out.  “Hi, I’m a publicist and I have a new client looking to move from London to LA.” “What kind of client?” “She’s done a lot of reality TV and she’s a fashion influencer, mainly on TikTok. I’d prefer not to name her at this point.” “Ok. What are you looking for?” “I was — we were — hoping to create some buzz around the move, something that’ll get her into the papers.

paparazzi rent-a-pap

The return of Lindsay Lohan

Falling for Christmas has a ridiculous logline: “Newly engaged, spoiled hotel heiress gets into a skiing accident, suffers from total amnesia and finds herself in the care of a handsome, blue-collar lodge owner and his precocious daughter in the days leading up to Christmas.” The Netflix romp is notable only as it marks Lindsay Lohan’s return to a genre that made her famous. “It’s such a refreshing, heartwarming romantic comedy and I miss doing those kinds of movies,” Lohan told Netflix, in earnest, while describing her character as, “Extravagant. Temperamental. Glamorous.” You could build a campy slasher flick or porno off such plot scaffolding; none would be great cinema. And yet Falling for Christmas is more complicated than that. Why?

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Di another day

I was reprimanded by my parents for talking during the minute’s silence at Princess Diana’s funeral. In my defense, I was six years old at the time. Almost twenty-five years have passed since that fateful night in Paris, when the People’s Princess was pursued by the press one last time. In the years since, Diana’s legacy has hung over not just the British royal family, but the relationship between society and celebrity. Her death marked one of the first real moments of global introspection: was our paparazzi too invasive, our press too dogged? We now look back at the media’s treatment of Britney Spears, Whitney Houston and Lindsay Lohan and ask the same questions. But it all goes back to Di.

princess diana