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A 21st-century Holden Caulfield: The Book of Form and Emptiness, by Ruth Ozeki, reviewed

The world Ruth Ozeki creates in The Book of Form & Emptiness resembles one of the snow globes that pop up throughout the novel: a whirling chaos of objects and people. The narration is shared between traumatised Benny, a 21st-century Holden Caulfield figure, and ‘The Book’ itself, opinionated, chatty. The author has fun with both wokery and its opposite. Look out for the gender-fluid pet ferret whose preferred pronoun is They. Benny’s father died when the boy was 12, run down by a truck full of chickens. Now going on 14, he hears voices in his head, objects speak to him (coffee cups, sneakers, windowpanes), bombarding him with conflicting advice. He’s haunted by memories of his Japanese jazz clarinetist father.

From half a shelf to a library: my life in books

‘Yes, I will have a coffee,’ said the van driver. He’d driven down to the south of France from Devon. I motioned him to take a pew at the kitchen table and asked him about himself. Ron was ex-army. Aged 17, he was faced with a stark choice: the building site or the army. Because he’d seen his builder father working in a trench all day with water up to his waist, he chose the army. He joined the Royal Engineers and trained as a driver. In the early 1970s he drove two SAS men around Belfast in an unmarked saloon car. That was the job. All day every day. Everywhere Gerry Adams went Ron followed him. Gerry Adams knew he had a tail and would give a friendly or an unfriendly wave, depending on how he was feeling. Yes, he enjoyed the army.