Letters

More gossip with less art?

From our UK edition

To say that this first volume of Samuel Beckett’s collected letters is a puzzle and a disappointment is to suggest that one might have had specific expectations of it. Where did this cryptic and poetic writer come from? What did so very affectless an author sound like when he was talking in his own voice to his intimates? And, considering the remote relationship most of his writing bears to the world, how did he look at it? Added to this specific anticipation is the knowledge that Beckett, in tthe Thirties, had an exceptionally interesting life. He was an intimate of the Joyce household, trusted by all members of it. He played an important role in the composition and development of Finnegans Wake.

Getting the detail right

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Evelyn Waugh told Nancy Mitford he was ‘surprised to find’ that Proust ‘was a mental defective. He has absolutely no sense of time.’ Evelyn Waugh told Nancy Mitford he was ‘surprised to find’ that Proust ‘was a mental defective. He has absolutely no sense of time.’ (Joke, given the novel’s title?) ‘He can’t remember anyone’s age. In the same summer as Gilberte gives him a marble and Françoise takes him to the public lavatory in the Champs Elysées, Bloch takes him to a brothel.’ Well, I can’t remember just where all this comes in A La Recherche, but suspect that either Waugh or Scott-Moncrieff, whose translation he was reading, made a confusion of tenses.

Life & Letters | 13 December 2008

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Flying to Athens on one of his last visits to Greece, Simon Gray started reading a novel by C. P. Snow, one of those old orange Penguins. After 50 pages he ‘still had no idea what the story was about’. It seemed foggy, ‘but an odd sort of fog, everything described so clearly, and yet everything obscured … he describes his world without seeing it, almost as if he thinks adjectives are in themselves full of detail and content.’ As for the narrator, Lewis Eliot (‘I suppose he’s a front for old C. P. himself’ — which he undoubtedly was), Simon remarked on his ‘trick of having himself complimented’ by other characters. This is certainly irritating.

How to write a wrong

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‘When young lips have drunk deep of the bitter waters of Hate, Suspicion and Despair, all the Love in the world will not wholly take away that knowledge.’ ‘When young lips have drunk deep of the bitter waters of Hate, Suspicion and Despair, all the Love in the world will not wholly take away that knowledge.’ This is the conclusion of Kipling’s harrowing story of child abuse, ‘Baa-Baa Black Sheep’, and it reminds us that the Victorians knew all that one can know, or need to know, about the misery that may be inflicted on children. They also knew where best to deploy that knowledge: in a fictional narrative. No biographer has ever doubted that this story came from Kipling’s own painful experience as a child.

The spice of danger

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From the Front Line: Family Letters & Diaries, 1900 to the Falklands & Afghanistan, by Hew Pike ‘Every man thinks meanly of himself for not having been a soldier,’ reckoned Dr Johnson, and certainly every soldier thinks the less of himself for not having seen action. For four generations the extended Pike family has written movingly of the miseries of partings and of the ‘noise, violence indignity and death’ of the battlefield, but give any of them the choice between a cushy command at Catterick and the Normandy beaches and it is no contest. ‘Peace,’ writes the wonderful Reggie Tompson, back in England recovering from a bad wound on 24 December — ‘Peace Sunday’ — 1916, ‘Peace be blowed!

Love between the lines

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Words in Air: The Complete Correspondence Between Elizabeth Bishop and Robert Lowell, edited by Thomas Travisano and Saskia Hamilton Why does this book need to exist? It’s a legitimate question — the correspondence of both these poets has been published in generous selected editions — but an easy one to answer. Quite apart from the fact you’d need prehensile thumbs to follow their exchanges properly through those two fat volumes, the unexpurgated version gives you not only ease but texture: their ‘helter-skelter shop-talk’; gossip about Ezra Pound and Marianne Moore and Randall Jarrell; Lowell ‘exhaustingly’ changing his typewriter ribbons; Bishop getting ‘some of a very old & liquefied jelly bean’ stuck to her letter.