Lester piggott

I met Ben Wallace for the first time the other day. He was pretty well the only minister who came out of Rishi Sunak’s government with his reputation enhanced. I had a humdinger hunt ball hangover from hell – quite appropriate, given that he is leading the campaign to save trail hunting. He, on the other hand, was bright-eyed, bushy tailed and firing on all cylinders, in spite of a long drive to London from the north, where he was MP for Wyre and Preston North for 19 years. A good innings for a 55-year-old. We met in one of those venerable clubs in St James’s where Jimmy’s son John mixes the perfect Bloody Mary. He adds just enough Worcester sauce to make one pace oneself. And I needed to take a pull to get through ten questions without having to recharge my glass.

‘There are just not enough horses’ heads looking out of the boxes,’ said William Jarvis as he ended a 140-year-old family dynasty training in Newmarket. We are losing too many like him. But racing has surmounted previous downturns as a remarkable new book reminds us. George Stubbs is credited as the first great equestrian artist to present galloping horses correctly, with all four feet off the ground rather than splayed out like rocking horses, but James Seymour – to my eye an equally talented artist – had at least experimented with the idea.

Lester Piggott was famous for pinching other jockeys’ rides. He used his friendship with owner Ivan Allan to have Luca Cumani’s regular rider Darrel McHargue ‘jocked off’ Commanche Run in the 1984 St Leger. The disgusted McHargue said that he would spend the day playing tennis rather than watch the race, which duly supplied Piggott with his 28th Classic victory. Asked on Leger morning if rain would spoil Commanche Run’s chances, Lester replied coolly: ‘No, but it will ruin McHargue’s tennis.’ Piggott is famously a man of few words but he can make them tell. Former jockey Dean McKeown told me once of riding 33-1 shot Miss Merlin at Windsor as an apprentice.