John Travolta

Saturday

Stuart Heritage

The horror of the male wig

Horrible injuries are commonplace in boxing but none, surely, has been quite so devastating as that sustained by the heavyweight Jarrell Miller. In the moment it took for an uppercut to land, the Brooklyn boxer’s life changed forever. Miller went from professional athlete to, well, "the man who got his wig punched off." I have rewatched Miller’s hairpiece getting punched off countless times, my hand clamped to my mouth. Why didn’t his team throw in the towel? Why didn’t the referee just stop the fight? Why didn’t Miller, his wig flipped up at 90 degrees like a kitchen trashcan lid, simply step out of the ring, exit the arena and start a new life several thousand miles away under an adopted identity?

wig

Tuesday

Tessa Dunlop

How ballet lessons transformed Princess Diana

There is something undeniably sweet about this book. On one level, in line with the cover’s pretty pink text, it is a simple, unpretentious story about a girl who loved to dance. But on another level, the unfolding tragedy is Shakespearian – an effect amplified by the unfussy prose of Anne Allan, a long-time professional dancer and choreographer. Years after everyone else cashed in their Diana chips, the Scottish-born author has finally decided to tell her story. The book opens in 1981. Allan is a dancer and ballet mistress with the London City Ballet, and the performance is Swan Lake; but the drama happens offstage when she receives a call from Anne Beckwith-Smith, lady-in-waiting to Diana, Princess of Wales.