Jimi hendrix

Was Cat Stevens the inspiration for Carly Simon’s ‘You’re So Vain’?

From our UK edition

Essentially this is a book of two halves –before and after Cat’s conversion to Islam in 1977 – and the first half is immeasurably the more engaging. He was born Steven Georgiou in 1948, the youngest of three children, to a Greek-Cypriot father and a Swedish mother, with a much older brother and sister. His parents ran a café, Moulin Rouge, on Shaftesbury Avenue, in the heart of London’s West End, and the family lived above it. He went to a Catholic primary school near Drury Lane and then, having failed the 11 plus exam, to a secondary modern in the City. But he left school at 16 with only one O-level, in art. It was enough to get him into Hammersmith Art School, but he was already more interested in writing songs.

At last, a private education that wasn’t unmitigated misery

From our UK edition

There has been a spate of books recently about private education, ranging from academic denouncements of their malign effects on society, such as Francis Green and David Kynaston’s Engines of Privilege, to Charles Spencer’s grim chronicle of neglect and abuse, A Very Private School. Though technically falling within this genre, 1967, the singer-songwriter Robyn Hitchcock’s diverting account of his formative spell at Winchester College, seems to hail from a rosier era. It is one where matron’s buttered crumpets rather than bullying were the chief topics of Billy Bunter-esque reminiscences that proclaimed schooldays the happiest of one’s life.

Morals and mortality

There is a moment in the first episode of Dolly Parton’s America when you think the sainted songstress may have made the worst mistake of her career. ‘Do you think of yourself as a feminist?’ asks host Jad Abumrad. ‘No, I do not,’ Dolly says. There is a pause as wide as the gap between those who have four-year degrees and those who don’t. After Dolly says she thinks feminism means hating men, Abumrad cuts to an interview with feminist, Heartland author and Dolly superfan Sarah Smarsh. They grasp for a reason why Dolly would think so non- progressively. The interview starts to feel like a wake.

dolly parton

Would be much better without Bill or Ted: Bill & Ted Face the Music reviewed

From our UK edition

I think I am supposed to say that Bill & Ted Face the Music, the third in a franchise about two Californian morons who time travel to save the world, is a harmless satire on American teenage good-naturedness and stupidity. I’m not sure about that: I think it is more likely evidence of what American cinema has done to the American mind since Jaws turned the B-list film into the A-list film, and vice-versa. Its heinous. The premise is: creatures of the future decided long ago (in 1989) that Bill and Ted would one day write a song that would heal reality.