Imagination

In the realm of magic and imagination, human nature can be better understood than in the world of our everyday lives: ‘The best of our tales do not lie or die.’ It is a bold claim, which the folklorist Jack Zipes explores across continents and class in a series of essays. He guides the reader from the origin of oral storytelling, through medieval writings, to 17th-century literary salons and finally to today’s cinema screens. In the course of this journey, he focuses on the specific genre of the ‘wonder tale’, in which ‘those who are naive and simple are able to succeed because they are untainted and can recognise the wondrous signs... They have not been spoiled by conventionalism, power or rationalism.

In the middle of The Rose Field, the third volume of Philip Pullman’s The Book of Dust trilogy, Lyra has a conversation with an angel about storytelling. What matters most in a dream, says Lyra, is not information but emotion. It reads like Pullman’s own manifesto: the power of the His Dark Materials and Book of Dust novels is how much they make us feel – about the tie between characters and their daemons, the fear of Lyra’s sinister mother Mrs Coulter, the love between Will and Lyra, the protectiveness of the courageous pot boy Malcolm Polstead... The driving emotional force that carries us through The Rose Field is our desire to see Lyra and her daemon Pan reconciled.