Flight Risk proves Mel Gibson is still too toxic for mainstream audiences
The Oscar-winning director’s name was nowhere to be seen on the movie’s trailer
The Oscar-winning director’s name was nowhere to be seen on the movie’s trailer
Her memoir suggests that the icon doesn’t know what makes her compelling
The melding of truth and fiction is both culturally limiting and the kind of dangerous terrain which breeds conspiracy theories and fake news
Spectator writers on their culture picks of the year
After showing the world how interesting an actor he can be, he has retreated deep into an unchallenging comfort zone
A lot of the trailer does look visually outstanding
Life wasn’t always wonderful for her, but she has a gripping Hollywood tale to tell
A quirky throat-clearer before something more straightforwardly commercial happens next year
We invite everybody over that doesn’t have a place to go
I recall nothing of our lunch conversation, which has evaporated after fifty years. But I do have a clear memory of the icon of cinema
The sheer number of outside individuals, movements and institutions involved in the GOP’s sweeping night is astounding
Entrances and Exits shows the Seinfeld actor’s clever, energetic, dissatisfied, self-critical mind at work
Beetlejuice Beetlejuice is a dismally confused hotchpotch that aims for a curious mixture of comedy
Marketeers have made up bad reviews for major works and used them to promote a new film
Plus: Trans Miss Maryland gets a disappointing finish
Twisters represents his latest assault on the box office and America’s affections alike
What’s changed in recent years isn’t the instinct to take safe bets on already popular content — it’s that those bets are no longer paying off
He is now a free man and able to resume a career that has undergone some spectacular highs and lows over the past few decades
He was an actor who, even in the weakest films he appeared in, brought class and dignity
‘She came up to me with her beautiful red hair’