Graham Linehan

Libbing out with Alan Dershowitz at the ‘Sammies’

Usually, the panel section of a black-tie awards dinner is the least lively part of the evening. Honorees praise and agree with each other, soundtracked by the clinks of forks as guests cautiously push salad around their plates. Not so at RealClear’s third Samizdat Awards, AKA the Sammies, which took place at the Breakers in Palm Beach Wednesday. Things started off sedately, with Turning Point USA’s Andrew Kolvet talking about Charlie Kirk, on whose behalf he received the Samizdat Prize. Next, Irish comedy writer Graham Linehan discussed the repercussions he’d faced in Britain for his trans-critical views, for which he garnered sympathy from the room’s guests, who largely trended right-of-center. Then it was Alan Dershowitz’s turn.

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The year wokery went into decline

From our UK edition

We will remember 2025 as the year that a madness which had gripped us for a decade finally succumbed to that most irritating of things, reality – and the edifice it had built began to crumble like a 1970s brutalist building constructed from high alumina cement. It is not quite the case that woke is over, as Piers Morgan believes, simply that its appurtenances have become despised and those who shout most loudly in favour of its idiotic shibboleths are confined to a smaller and smaller tranche of far-left delusionals.

An evening in Austin with Graham Linehan and Meghan Murphy

It’s a telling commentary on our times that an Irish man and a Canadian woman have to go to Texas in order to honestly express themselves in public. But that’s how it played out on Thursday night at a suburban Austin “salon” that Cockburn attended. Cockburn, who also frequently travels to Texas to talk out his heterodox opinions, appreciated the hospitality of hostess Trish Morrison and her husband, who’s a catering paella chef, so the food is always good over there.   The Irishman was Graham Linehan, creator of the sitcoms Father Ted and The IT Crowd, among others, and more recently an embattled participant in the transgender wars.

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Goodbye and good riddance to ‘non-crime’

From our UK edition

The congratulatory messages started pouring in shortly after 5.30 p.m. on Monday. The Metropolitan Police had just issued a press release saying that the force would no longer investigate ‘non-crime hate incidents’ (NCHIs) and people were chalking this up as a victory for the Free Speech Union, the organisation I run. That may seem a bit of a stretch, but the Met linked the decision to its failed pursuit of Graham Linehan, the comedy writer it arrested at Heathrow airport in September over three tweets taking the piss out of trans-rights activists. It was thanks in part to the FSU, which pulled together Graham’s legal team, that the Met decided to abandon the case. In fact though, the person who deserves most of the credit is Sir Mark Rowley, the Metropolitan Police Commissioner.

Save our satire

From our UK edition

When Henry Kissinger was awarded the Nobel Peace Prize in 1973, musician and satirist Tom Lehrer famously quipped that political satire had become obsolete. Today, many people under 50 would be hard-pressed to say who Kissinger was – let alone why the award was controversial. So perhaps, given recent events, it’s time to update the epigram: satire became obsolete the day an Irish comedy writer was arrested by five armed police officers and questioned for hours over a few offhand remarks he made on X. Personally, I never post anything on X. I don’t have the time or energy. And while I’m an implacable supporter of free speech, I also think it behoves us all to exercise discretion about what we say and write. Poking sticks into wasp nests will, inevitably, get you stung.

Britain’s war on free speech is worse than you think

Where do you strike the balance between expression and security? It is a question Americans don’t need to ask. Our Constitution is plain and unambiguous about our fundamental rights to say what we want, write what we like, to gather in protest and – sweet relief – to mock our government.  Not everyone is so lucky. Not even our friends. “It doesn’t give me any great joy to be sitting in America and describing the really awful, authoritarian situation that we have now sunk into,” Britain’s Nigel Farage told the House Judiciary Committee yesterday afternoon, as he detailed the speech crackdown being carried out in the UK. “At what point did we become North Korea?

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How worried are Americans about Britain?

From our UK edition

20 min listen

In Donald Trump and J.D. Vance, Britain has a double-edged sword: one of the most anglophile U.S. administrations of all time – but a greater awareness of UK domestic politics. From Lucy Connolly to the recent arrest of Graham Linehan at Heathrow airport, there is much chatter in America about free speech in Britain and whether it is under threat, especially from the American right. Author Ed West and Spectator World contributor Lee Cohen join Freddy Gray to discuss how much this is cutting through with Americans, what this means for UK-US relations and the new dynamic caused by Reform UK's success. Produced by Megan McElroy and Patrick Gibbons.

Lissa Evans: The Surreal Joys of Producing Father Ted

From our UK edition

30 min listen

My guest on this week's Book Club podcast is the novelist Lissa Evans, talking about her previous life as the producer of the sitcom Father Ted – as described in her new book Picnic on Craggy Island: The Surreal Joys of Producing Father Ted. She tells me about the collaborative genius of Graham Linehan and Arthur Mathews, the unusual experience of having to cut laughter out of episodes because there was simply too much of it, and sending a sheep to make-up.

An exclusive look at Graham Linehan’s Father Ted musical

From our UK edition

The tree-lined streets of Rotherhithe are an odd place to unveil a West End musical. But this is a suitably odd situation. Graham Linehan – lauded comedy writer turned culture warrior – is about to unveil what he calls ‘a musical that may never be seen’. For much of the past 30 years, the idea of turning Father Ted, cult sitcom of the 1990s, into a West End musical would have seemed a hot prospect – certainly to the legions of nerdy, largely male fans who still stream episodes decades later. Once upon a time, it looked destined for Shaftesbury Avenue, backed by one of the biggest names in theatre. Now it might be going nowhere.